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Film History: An International Journal最新文献

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Another Form of Life: Science-Fiction Marketing and The Blob (1958) 另一种生活形式:科幻营销和斑点(1958)
Film History: An International Journal Pub Date : 2021-02-05 DOI: 10.2979/FILMHISTORY.32.4.05
J. P. Telotte
{"title":"Another Form of Life: Science-Fiction Marketing and The Blob (1958)","authors":"J. P. Telotte","doi":"10.2979/FILMHISTORY.32.4.05","DOIUrl":"https://doi.org/10.2979/FILMHISTORY.32.4.05","url":null,"abstract":"ABSTRACT:This essay considers how marketing for The Blob (1958) responded to what Variety in the later 1950s termed an \"erratic\" market for science fiction. While the genre was highly popular early in the decade, by the late 1950s large studios were either abandoning science fiction or releasing cheap independent productions. Facing this situation, Paramount turned The Blob into a much-discussed success largely because of the way it framed its potential audience, not simply aiming at a youth demographic, but positioning that audience as highly aware of the exploitation that usually surrounded the film industry's treatment of both the genre and the youth market.","PeriodicalId":426632,"journal":{"name":"Film History: An International Journal","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124062464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Anthony Fiala: The First Films of the Polar Regions, 1901–1905 安东尼·菲亚拉:极地的第一部电影，1901-1905
Film History: An International Journal Pub Date : 2021-02-05 DOI: 10.2979/FILMHISTORY.32.4.04
H. Siebel
{"title":"Anthony Fiala: The First Films of the Polar Regions, 1901–1905","authors":"H. Siebel","doi":"10.2979/FILMHISTORY.32.4.04","DOIUrl":"https://doi.org/10.2979/FILMHISTORY.32.4.04","url":null,"abstract":"ABSTRACT:Explorer and artist Anthony Fiala successfully shot the first motion pictures in the polar regions between 1901 and 1905. The footage, however, was not edited and distributed as a film until 1909 when Kineto Ltd., London, released A Dash for the North Pole. This essay repositions Fiala as a pioneer in arctic filmmaking by examining the circumstances that delayed the film's production and distribution and caused the material to be misdated in archives.","PeriodicalId":426632,"journal":{"name":"Film History: An International Journal","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131390195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cinema's "Miracles": Film Tricks and the Production of Soviet Wonder 电影的“奇迹”:电影技巧和苏联奇迹的制作
Film History: An International Journal Pub Date : 2021-02-05 DOI: 10.2979/FILMHISTORY.32.4.02
Moss
{"title":"Cinema's \"Miracles\": Film Tricks and the Production of Soviet Wonder","authors":"Moss","doi":"10.2979/FILMHISTORY.32.4.02","DOIUrl":"https://doi.org/10.2979/FILMHISTORY.32.4.02","url":null,"abstract":"ABSTRACT:This article investigates the treatment of cinematic special effects or kinotriuki (film tricks) in Soviet cinema of the 1930s, focusing on the film The New Gulliver (1935), an adaptation of Gulliver's Travels by director Alexander Ptushko that used cutting-edge techniques to combine live action and stop-motion animation. It argues that film tricks in both fantastic and dramatic genres of Soviet cinema served to generate a form of wonder akin to that inspired by the religious miracle, but transferred to the miraculous feats of the party-state, with implications for the comparative study of special effects and cinematic experience.","PeriodicalId":426632,"journal":{"name":"Film History: An International Journal","volume":"130 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131651207","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Design, Creativity, and Technology: The Khudozhnik in Russian Cinema of the Silent Era 设计、创意与技术:无声时代俄罗斯电影中的胡多兹尼克
Film History: An International Journal Pub Date : 2021-02-05 DOI: 10.2979/FILMHISTORY.32.4.03
E. Rees
