ROMANCE NOTES最新文献_第3页

Memórias autobiográficas: De Os Cus de Judas a Caderno de memórias coloniais 自传体回忆录：从《犹大驴子》到殖民地回忆录

4区文学

ROMANCE NOTES Pub Date : 2024-02-22 DOI: 10.1353/rmc.2023.a919735

Sandra Sousa

引用次数: 0

Cantes por tangos y bulerías: Rosalía en el panorama musical español actual Tangos and bulerías：罗莎莉亚谈当前的西班牙音乐界

4区文学

ROMANCE NOTES Pub Date : 2024-02-22 DOI: 10.1353/rmc.2023.a919721

Vicente Chacón-Carmona

{"title":"Cantes por tangos y bulerías: Rosalía en el panorama musical español actual","authors":"Vicente Chacón-Carmona","doi":"10.1353/rmc.2023.a919721","DOIUrl":"https://doi.org/10.1353/rmc.2023.a919721","url":null,"abstract":"Resumen:Este artículo se centra en el uso específico que hace Rosalía del flamenco y la sitúa dentro del panorama español de artistas que beben de él y lo utilizan en sus producciones. Se estudia en concreto el modo en que la propuesta musical de la artista catalana refleja su apreciación—que no apropiación— del flamenco y su conocimiento de este. Asimismo, se compara su trabajo con el de otros artistas con planteamientos musicales singulares dentro del multiverso flamenco tales como Mayte Martín, Miguel Poveda, María Peláe, Las Migas, La Shica o Rosario la Tremendita. El trabajo parte del análisis de los palos específicos que la cantante usa como el tango \"Catalina\" del disco Los Ángeles (2017) y el tema \"Bulerías\" del álbum Motomami (2022), de la que, además, se analiza la letra. Ambas piezas demuestran la intencionalidad y la convicción flamenca de Rosalía desde un principio, además de un profundo conocimiento de la tradición al versionar composiciones que cantaores icónicos como Manuel Vallejo, la Perla de Cádiz, la Paquera de Jerez o Camarón de la Isla cantaron en su tiempo y que muchos otros artistas han versionado a su vez y siguen haciendo. El estudio intenta desligar de toda polémica o ilegitimidad flamenca el trabajo de la cantante y enmarca su trabajo en la evolución e idiosincrasia natural de la música española y del flamenco en las últimas décadas.","PeriodicalId":42940,"journal":{"name":"ROMANCE NOTES","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139920017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

El viaje dionisíaco de Rosalía 罗萨莉亚的狄奥尼西亚之旅

4区文学

ROMANCE NOTES Pub Date : 2024-02-22 DOI: 10.1353/rmc.2023.a919729

Zachary Rockwell Ludington

引用次数: 0

Compositional Convergence in Whitman and Borges 惠特曼和博尔赫斯的创作趋同

4区文学

ROMANCE NOTES Pub Date : 2024-02-22 DOI: 10.1353/rmc.2023.a919737

Nora Benedict

引用次数: 0

El mal querer: Rosalía's Postmodern "Universe" of Meanings El mal querer：罗莎莉亚的后现代意义 "宇宙

4区文学

ROMANCE NOTES Pub Date : 2024-02-22 DOI: 10.1353/rmc.2023.a919727

Victoria Driggs

{"title":"El mal querer: Rosalía's Postmodern \"Universe\" of Meanings","authors":"Victoria Driggs","doi":"10.1353/rmc.2023.a919727","DOIUrl":"https://doi.org/10.1353/rmc.2023.a919727","url":null,"abstract":"Abstract:The juxtaposition of adoration and criticism that audiences have directed towards Rosalía's album El mal querer since its 2018 release has led scholars to take notice. Many scholars have tried to analyze the reasoning behind the album's sudden controversial success and have attributed it to everything from Rosalía's use of flamenco fusion and Andalusian elements (Peter Manuel) to the overall heterogenous nature of her work (Carlos Morales Gálvez, Marisol Salanova, Jorge Carrión, and Javier Blánquez). Only a few (Morales Gálvez and Salanova) have gone beyond discussing Rosalía's artistic choices and their impact to also mention the role of viewers, and even these two individuals have failed to provide an in-depth analysis of the global viewers' role in Rosalía's rapid rise to stardom. My article aims to fill this gap by concentrating on the instrumentality of Rosalía's global spectators in the impact of El mal querer. Through a focus on the aural and visual elements within the album's video chapter \"Malamente,\" I will illustrate how both the album's popularity and controversy stem from its nature as a postmodern \"universe\" of intertexts that gives fans and critics around the world the agency to create an abundance of meanings alongside Rosalía.","PeriodicalId":42940,"journal":{"name":"ROMANCE NOTES","volume":"42 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139919839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Almudena Grandes and the "Problem of Spain" 阿尔穆德纳-格兰德斯与 "西班牙问题"

