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Decadenza nazionale nella ricezione fin-de-siècle dell'Intermezzo di rime di d'Annunzio 德-安南齐奥《旋律间奏曲》在十九世纪末期被接受的民族颓废情绪
4区 文学
ROMANCE NOTES Pub Date : 2024-09-06 DOI: 10.1353/rmc.2023.a936549
Guylian Nemegeer
{"title":"Decadenza nazionale nella ricezione fin-de-siècle dell'Intermezzo di rime di d'Annunzio","authors":"Guylian Nemegeer","doi":"10.1353/rmc.2023.a936549","DOIUrl":"https://doi.org/10.1353/rmc.2023.a936549","url":null,"abstract":"<p><p>Abstract:</p><p>L'articolo propone una riconsiderazione della ricezione fin-de-siècle della raccolta di versi <i>Intermezzo di rime</i> (1883) di Gabriele d'Annunzio. Rifacendosi alle teorie sull'orizzonte di attesa e sull'ethos autoriale, il saggio mette in luce l'effetto di framing esercitato dal contesto storico-culturale sulla ricezione dell'opera. Il dibattito critico intorno all'opera risente infatti della riflessione sulla funzione della letteratura nell'Italia unita e della denigrazione a cui sono soggetti gli italiani a livello europeo. L'influenza di questi aspetti sulla ricezione dell'opera dà luogo all'ethos decadente con cui d'Annunzio dovrà fare i conti lungo tutta la sua carriera.</p></p>","PeriodicalId":42940,"journal":{"name":"ROMANCE NOTES","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142208768","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Quevedo "redivivo" en una sátira política inédita a favor de Juan José de Austria 克韦多在一篇未发表的政治讽刺诗中 "复活"，支持奥地利的约翰-约瑟夫
4区 文学
ROMANCE NOTES Pub Date : 2024-09-06 DOI: 10.1353/rmc.2023.a936542
Fernando Plata Parga
{"title":"Quevedo \"redivivo\" en una sátira política inédita a favor de Juan José de Austria","authors":"Fernando Plata Parga","doi":"10.1353/rmc.2023.a936542","DOIUrl":"https://doi.org/10.1353/rmc.2023.a936542","url":null,"abstract":"<p><p>Resumen:</p><p>Edición crítica, con introducción y notas, de una sátira política en verso inédita y anónima compuesta en 1669. El locutor es Quevedo, quien hace un alegato en favor de la legitimidad de Juan José de Austria, hijo de Felipe IV, y un ataque al valimiento de Nithard, recién caído, todo ello en el marco del pulso político entre don Juan José y Mariana de Austria en la primera mitad de ese año.</p></p>","PeriodicalId":42940,"journal":{"name":"ROMANCE NOTES","volume":"254 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142208732","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Las raíces históricas de la degradación del indígena mexicano en el pensamiento de José María Luis Mora e Ignacio Ramírez 何塞-玛丽亚-路易斯-莫拉和伊格纳西奥-拉米雷斯思想中墨西哥土著人退化的历史根源
4区 文学
ROMANCE NOTES Pub Date : 2024-09-06 DOI: 10.1353/rmc.2023.a936552
Alexis Ortiz
{"title":"Las raíces históricas de la degradación del indígena mexicano en el pensamiento de José María Luis Mora e Ignacio Ramírez","authors":"Alexis Ortiz","doi":"10.1353/rmc.2023.a936552","DOIUrl":"https://doi.org/10.1353/rmc.2023.a936552","url":null,"abstract":"<p><p>Abstract:</p><p>Este artículo propone reevaluar el <i>statu quo</i> en torno a la figura de Ignacio Ramírez y su relación con los indígenas mexicanos. Ramírez es tradicionalmente conocido como férreo defensor de la causa indígena en el siglo diecinueve. Pese a lo anterior, su producción intelectual con referencia al indígena y sus vicisitudes es una que debe ser repensada en el siglo veintiuno. Con ello en mente, este artículo examina la manera en que Ramírez instrumentaliza a la población indígena para servir como punta de lanza de su proyecto de refundación nacional. Este proceso, que se ha asumido como benéfico y noble en los estudios mexicanos por encomiar a los indígenas y su potencial humano, falla en separarse del discurso eurocéntrico y colonial de los predecesores de Ramírez, que se critica en aproximaciones contemporáneas a los estudios literarios y la historiografía mexicana.</p></p>","PeriodicalId":42940,"journal":{"name":"ROMANCE NOTES","volume":"254 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142208771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La sátira política del siglo XVII desde el estudio pragmalingüístico: discurso político y anticortesía 从实用语言学研究看 17 世纪政治讽刺诗：政治话语与反礼仪。
4区 文学
ROMANCE NOTES Pub Date : 2024-09-06 DOI: 10.1353/rmc.2023.a936545
Cristina Tabernero