{"title":"Design, Creativity, and Technology: The Khudozhnik in Russian Cinema of the Silent Era","authors":"E. Rees","doi":"10.2979/FILMHISTORY.32.4.03","DOIUrl":"https://doi.org/10.2979/FILMHISTORY.32.4.03","url":null,"abstract":"ABSTRACT:This article draws on archival sources, filmmakers' memoirs, and the Russian cinema press to examine how the roles and working practices of khudozhniki (set designers) evolved in late Imperial and early Soviet cinema in the silent era against the context of the increasing professionalization of the film industry and its nationalization from a private to a state enterprise in 1919. It provides a typological account of khudozhniki, assessing the conventions that were common among them rather than circumstances that were specific to individuals. In its focus on set design as a practice, this article seeks to demonstrate how available technology, the studio environment, and professional partnerships, as much as the creative visions of individuals, shaped the evolution of film aesthetics and influenced contemporary understandings of cinema's artistic and ideological potential.","PeriodicalId":426632,"journal":{"name":"Film History: An International Journal","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131419389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
"A Cunning and Altogether Modern Master of Men": The Pursuing Woman in 1910s Feature Comedy “一个狡猾而又完全现代的男人大师”:1910年代故事片喜剧中的追求女性
Film History: An International Journal Pub Date : 2021-02-01 DOI: 10.2979/filmhistory.33.4.03
Megan E. Boyd
{"title":"\"A Cunning and Altogether Modern Master of Men\": The Pursuing Woman in 1910s Feature Comedy","authors":"Megan E. Boyd","doi":"10.2979/filmhistory.33.4.03","DOIUrl":"https://doi.org/10.2979/filmhistory.33.4.03","url":null,"abstract":"ABSTRACT:This article defines the pursuing woman plot in romantic comedies and traces how this narrative trope developed in American silent cinema. Though scholars characterize the women in later screwball comedies as uniquely progressive for dominating their courtships with men, this assertive heroine first flourished in the 1910s as part of a larger industry effort to craft feature-length comedies for female viewers. As the film industry increasingly relied upon romantic comedies for feature-length humor, depictions of sexually aggressive women shifted from grotesque inconveniences to modern role models. The films' reliance upon changing dating practices complicates notions of silent situation comedies' genteel humor.","PeriodicalId":426632,"journal":{"name":"Film History: An International Journal","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121974222","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Visible Legacies of Invisible Resources: Gas Infrastructure, Women, and Environmental Control in 1930s British Documentary Movement Films 无形资源的有形遗产:20世纪30年代英国纪录片运动电影中的天然气基础设施、妇女和环境控制
Film History: An International Journal Pub Date : 2021-02-01 DOI: 10.2979/filmhistory.33.4.04
Joni Hayward Marcum
{"title":"Visible Legacies of Invisible Resources: Gas Infrastructure, Women, and Environmental Control in 1930s British Documentary Movement Films","authors":"Joni Hayward Marcum","doi":"10.2979/filmhistory.33.4.04","DOIUrl":"https://doi.org/10.2979/filmhistory.33.4.04","url":null,"abstract":"ABSTRACT:Three short British documentary movement films produced for the British gas industry, Housing Problems (1935), The Smoke Menace (1937), and The Obedient Flame (1939), highlight the importance of switching to gas use in homes. These films advertise efficient, quiet, and invisible gas as a solution to social and environmental ills. The regulation of this resource, and thus the onus of environmental regulation, falls primarily into the hands of women. The films grant agency to both energy infrastructure and its human mediators while stressing their need to operate unseen.","PeriodicalId":426632,"journal":{"name":"Film History: An International Journal","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126120803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rothacker Film: "Largest and Best Laboratory in America"? 罗萨克电影公司:“美国最大最好的实验室”?
