{"title":"走向运动影像的本体","authors":"Noël Carroll","doi":"10.1093/oso/9780190683306.003.0001","DOIUrl":null,"url":null,"abstract":"This chapter proposes a series of necessary conditions for membership in the category of the moving image, a group that includes not only film, but broadcast television, video, various kinds of computer-generated imagery, and technologies yet to be invented. The chapter argues that “the moving image” is the category that media studies – including the philosophy of media – needs in order to organize and carry out the kinds of research it is pursuing.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"1 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Toward an Ontology of the Moving Image\",\"authors\":\"Noël Carroll\",\"doi\":\"10.1093/oso/9780190683306.003.0001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter proposes a series of necessary conditions for membership in the category of the moving image, a group that includes not only film, but broadcast television, video, various kinds of computer-generated imagery, and technologies yet to be invented. The chapter argues that “the moving image” is the category that media studies – including the philosophy of media – needs in order to organize and carry out the kinds of research it is pursuing.\",\"PeriodicalId\":43260,\"journal\":{\"name\":\"Cinema-Journal of Philosophy and the Moving Image\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-08-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cinema-Journal of Philosophy and the Moving Image\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780190683306.003.0001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cinema-Journal of Philosophy and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190683306.003.0001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
This chapter proposes a series of necessary conditions for membership in the category of the moving image, a group that includes not only film, but broadcast television, video, various kinds of computer-generated imagery, and technologies yet to be invented. The chapter argues that “the moving image” is the category that media studies – including the philosophy of media – needs in order to organize and carry out the kinds of research it is pursuing.