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Aisthesis-Pratiche Linguaggi e Saperi dell Estetico最新文献

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Testimonio y práctica artística en el Campo de Prisioneros de Chacabuco 1973-1974. El teatro de Mario Molina. 1973-1974年查卡布科集中营的证词和艺术实践。马里奥·莫利纳剧院。
IF 0.2
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2021-08-21 DOI: 10.7764/69.9
Francisca Carolina Durán Mateluna
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引用次数: 0
De los usos de la muerte en La expropiación de Raúl Ruiz 在劳尔·鲁伊斯的征用中使用死亡
IF 0.2
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2021-08-20 DOI: 10.7764/69.5
Nicolas Lema Habash
{"title":"De los usos de la muerte en La expropiación de Raúl Ruiz","authors":"Nicolas Lema Habash","doi":"10.7764/69.5","DOIUrl":"https://doi.org/10.7764/69.5","url":null,"abstract":"","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88337373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cuerpos mirados, cuerpos que miran: Las series fotográficas de Carla Yovane 看着的身体，看着的身体:卡拉·约瓦内的摄影系列
IF 0.2
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2021-08-19 DOI: 10.7764/69.11
D. González
{"title":"Cuerpos mirados, cuerpos que miran: Las series fotográficas de Carla Yovane","authors":"D. González","doi":"10.7764/69.11","DOIUrl":"https://doi.org/10.7764/69.11","url":null,"abstract":"","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84031104","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ciudad penitenciaria: necropolítica y las formas audiovisuales del Noir Lumpen Latinoamericano 监狱城市:拉丁美洲黑色Lumpen的死灵政治和视听形式
IF 0.2
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2021-08-19 DOI: 10.7764/69.8
José Miguel Santa Cruz Grau
{"title":"Ciudad penitenciaria: necropolítica y las formas audiovisuales del Noir Lumpen Latinoamericano","authors":"José Miguel Santa Cruz Grau","doi":"10.7764/69.8","DOIUrl":"https://doi.org/10.7764/69.8","url":null,"abstract":"The present article analizes a group of Latin American audiovisual productions under the light of Achile Mbembe’s “necropolitic” problem. The thematical universe of these movies and tv series, produced between 1990’s and 2018, is the criminal world of Latin American cities. I have previously conceptualized these productions as Latin American Lumpen Noir . This concept will allow readers to think about an extra cinematographic problem: how “necropolitical” forms are the biopolitical regime in which vast sectors of Latin American societies live, and how these urban spaces do not take the forms of the Foucauldian panoptic prison, but that of the Latin American prison pavilions.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73716964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Espacio, sociedad y afectos en tres novelas de Valparaíso: Salvador Reyes, Manuel Rojas y Armando Méndez Carrasco valparaiso三部小说中的空间、社会和情感:萨尔瓦多·雷耶斯、曼努埃尔·罗哈斯和阿曼多mendez卡拉斯科
IF 0.2
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2021-08-19 DOI: 10.7764/69.7
Ximena Figueroa Flores, F. Alfonso
{"title":"Espacio, sociedad y afectos en tres novelas de Valparaíso: Salvador Reyes, Manuel Rojas y Armando Méndez Carrasco","authors":"Ximena Figueroa Flores, F. Alfonso","doi":"10.7764/69.7","DOIUrl":"https://doi.org/10.7764/69.7","url":null,"abstract":"The three chosen novels respond to the economic decline of Valparaíso in the mid-20th century by representing space and society, as well as the predominant affections: Valparaíso, Puerto de nostalgia ([1936] 1955) by Salvador Reyes, is located in the Plan of the city and fluctuates between the nostalgic idealization of the English bourgeoisie and the bohemian one of the present; Hijo de ladrón (1951) by Manuel Rojas and El mundo herido (1955) by Armando Méndez Carrasco, instead privilege the space of the hills and move towards a period of mourning in the face of lost time, updating, respectively, the Enlightenment values and the traditional community.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87240113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La performatividad de las imágenes 图像的表演性
IF 0.2
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2021-08-19 DOI: 10.7764/69.23
A. G. Villar
{"title":"La performatividad de las imágenes","authors":"A. G. Villar","doi":"10.7764/69.23","DOIUrl":"https://doi.org/10.7764/69.23","url":null,"abstract":"","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79145353","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Representaciones de Naturaleza en Isla Victoria 维多利亚岛的自然表现