Film History: An International Journal Pub Date : 2021-02-01 DOI: 10.2979/filmhistory.33.4.01
Richard Abel
{"title":"Rothacker Film: \"Largest and Best Laboratory in America\"?","authors":"Richard Abel","doi":"10.2979/filmhistory.33.4.01","DOIUrl":"https://doi.org/10.2979/filmhistory.33.4.01","url":null,"abstract":"ABSTRACT:Watterson Rothacker (1885–1960) probably is best known as both the pioneering maker of industrial and advertising films in the early 1910s and the producer of The Lost World (1925). Between 1917 and 1924, however, with large factories in Chicago and Los Angeles, he also was a major industry leader in developing negatives and manufacturing positive film stock for many Hollywood features. By analyzing the little-known output of Rothacker Manufacturing, especially for First National, this essay seeks to explain how Rothacker's company became the \"largest and best laboratory in America\" and to argue for the significance of the film laboratory as a long-ignored, essential component of the industry's infrastructure.","PeriodicalId":426632,"journal":{"name":"Film History: An International Journal","volume":"42 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126137187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Useful Video in the Art Museum: Museum Education in Chicago and the Videos of Andrea Fraser 艺术博物馆中有用的视频:芝加哥的博物馆教育和安德里亚·弗雷泽的视频
Film History: An International Journal Pub Date : 2021-02-01 DOI: 10.2979/filmhistory.33.4.05
Zachary Vanes
{"title":"Useful Video in the Art Museum: Museum Education in Chicago and the Videos of Andrea Fraser","authors":"Zachary Vanes","doi":"10.2979/filmhistory.33.4.05","DOIUrl":"https://doi.org/10.2979/filmhistory.33.4.05","url":null,"abstract":"ABSTRACT:Federal funding increases under the Kennedy-Johnson administration allowed art museums to produce videos that were intended to provide a useful experience to museum visitors. Educators at the Museum of Contemporary Art Chicago and the School of the Art Institute of Chicago drew from experience with film and slides while creating video presentation spaces. At the same time, reliance on public funding left useful video open to negative economic impacts during the 1980s and 1990s. Andrea Fraser's Museum Highlights: A Gallery Talk (1989) and Inaugural Speech (1997) appropriate institutional video to critique the paternalistic legacy of educational media and the corporatization of museums.","PeriodicalId":426632,"journal":{"name":"Film History: An International Journal","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116659444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Film Poster and Song Booklet for Zerqa (1969) 《Zerqa》电影海报和歌曲小册子(1969)
Film History: An International Journal Pub Date : 2021-01-07 DOI: 10.2979/filmhistory.32.3.11
Petiwala
{"title":"The Film Poster and Song Booklet for Zerqa (1969)","authors":"Petiwala","doi":"10.2979/filmhistory.32.3.11","DOIUrl":"https://doi.org/10.2979/filmhistory.32.3.11","url":null,"abstract":"ABSTRACT:In recent years, the film poster has taken center stage in South Asian cinema studies and in the contemporary nostalgia-driven popular imagination. In analyzing Lollywood film Zerqa's (1969) song booklet and its art direction, this commentary reveals the merits of deliberating upon other mass-produced cinematic ephemera—especially publicity materials—in conjunction with or in the absence of the film text.","PeriodicalId":426632,"journal":{"name":"Film History: An International Journal","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124932379","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ethnography and Archives of Gulf-Kerala Diasporic Media: Television Show Publicity Poster and Airport Signage 民族志和喀拉拉邦海湾流散媒体档案:电视节目宣传海报和机场标志
Film History: An International Journal Pub Date : 2021-01-07 DOI: 10.2979/filmhistory.32.3.13
D. S. Mini
{"title":"Ethnography and Archives of Gulf-Kerala Diasporic Media: Television Show Publicity Poster and Airport Signage","authors":"D. S. Mini","doi":"10.2979/filmhistory.32.3.13","DOIUrl":"https://doi.org/10.2979/filmhistory.32.3.13","url":null,"abstract":"ABSTRACT:How do we define ethnographic objects in media research, and what role do they play in anchoring the process of fieldwork? These two images,—one authorized and one requiring special permission—collected during fieldwork in India and the United Arab Emirates, show how the exchange of media objects and infrastructures between South Asia and the Middle Eastern Gulf are frequently mediated through the regional space of Kerala. Emerging from explorations of the transit zones created through diasporic media practices, this reflective piece situates a television publicity poster and an instance of airport signage within a praxis of media ethnography.","PeriodicalId":426632,"journal":{"name":"Film History: An International Journal","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133644322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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