{"title":"电影旁白","authors":"N. Carroll","doi":"10.4324/9781315764887-7","DOIUrl":null,"url":null,"abstract":"This chapter opposes the notion of ubiquitous, implicit narration in movie fictions, specifically challenging the position of George Wilson on the matter.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"85 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2016-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Motion Picture Narration\",\"authors\":\"N. Carroll\",\"doi\":\"10.4324/9781315764887-7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter opposes the notion of ubiquitous, implicit narration in movie fictions, specifically challenging the position of George Wilson on the matter.\",\"PeriodicalId\":43260,\"journal\":{\"name\":\"Cinema-Journal of Philosophy and the Moving Image\",\"volume\":\"85 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2016-03-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cinema-Journal of Philosophy and the Moving Image\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4324/9781315764887-7\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cinema-Journal of Philosophy and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4324/9781315764887-7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
This chapter opposes the notion of ubiquitous, implicit narration in movie fictions, specifically challenging the position of George Wilson on the matter.