{"title":"安东尼·菲亚拉:极地的第一部电影,1901-1905","authors":"H. Siebel","doi":"10.2979/FILMHISTORY.32.4.04","DOIUrl":null,"url":null,"abstract":"ABSTRACT:Explorer and artist Anthony Fiala successfully shot the first motion pictures in the polar regions between 1901 and 1905. The footage, however, was not edited and distributed as a film until 1909 when Kineto Ltd., London, released A Dash for the North Pole. This essay repositions Fiala as a pioneer in arctic filmmaking by examining the circumstances that delayed the film's production and distribution and caused the material to be misdated in archives.","PeriodicalId":426632,"journal":{"name":"Film History: An International Journal","volume":"32 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Anthony Fiala: The First Films of the Polar Regions, 1901–1905\",\"authors\":\"H. Siebel\",\"doi\":\"10.2979/FILMHISTORY.32.4.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:Explorer and artist Anthony Fiala successfully shot the first motion pictures in the polar regions between 1901 and 1905. The footage, however, was not edited and distributed as a film until 1909 when Kineto Ltd., London, released A Dash for the North Pole. This essay repositions Fiala as a pioneer in arctic filmmaking by examining the circumstances that delayed the film's production and distribution and caused the material to be misdated in archives.\",\"PeriodicalId\":426632,\"journal\":{\"name\":\"Film History: An International Journal\",\"volume\":\"32 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-02-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Film History: An International Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/FILMHISTORY.32.4.04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Film History: An International Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/FILMHISTORY.32.4.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Anthony Fiala: The First Films of the Polar Regions, 1901–1905
ABSTRACT:Explorer and artist Anthony Fiala successfully shot the first motion pictures in the polar regions between 1901 and 1905. The footage, however, was not edited and distributed as a film until 1909 when Kineto Ltd., London, released A Dash for the North Pole. This essay repositions Fiala as a pioneer in arctic filmmaking by examining the circumstances that delayed the film's production and distribution and caused the material to be misdated in archives.