Film History: An International Journal最新文献_第6页

A 1973 Aramco World Magazine Feature on Location Shooting in Lebanon 1973年阿美世界杂志关于黎巴嫩外景拍摄的特写

Film History: An International Journal Pub Date : 2021-01-07 DOI: 10.2979/filmhistory.32.3.12

Samhita Sunya

引用次数: 0

Introduction: South by South/West Asia: Transregional Histories of Middle East–South Asia Cinemas 介绍:南亚/西亚:中东-南亚电影的跨区域历史

Film History: An International Journal Pub Date : 2021-01-07 DOI: 10.2979/filmhistory.32.3.01

Kaveh Askari, Samhita Sunya

引用次数: 1

Editors' Note: On a Press Booklet for Black Eyes (1936) 编者按:关于《黑眼睛》(1936)的宣传小册子

Film History: An International Journal Pub Date : 2021-01-07 DOI: 10.2979/filmhistory.32.3.08

Kaveh Askari, Samhita Sunya

引用次数: 0

Afterword: The Long Arabesque: Economies of Affect between South Asia and the Middle East 后记:《长阿拉伯式:南亚和中东之间的影响经济》

Film History: An International Journal Pub Date : 2021-01-07 DOI: 10.2979/filmhistory.32.3.14

A. Kapse

{"title":"Afterword: The Long Arabesque: Economies of Affect between South Asia and the Middle East","authors":"A. Kapse","doi":"10.2979/filmhistory.32.3.14","DOIUrl":"https://doi.org/10.2979/filmhistory.32.3.14","url":null,"abstract":"ABSTRACT:The term Arabesque has often been used as a verbal shorthand for an ornate pattern of interlaced flowers, leaves, or animal motifs. This essay attempts to retrace a longer affective history of the Arabesque in a contemporary Perso-Arabic context, made possible by the emergence of the cinema. Paying particular attention to trade routes that developed between Bombay, Persia, and the Middle East, it makes a polemical case for the long history of the Arabesque as a repertoire of Persianate or brown cultural sounds, images, tales, or motifs that circulate in the Global South and thrive by competing with or appropriating tropes from Western Orientalism. I argue that the mobility of the cinema across India, Iran, and beyond inaugurated systems of cultural exchange and collabora tion that went beyond the mere figural understanding of the Arabesque. Sound cinema and, more recently, digital media formats are capable of expanding the frontiers of the Arabesque in unprecedented ways, allowing for new forms of play with physical space, as well as aural and temporal articulations of long-shared Persianate idioms addressed to a global collective imagined as brown.","PeriodicalId":426632,"journal":{"name":"Film History: An International Journal","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126717121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Falasteen Ka Matlab Kya? (What Does Palestine Mean?) in Riaz Shahid's Zerqa (1969) Falasteen Ka Matlab Kya?(巴勒斯坦意味着什么?)里亚兹·沙希德的《Zerqa》(1969)

Film History: An International Journal Pub Date : 2021-01-07 DOI: 10.2979/filmhistory.32.3.04

A. Petiwala

引用次数: 0

Soundscape of a National Cinema Industry: Filmfarsi and Its Sonic Connections with Egyptian and Indian Cinemas, 1940s–1960s 国家电影工业的声景:电影法及其与埃及和印度电影院的声音联系，1940 - 1960

Film History: An International Journal Pub Date : 2021-01-07 DOI: 10.2979/filmhistory.32.3.03

Cooley

引用次数: 1

"Cinema Programmes" of the British Public Relations Office in the Persian Gulf, 1944–1948 英国公共关系办公室在波斯湾的“电影节目”，1944-1948

Film History: An International Journal Pub Date : 2021-01-07 DOI: 10.2979/filmhistory.32.3.09

Firat Oruc

引用次数: 0

Transnational Ethical Screens: Empathetic Networks in Malayalam Short Films from the Gulf 跨国伦理银幕:来自海湾的马拉雅拉姆短片中的移情网络

Film History: An International Journal Pub Date : 2021-01-07 DOI: 10.2979/filmhistory.32.3.06

D. S. Mini

引用次数: 2

Record with Two Songs from the Iranian Film Qarun's Treasure (1965) Found in India 在印度发现的伊朗电影《卡伦的宝藏》(1965)中的两首歌曲

Film History: An International Journal Pub Date : 2021-01-07 DOI: 10.2979/filmhistory.32.3.10

Cooley

引用次数: 1

Petrocolonial Circulations and Cinema's Arrival in the Gulf 石油殖民流通与电影进入海湾

Film History: An International Journal Pub Date : 2021-01-07 DOI: 10.2979/filmhistory.32.3.02

Firat Oruc

{"title":"Petrocolonial Circulations and Cinema's Arrival in the Gulf","authors":"Firat Oruc","doi":"10.2979/filmhistory.32.3.02","DOIUrl":"https://doi.org/10.2979/filmhistory.32.3.02","url":null,"abstract":"ABSTRACT:This article traces the introduction of cinema to the Gulf through the archives of the India Office Records (IOR). The records of the political agent in Bahrain illustrate clearly the extent to which cinema was closely monitored and regulated by the British colonial network of administrative functions in the Persian Gulf, India, and England. Following the discovery of oil in 1932, hydrocarbon modernity gave rise to new spaces of urban culture, most prominently cinema. But in the oil cities of the Gulf, film spectatorship in its early years was refracted through three spheres of moving-image culture: private, corporate-sponsored, and commercial public cinemas. What was common to these three spheres was a certain logic of exclusion and restricted access norms. Administrators in the Gulf looked to how cinema was handled in India for models and ideas to create actual policies on the ground. The bureaucratic traffic over the case of early public cinema peti tions in Bahrain shows how regulatory practices and norms of governance over cinematic spheres circulated from one colonial context (South Asia) to another (the Gulf). The core political issue of the emergence of a cinema culture in the Gulf was the restriction of cinematic medium and space to certain populations. As such, regulating cinema was linked to the question of managing the social forces of hydrocarbon modernity that the discovery of oil unleashed. The arrival of cinema in the Gulf took place in an exclusionary and uneven world, entangled with circulations of colonial practices, regimes of segrega tion, expansionist oil capital, international labor, and film cans.","PeriodicalId":426632,"journal":{"name":"Film History: An International Journal","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132423629","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1