4区文学

ROMANCE NOTES Pub Date : 2024-02-22 DOI: 10.1353/rmc.2023.a919736

Novia Pagone

{"title":"Almudena Grandes and the \"Problem of Spain\"","authors":"Novia Pagone","doi":"10.1353/rmc.2023.a919736","DOIUrl":"https://doi.org/10.1353/rmc.2023.a919736","url":null,"abstract":"Abstract:From 2008 until her untimely death in 2021, Almudena Grandes wrote a weekly column in El País where she often addressed, and lamented, the state of Spanish democracy and the need to reconcile Spain's history for a chance at a better future, a topic familiar to readers of her novels. Although her fiction writing on these themes is well studied, her nonfiction has garnered less attention. The 2019 publication of a selection of these columns, La herida perpetua, spanning the decade marked by the 2008 economic crisis through the 2018 resurgence of the far right, provides us an opportunity to look more closely at the impact and importance of Grandes's nonfiction. Informed by recent scholarship on the state of Spanish democracy and criticism of traditional narratives of the transition to democracy (1975–1982), I argue that these columns represent a public call to action with the goal of (re)building a society that values open debate and fosters an active citizenry, one with the resilience to exercise their rights daily to hold accountable corrupt politicians. Collecting a selection of Grandes's weekly writing into one volume allows readers to contemplate the political events of an important period in Spain's democracy and to engage the legacies of the past while suggesting possibilities for the future, a dialogical exchange that defines democracy and is necessary for its survival.","PeriodicalId":42940,"journal":{"name":"ROMANCE NOTES","volume":"139 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139919749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Spaces of Estrangement in Luiz Ruffato's Eles Eram Muitos Cavalos 路易斯-鲁法托《Eles Eram Muitos Cavalos》中的疏离空间

4区文学

ROMANCE NOTES Pub Date : 2024-02-22 DOI: 10.1353/rmc.2023.a919734

Sophia Beal

{"title":"Spaces of Estrangement in Luiz Ruffato's Eles Eram Muitos Cavalos","authors":"Sophia Beal","doi":"10.1353/rmc.2023.a919734","DOIUrl":"https://doi.org/10.1353/rmc.2023.a919734","url":null,"abstract":"Abstract:In 2001, Luiz Ruffato published Eles eram muitos cavalos, one of the most celebrated Brazilian novels of the last thirty years. That same year, the renowned geographer Ana Fani Alessandri Carlos—who has dedicated most of her career to studying São Paulo— published the article \"São Paulo hoje: as contradições no processo de reprodução do espaço.\" Ruffato's and Carlos's texts render a moment just prior to widespread access to the internet and social media that transformed spatial practices, communication, activism, and consumption within global cities. I return to Ruffato's novel over two decades after its initial publication to analyze how it—in ways that dovetail with contemporary Brazilian urban geography— envisions the right to the global city, particularly residents' experience of estrangement. Both Ruffato and Carlos capture the ways that the dominance of the capitalist production of space creates estrangement because residents are disconnected from a social fabric, fearful of the street, and less able to create collective urban memories. As Carlos spatially explains the production of estrangement in São Paulo, Ruffato, employing innovative aesthetic solutions, imagines how individuals experience estrangement in the city. The novel, despite its local specification, conveys, more broadly, residents' sensory and emotional experiences of estrangement in global cities.","PeriodicalId":42940,"journal":{"name":"ROMANCE NOTES","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139919838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

La Rosalía y la nación: Redes sociales, discursos políticos y cultura nacional en Cataluña 罗萨莉亚与民族：加泰罗尼亚的社交网络、政治话语和民族文化

4区文学

ROMANCE NOTES Pub Date : 2024-02-22 DOI: 10.1353/rmc.2023.a919728

Eloi Grasset

引用次数: 0

De tablaos a tableaux: Ecos saurianos en Rosalía 从塔布拉奥斯到舞台剧：《罗萨利亚》中的索里亚语回声

4区文学

ROMANCE NOTES Pub Date : 2024-02-22 DOI: 10.1353/rmc.2023.a919722

María del Carmen Caña Jiménez

引用次数: 0

Digitizing Divas: Pedagogical Approaches to Contemporary Spanish Visual Culture Digitizing Divas：当代西班牙视觉文化的教学方法

4区文学

ROMANCE NOTES Pub Date : 2024-02-22 DOI: 10.1353/rmc.2023.a919732

Tyler Anthony

{"title":"Digitizing Divas: Pedagogical Approaches to Contemporary Spanish Visual Culture","authors":"Tyler Anthony","doi":"10.1353/rmc.2023.a919732","DOIUrl":"https://doi.org/10.1353/rmc.2023.a919732","url":null,"abstract":"Abstract:The ubiquity of multimodal advertisements, digital platforms, and social media has increasingly exposed twenty-first-century students to different elements of visual culture, thus facilitating their familiarity with interpretations of visual signs and iconography. It is my contention that instructors of Spanish can utilize elements of Spanish visual culture in their classroom to provide increased opportunities for deep cultural analysis and the development of students' overall communicative competence. Engaging with authentic materials relating to the popular Spanish singer Rosalía Vila Tobella is one way to achieve such competencies. The artist's global popularity and visual embodiment of Spanish culture in her music videos and social media posts offers students useful opportunities to reflect on issues of visuality relating to gender, race, and Spain's unique geographic and symbolic position as a southern European nation with linkages to the Americas, Africa, and Asia. Drawing on the work of visual theorists such as Roland Barthes and Stuart Hall, I suggest students can reflect on Rosalía's visual oeuvre both through the identity-based tensions and within a larger genealogy of Spanish iconography. By creating their own multimodal publications about the artist through digital platforms such as Flipsnack, Google Sites, or Canva, students can study the politics of representation within the context of Spanish culture in a manner that facilitates visual learning beyond the confines of the traditional written assignment. Analyzing the visuality of Rosalía and her representation of Spanish culture teaches students practical linguistic skills related to their established online presence as \"digital natives.\"","PeriodicalId":42940,"journal":{"name":"ROMANCE NOTES","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139919746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0