Ciudad penitenciaria: necropolítica y las formas audiovisuales del Noir Lumpen Latinoamericano

IF 0.3 0 PHILOSOPHY

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2021-08-19 DOI:10.7764/69.8

José Miguel Santa Cruz Grau

引用次数: 0

Abstract

The present article analizes a group of Latin American audiovisual productions under the light of Achile Mbembe’s “necropolitic” problem. The thematical universe of these movies and tv series, produced between 1990’s and 2018, is the criminal world of Latin American cities. I have previously conceptualized these productions as Latin American Lumpen Noir . This concept will allow readers to think about an extra cinematographic problem: how “necropolitical” forms are the biopolitical regime in which vast sectors of Latin American societies live, and how these urban spaces do not take the forms of the Foucauldian panoptic prison, but that of the Latin American prison pavilions.

查看原文本刊更多论文

监狱城市:拉丁美洲黑色Lumpen的死灵政治和视听形式

本文从阿基勒·姆贝基的“necropolitic”问题出发，分析了一组拉丁美洲的视听作品。这些制作于20世纪90年代至2018年的电影和电视剧的主题世界是拉丁美洲城市的犯罪世界。我之前将这些作品概念化为拉丁美洲的黑色Lumpen Noir。这个概念将允许读者思考一个额外的电影问题:“死亡政治”形式是如何成为拉丁美洲社会的广大部门生活的生命政治制度，以及这些城市空间如何不采取福柯式全景监狱的形式，而是拉丁美洲监狱的形式。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico PHILOSOPHY-

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

40 weeks

期刊介绍： The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.