{"title":"La sátira política del siglo XVII desde el estudio pragmalingüístico: discurso político y anticortesía","authors":"Cristina Tabernero","doi":"10.1353/rmc.2023.a936545","DOIUrl":"https://doi.org/10.1353/rmc.2023.a936545","url":null,"abstract":"<p><p>Resumen:</p><p>A partir del análisis de textos del siglo diecisiete, en este artículo se aborda la caracterización de la sátira política desde la perspectiva pragmática con el objetivo de arrojar luz sobre su naturaleza y funcionamiento. En primer lugar, como acto enunciativo se identifica como parte del discurso político, con el que comparte su especificidad; en segundo lugar, como comportamiento comunicativo, se discute si corresponde a una actividad de imagen descortés o anticortés y se analizan los mecanismos descorteses más frecuentes en su formalización.</p></p>","PeriodicalId":42940,"journal":{"name":"ROMANCE NOTES","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142208736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El podcast narrativo de no-ficción: una nueva aproximación a la realidad latinoamericana y un medio idóneo para llevar esa realidad y su lenguaje al aula de clase 非虚构叙事播客：了解拉美现实的一种新方法，也是将拉美现实及其语言带入课堂的理想媒介。
4区 文学
ROMANCE NOTES Pub Date : 2024-09-06 DOI: 10.1353/rmc.2023.a936550
Paola Cadena-Pardo
{"title":"El podcast narrativo de no-ficción: una nueva aproximación a la realidad latinoamericana y un medio idóneo para llevar esa realidad y su lenguaje al aula de clase","authors":"Paola Cadena-Pardo","doi":"10.1353/rmc.2023.a936550","DOIUrl":"https://doi.org/10.1353/rmc.2023.a936550","url":null,"abstract":"<p><p>Resumen:</p><p>En este artículo se discuten las principales características del <i>podcast</i> narrativo de no-ficción producido en América Latina y España como un medio en actual y vertiginoso crecimiento. Además, se discuten cómo estas características lo convierten en un medio único de aproximación a las realidades culturales, históricas y sociales de sus regiones geográficas, a través de relatos que combinan la contextualización histórica y cultural como la experiencia de individuos particulares. Finalmente, y teniendo en cuenta lo anterior, se plantea este tipo de narrativa en audio como una herramienta idónea para el proceso de enseñanza/aprendizaje de la lengua y la cultura.</p></p>","PeriodicalId":42940,"journal":{"name":"ROMANCE NOTES","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142208769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Un cuervo y una corneja, un águila y una paloma: una sátira política en verso contra Nithard y Valenzuela en la Corte de Carlos II (1677) 一只乌鸦和一只乌鸦，一只鹰和一只鸽子：用诗歌讽刺查理二世宫廷中的尼塔德和巴伦苏埃拉的政治讽刺诗（1677 年）。
4区 文学
ROMANCE NOTES Pub Date : 2024-09-06 DOI: 10.1353/rmc.2023.a936547
Jesús M. Usunáriz
{"title":"Un cuervo y una corneja, un águila y una paloma: una sátira política en verso contra Nithard y Valenzuela en la Corte de Carlos II (1677)","authors":"Jesús M. Usunáriz","doi":"10.1353/rmc.2023.a936547","DOIUrl":"https://doi.org/10.1353/rmc.2023.a936547","url":null,"abstract":"<p><p>Resumen:</p><p>La posición privilegiada del padre Nithard y de Fernando de Valenzuela durante la minoría de Carlos II provocó la reacción airada de una parte de la aristocracia comprometida en su oposición al gobierno de la regente Mariana de Austria. Ante la inminente mayoría de edad del rey, esta nobleza conspiró de la mano de Juan José de Austria para hacerse con las riendas del gobierno. Este artículo pretende analizar en profundidad uno de estos ejemplos de la producción satírica que formó parte de las intrigas y de la campaña orquestada para lograr la expulsión de Nithard y Valenzuela, inmersa en la cultura política del momento: un romance anónimo que narró estos acontecimientos, utilizando la simbología de diferentes aves para identificar y caracterizar a los principales protagonistas de unos meses convulsos.</p></p>","PeriodicalId":42940,"journal":{"name":"ROMANCE NOTES","volume":"62 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142208766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Un paradigma compositivo en la poesía de sátira política y clandestina áurea: el soneto dialogado 政治讽刺诗和秘密黄金时代诗歌的创作范式：对话十四行诗
4区 文学
ROMANCE NOTES Pub Date : 2024-09-06 DOI: 10.1353/rmc.2023.a936541
Carlos Mata Induráin
{"title":"Un paradigma compositivo en la poesía de sátira política y clandestina áurea: el soneto dialogado","authors":"Carlos Mata Induráin","doi":"10.1353/rmc.2023.a936541","DOIUrl":"https://doi.org/10.1353/rmc.2023.a936541","url":null,"abstract":"<p><p>Resumen:</p><p>Tras rastrear la presencia del soneto dialogado en distintos contextos poéticos de los Siglos de Oro (con ejemplos que constatan su frecuente utilización, la mayoría de las veces con fines humorísticos y/o satíricos), el trabajo presenta y analiza una serie de textos de este paradigma compositivo —apenas estudiado hasta la fecha— en el corpus de la poesía de sátira política y clandestina del Siglo de Oro español.</p></p>","PeriodicalId":42940,"journal":{"name":"ROMANCE NOTES","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142208731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Staging a demonic possession: Calderon's auto sacramental El diablo mudo 上演恶魔附身：卡尔德隆的自动圣礼电影《El diablo mudo》（大魔王穆多
