爱森斯坦的电影哲学

IF 0.2 0 FILM, RADIO, TELEVISION

Cinema-Journal of Philosophy and the Moving Image Pub Date : 2003-12-31 DOI:10.1515/9789048505067-009

Noël Carroll

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引用次数: 1

摘要

这一章对爱森斯坦的电影理论进行了有组织的描述，试图证明尽管爱森斯坦在蒙太奇方面表现出一种媒介特异性理论家的形象，但他实际上发展了一种与其他经典电影理论家如阿恩海姆和Balász截然不同的电影理论。

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Eisenstein’s Philosophy of Film

This chapter offers an organized account of Eisenstein’s film theory which attempts to demonstrate that although Eisenstein gives the appearance of being a medium specificity theorist in terms of montage, he is actually developing a very different kind of theory of film than that attributed to other classical film theorists like Arnheim and Balász.

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来源期刊

Cinema-Journal of Philosophy and the Moving Image Multiple-

CiteScore

0.10

自引率

0.00%

发文量

审稿时长

40 weeks