El Museo de Arte: la taxonomía y el Patrimonio como operaciones de formación del objeto y el espacio actual

IF 0.3 0 PHILOSOPHY

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2021-08-19 DOI:10.7764/69.20

Gonzalo Andrés Maire Palma

引用次数: 0

Abstract

Este articulo es un estudio critico de dos operaciones fundamentales del Museo de Arte actual: su facultad de taxonomizacion de lo real y su complicidad con la categoria de Patrimonio. En la formulacion contemporanea del Museo de Arte, este trabajo discute los alcances y efectos de la taxonomia como intento de (re)produccion de un regimen unitario y continuo de legibilidad e instalacion de los objetos, asi como la investidura de los objetos como Patrimonio, y en virtud de su posibilidad de experiencia, al modo de “documento-archivo” o “simulacro”.

查看原文本刊更多论文

艺术博物馆:分类学和遗产作为形成当前物体和空间的操作

这篇文章是对当代艺术博物馆两种基本操作的批判性研究:它对真实事物的分类能力和它与遗产范畴的合同性。在formulacion contemporanea艺术博物馆,这个工作的范围和效果taxonomia作为一个统一的政权企图(re)的和连续的可读性和下载,所以物体对象的服装作为遗产,根据他的经验,“documento-archivo模式”或“演习”。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico PHILOSOPHY-

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

40 weeks

期刊介绍： The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.