Mirada, memoria e imagen en El otro día, de Ignacio Agüero

IF 0.3 0 PHILOSOPHY

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2021-08-19 DOI:10.7764/69.6

Fernando. Pérez Villalón

引用次数: 0

Abstract

Este ensayo aborda la pelicula El otro dia (2014), de Ignacio Aguero, centrandose en las estrategias mediante las cuales el documental construye un espacio filmico y un modo de mirar a partir de la exploracion de la casa de su director y los lugares de residencia de quienes tocan su puerta, como punto de partida para una meditacion sobre la vita cotidiana y la memoria personal y colectiva. Se analiza la presencia en el documental de diversos tipos de imagenes (fotografias, pinturas, dibujos, grabados, afiches, citas filmicas) y la construccion por medio de diversas estrategias de una mirada respetuosa y reflexiva hacia los sujetos que protagonizan el filme.

查看原文本刊更多论文

另一天的凝视、记忆和形象，伊格纳西奥aguero

本文阐述电影,那天(2014)战略,Ignacio Aguero, centrandose纪录片构建一个部电影的空间,并通过一个方法去探究起家中主任和人的居住地碰到她的门,作为起点,以一个meditacion个人简历日常事务和个人和集体记忆。它分析了不同类型的图像(照片、绘画、素描、雕刻、海报、电影引用)在纪录片中的存在，并通过不同的策略对电影中的主角进行尊重和反思。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico PHILOSOPHY-

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

40 weeks

期刊介绍： The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.