IF 0.2
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2021-08-19 DOI: 10.7764/69.12
Gabriela Klier Maia Vargas, Conicet Iid y Pca Unlp
{"title":"Representaciones de Naturaleza en Isla Victoria","authors":"Gabriela Klier Maia Vargas, Conicet Iid y Pca Unlp","doi":"10.7764/69.12","DOIUrl":"https://doi.org/10.7764/69.12","url":null,"abstract":"","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90626579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mirada, memoria e imagen en El otro día, de Ignacio Agüero 另一天的凝视、记忆和形象，伊格纳西奥aguero
IF 0.2
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2021-08-19 DOI: 10.7764/69.6
Fernando. Pérez Villalón
{"title":"Mirada, memoria e imagen en El otro día, de Ignacio Agüero","authors":"Fernando. Pérez Villalón","doi":"10.7764/69.6","DOIUrl":"https://doi.org/10.7764/69.6","url":null,"abstract":"Este ensayo aborda la pelicula El otro dia (2014), de Ignacio Aguero, centrandose en las estrategias mediante las cuales el documental construye un espacio filmico y un modo de mirar a partir de la exploracion de la casa de su director y los lugares de residencia de quienes tocan su puerta, como punto de partida para una meditacion sobre la vita cotidiana y la memoria personal y colectiva. Se analiza la presencia en el documental de diversos tipos de imagenes (fotografias, pinturas, dibujos, grabados, afiches, citas filmicas) y la construccion por medio de diversas estrategias de una mirada respetuosa y reflexiva hacia los sujetos que protagonizan el filme.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85088983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El Museo de Arte: la taxonomía y el Patrimonio como operaciones de formación del objeto y el espacio actual 艺术博物馆:分类学和遗产作为形成当前物体和空间的操作
IF 0.2
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2021-08-19 DOI: 10.7764/69.20
Gonzalo Andrés Maire Palma
{"title":"El Museo de Arte: la taxonomía y el Patrimonio como operaciones de formación del objeto y el espacio actual","authors":"Gonzalo Andrés Maire Palma","doi":"10.7764/69.20","DOIUrl":"https://doi.org/10.7764/69.20","url":null,"abstract":"Este articulo es un estudio critico de dos operaciones fundamentales del Museo de Arte actual: su facultad de taxonomizacion de lo real y su complicidad con la categoria de Patrimonio. En la formulacion contemporanea del Museo de Arte, este trabajo discute los alcances y efectos de la taxonomia como intento de (re)produccion de un regimen unitario y continuo de legibilidad e instalacion de los objetos, asi como la investidura de los objetos como Patrimonio, y en virtud de su posibilidad de experiencia, al modo de “documento-archivo” o “simulacro”.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86821811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La canción reflexiva: en torno al estatuto crítico de la música popular en Brasil 反思之歌:围绕巴西流行音乐的关键地位
IF 0.2
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2021-08-19 DOI: 10.7764/69.1
Ismael de Oliveira Gerolamo
{"title":"La canción reflexiva: en torno al estatuto crítico de la música popular en Brasil","authors":"Ismael de Oliveira Gerolamo","doi":"10.7764/69.1","DOIUrl":"https://doi.org/10.7764/69.1","url":null,"abstract":"En el siglo XX, la musica popular fue el lenguaje artistico mas contundente y una de las grandes fuerzas esteticas de Brasil. Desde los anos 30, ella ocupo una posicion importante en debates culturales y proyectos nacionalistas y, a lo largo de los anos, expandio su alcance con el avance de los medios de comunicacion. Dicha inversion todavia resulto, mas alla de lo esperado, en la produccion de una modalidad critica de cancion. Asi que en los 60, Al igual que el arte moderno, la cancion se torno reflexiva, operando de manera critica en relacion a si misma y al contexto cultural y politico. El componente reflexivo de la cancion parece haber ampliado considerablemente su alcance cultural. Tanto es asi que no parece irrazonable senalar una conexion profunda entre la cancion y un cierto horizonte de construccion nacional. En este trabajo, intentamos hacer un panorama del desarrollo de la musica popular brasilena de modo a aclarar ese proceso y, tal vez, posibilitar nuevos planteamientos para pensar sus posibilidades criticas desde su dimension estetica.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90406159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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