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Cinema-Journal of Philosophy and the Moving Image最新文献

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Movies, Narrative, and Emotion 电影、叙事和情感
Cinema-Journal of Philosophy and the Moving Image Pub Date : 2021-08-19 DOI: 10.1093/oso/9780190683306.003.0008
Noël Carroll
{"title":"Movies, Narrative, and Emotion","authors":"Noël Carroll","doi":"10.1093/oso/9780190683306.003.0008","DOIUrl":"https://doi.org/10.1093/oso/9780190683306.003.0008","url":null,"abstract":"This chapter discusses the way in which the criterial prefocusing of audience emotions and erotetic narration are typically coordinated in movies.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"48 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74015865","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cognitivism, Psychology, and Neuroscience 认知主义，心理学和神经科学
Cinema-Journal of Philosophy and the Moving Image Pub Date : 2021-08-19 DOI: 10.1093/oso/9780190683306.003.0007
Noël Carroll
{"title":"Cognitivism, Psychology, and Neuroscience","authors":"Noël Carroll","doi":"10.1093/oso/9780190683306.003.0007","DOIUrl":"https://doi.org/10.1093/oso/9780190683306.003.0007","url":null,"abstract":"This chapter considers a range of devices available to movie makers for controlling audience attention – including variable framing, the criterial prefocusing of emotion, erotetic narration – in light of current research in psychology.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"34 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72724096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Philosophizing through the Moving Image 通过动态图像进行哲学思考
Cinema-Journal of Philosophy and the Moving Image Pub Date : 2021-08-19 DOI: 10.1093/oso/9780190683306.003.0005
Noël Carroll
{"title":"Philosophizing through the Moving Image","authors":"Noël Carroll","doi":"10.1093/oso/9780190683306.003.0005","DOIUrl":"https://doi.org/10.1093/oso/9780190683306.003.0005","url":null,"abstract":"This chapter defends the possibility of some motion pictures doing philosophy on the grounds that some motion pictures have already done so, including Enie Gehr’s Serene Velocity. Special attention is paid to the avant-garde genre of what the author calls “Minimal Film” (a.k.a. “Structural Film”) and the way in which that arena of practice makes philosophical discourse via the moving image possible.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"2 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80158850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Toward an Ontology of the Moving Image 走向运动影像的本体
Cinema-Journal of Philosophy and the Moving Image Pub Date : 2021-08-19 DOI: 10.1093/oso/9780190683306.003.0001
Noël Carroll
{"title":"Toward an Ontology of the Moving Image","authors":"Noël Carroll","doi":"10.1093/oso/9780190683306.003.0001","DOIUrl":"https://doi.org/10.1093/oso/9780190683306.003.0001","url":null,"abstract":"This chapter proposes a series of necessary conditions for membership in the category of the moving image, a group that includes not only film, but broadcast television, video, various kinds of computer-generated imagery, and technologies yet to be invented. The chapter argues that “the moving image” is the category that media studies – including the philosophy of media – needs in order to organize and carry out the kinds of research it is pursuing.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75924551","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rough Heroes 粗糙的英雄
Cinema-Journal of Philosophy and the Moving Image Pub Date : 2021-08-19 DOI: 10.1093/oso/9780190683306.003.0011
Noël Carroll
{"title":"Rough Heroes","authors":"Noël Carroll","doi":"10.1093/oso/9780190683306.003.0011","DOIUrl":"https://doi.org/10.1093/oso/9780190683306.003.0011","url":null,"abstract":"This essay is a response to Anne Eaton’s case for the position in the ethics of narrative fiction known as “immoralism,” or as she calls it “Robust Immoralism.” Her examples in behalf of immoralism include the cultivation of positive attitudes on the part of the audience toward characters like Tony Soprano in the television series The Sopranos. In contrast to Eaton, the author argues that the case for “rough heroes” is based on what he calls “the narrative fallacy” and that currying sympathy for rough heroes is not, pace Eaton, a very challenging artistic feat.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"102 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77630991","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Movie-Made Philosophy 电影哲学
Cinema-Journal of Philosophy and the Moving Image Pub Date : 2021-08-19 DOI: 10.1093/oso/9780190683306.003.0004
Noël Carroll
{"title":"Movie-Made Philosophy","authors":"Noël Carroll","doi":"10.1093/oso/9780190683306.003.0004","DOIUrl":"https://doi.org/10.1093/oso/9780190683306.003.0004","url":null,"abstract":"This chapter defends the view that it is within the resources of moving image works to do philosophy – that is to produce original philosophy. To that end the article confronts a range of objections to the possibility of movie made philosophy and in the course of challenging them, proposes a range of ways in which movies can make philosophy.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79566562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Motion Picture Narration 电影旁白
Cinema-Journal of Philosophy and the Moving Image Pub Date : 2016-03-02 DOI: 10.4324/9781315764887-7
N. Carroll
{"title":"Motion Picture Narration","authors":"N. Carroll","doi":"10.4324/9781315764887-7","DOIUrl":"https://doi.org/10.4324/9781315764887-7","url":null,"abstract":"This chapter opposes the notion of ubiquitous, implicit narration in movie fictions, specifically challenging the position of George Wilson on the matter.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"85 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87413298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Béla Balázs
Cinema-Journal of Philosophy and the Moving Image Pub Date : 2015-12-31 DOI: 10.14361/9783839433621-034
Noël Carroll
{"title":"Béla Balázs","authors":"Noël Carroll","doi":"10.14361/9783839433621-034","DOIUrl":"https://doi.org/10.14361/9783839433621-034","url":null,"abstract":"This chapter examines wo of Balász’s early film theory books and situates him in the context of classical film theory, while arguing that he is committed to a version of the expression theory of art.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"106 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79554661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Eisenstein’s Philosophy of Film 爱森斯坦的电影哲学
Cinema-Journal of Philosophy and the Moving Image Pub Date : 2003-12-31 DOI: 10.1515/9789048505067-009
Noël Carroll
{"title":"Eisenstein’s Philosophy of Film","authors":"Noël Carroll","doi":"10.1515/9789048505067-009","DOIUrl":"https://doi.org/10.1515/9789048505067-009","url":null,"abstract":"This chapter offers an organized account of Eisenstein’s film theory which attempts to demonstrate that although Eisenstein gives the appearance of being a medium specificity theorist in terms of montage, he is actually developing a very different kind of theory of film than that attributed to other classical film theorists like Arnheim and Balász.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2003-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83158850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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