4区 文学
ROMANCE NOTES Pub Date : 2024-09-06 DOI: 10.1353/rmc.2023.a936551
Armando Maggi
{"title":"Staging a demonic possession: Calderon's auto sacramental El diablo mudo","authors":"Armando Maggi","doi":"10.1353/rmc.2023.a936551","DOIUrl":"https://doi.org/10.1353/rmc.2023.a936551","url":null,"abstract":"<p><p>Abstract:</p><p>This essay examines Calderón's <i>El diablo mudo</i>, an <i>auto sacramental</i> in which the Spanish playwright stages an extraordinary interpretation of demonic possession by reinterpreting the multiple Gospel tales on this subject. The essay first highlights the centrality of Satan in Calderón's <i>autos</i> in the light of his view of history and allegory. Subsequently, it discusses the early-modern interest in demonic possessions as public spectacles and the cultural significance of exorcism. Finally, the essays shows that Calderón's <i>El dablo mudo</i> represents a unique interpretation of the basic interplay between history and allegory, the foundation of Calderón's <i>autos</i>. The essay stresses that <i>El diablo mudo</i> is as a play-within-a-play in which the devil plays the double role of director and character. In this <i>auto</i> the devil aims to perform a possession that will signify a metamorphosis from a historical (\"historia\") to a new allegorical (alegoría) level. The devil wishes to stage not how the original man fell from grace but rather how every man is subjected to his evil power. In a stunning reversal of the Gospel narratives, in <i>El diablo mudo</i> an instance of human self-discovery and not an external divine intervention frees the tormented human being. Paradoxically, like the demons in Calderón's other <i>autos</i>, in <i>El diablo mudo</i> Christ makes the possessed person aware of his nothingness, but instead of leading the victim to despair, this insight on his human condition frees the victim from the demonic assault.</p></p>","PeriodicalId":42940,"journal":{"name":"ROMANCE NOTES","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142208770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Interjection !Olé!— origins in Caló (Andalusian Para-romani) 插话！Olé！--起源于卡洛（安达卢西亚帕拉-罗曼语）
4区 文学
ROMANCE NOTES Pub Date : 2024-02-22 DOI: 10.1353/rmc.2023.a919739
William Sayers
{"title":"The Interjection !Olé!— origins in Caló (Andalusian Para-romani)","authors":"William Sayers","doi":"10.1353/rmc.2023.a919739","DOIUrl":"https://doi.org/10.1353/rmc.2023.a919739","url":null,"abstract":"<p><p>Abstract:</p><p>The Spanish exclamation <i>olé</i> is traced to Caló and is one result of the interaction of the paradigms of demonstrative pronouns, personal pronouns, and locative adverbs, when Common Romani was confronted with Andalusian Spanish. Not a compliment or hortatory exclamation directed at the flamenco performer or bullfighter, it was initially an ostensive deictic comment addressed to other members of the public and meant \"(look at/listen to) that person (artist) over yonder\" and thus promoted community pride and cohesion.</p></p>","PeriodicalId":42940,"journal":{"name":"ROMANCE NOTES","volume":"139 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139919753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rosalía, Feminine Fantasy, and Japan as Décor 罗莎莉亚、女性幻想和作为装饰的日本
4区 文学
ROMANCE NOTES Pub Date : 2024-02-22 DOI: 10.1353/rmc.2023.a919726
Mary Kate Donovan
{"title":"Rosalía, Feminine Fantasy, and Japan as Décor","authors":"Mary Kate Donovan","doi":"10.1353/rmc.2023.a919726","DOIUrl":"https://doi.org/10.1353/rmc.2023.a919726","url":null,"abstract":"<p><p>Abstract:</p><p>Rosalía's experimentation with flamenco and other genres including reggaeton, trap, and bachata have catapulted the Catalunya-born performer to international success since the release of her sophomore album, <i>El mal querer</i> (2018). Rosalía's third studio album, <i>Motomami</i>, which was released in March 2022, charts the artist's voyage deeper into the world of Latin rhythms and electronic beats and further from her flamenco roots. In addition to her sound, Rosalía's aesthetic has continued to evolve, incorporating a seemingly endless collage of cultural references. One noteworthy aspect of this change is the appearance of frequent references to Japanese culture and Japanese-inspired trends. This paper proposes a reading of Rosalía's lyrical references to Japanese culture in <i>Motomami</i> as well as the music videos for \"Saoko,\" \"Candy,\" and \"Chicken Teriyaki.\"</p></p>","PeriodicalId":42940,"journal":{"name":"ROMANCE NOTES","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139919761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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