{"title":"Motion Picture Narration","authors":"N. Carroll","doi":"10.4324/9781315764887-7","DOIUrl":null,"url":null,"abstract":"This chapter opposes the notion of ubiquitous, implicit narration in movie fictions, specifically challenging the position of George Wilson on the matter.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"85 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2016-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cinema-Journal of Philosophy and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4324/9781315764887-7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 2
Abstract
This chapter opposes the notion of ubiquitous, implicit narration in movie fictions, specifically challenging the position of George Wilson on the matter.