Journal for Early Modern Cultural Studies最新文献

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Hester Pulter's Devotional Complaints: "Then will I hallelujahs ever sing" 赫斯特·普尔特的虔诚控诉:“那么我将永远歌唱哈利路亚”
IF 0.5
Journal for Early Modern Cultural Studies Pub Date : 2021-02-25 DOI: 10.1353/JEM.2020.0011
Sarah C. E. Ross
{"title":"Hester Pulter's Devotional Complaints: \"Then will I hallelujahs ever sing\"","authors":"Sarah C. E. Ross","doi":"10.1353/JEM.2020.0011","DOIUrl":"https://doi.org/10.1353/JEM.2020.0011","url":null,"abstract":"abstract:Hester Pulter's poetry engages deeply in the mode of complaint, the amplified, open-ended expression of woe that marks the Ovidian-inflected poetry of Spenser, Drayton, Shakespeare, and others. Pulter's Civil War political lyrics are taking a central place in critical literature on women writers of female-voiced complaint, but her poetry draws attention to another lacuna in discussions of the mode: the exploration of religious versions of early modern complaint. This article reads Pulter's devotional lyrics in relation to their poetic models and precedents, especially the Sidney Psalms and the devotional lyrics of George Herbert. It seeks simultaneously to explore Pulter's devotional lyrics as complaints, and to trace the affective function of complaint in the mid-seventeenth century devotional lyric, in which complaint so often gives way—or is actively turned—to praise. Pulter's devotional complaints, it argues, correlate closely to those of George Herbert, whose influences are verbal, formal, and affective. Extending Herbert's sense of \"Complaining\" in his lyric of that name, and his imagery of winged ascent and heavenly song, Pulter's devotional lyrics move repeatedly through an affective fall and flight, and from the virtuosic amplification of woe to the anticipation of \"heavenly lays\" without end.","PeriodicalId":42614,"journal":{"name":"Journal for Early Modern Cultural Studies","volume":"20 1","pages":"119 - 99"},"PeriodicalIF":0.5,"publicationDate":"2021-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/JEM.2020.0011","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49550644","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
In Defense of Indulgence: Hester Pulter's Maternal Elegies 为放纵辩护:海丝特·普尔特的母性挽歌
IF 0.5
Journal for Early Modern Cultural Studies Pub Date : 2021-02-25 DOI: 10.1353/JEM.2020.0009
E. Kolkovich
{"title":"In Defense of Indulgence: Hester Pulter's Maternal Elegies","authors":"E. Kolkovich","doi":"10.1353/JEM.2020.0009","DOIUrl":"https://doi.org/10.1353/JEM.2020.0009","url":null,"abstract":"abstract:Hester Pulter's elegies for her twenty-year-old daughter Jane (ca. 1645) represent a mother's grief as excessive and expansive. Attention to the materiality of Pulter's manuscript reveals the importance of one of her main motifs—the circle—to her processes of grief and poetic composition. Her Jane poems expose the limitations of cultural ideas about moderate mourning and embrace a gendered style of grieving and parenting that Pulter calls \"indulgent,\" as they insist that maternal elegies can be both emotional and intellectual. Pulter's manuscript shows evidence of her own \"indulgent\" return to the subject of Jane's death and allows us to read one of her elegies in two stages of its composition. In \"Upon the Death of My Dear and Lovely Daughter, J. P.,\" a nine-line addition transforms a poem about individual loss into a royalist lament. Pulter's Jane elegies are especially salient examples of the way her poems frequently echo and expand upon one another as they play with literary allusion and demonstrate the centrality of recycling and revisiting to her authorial process.","PeriodicalId":42614,"journal":{"name":"Journal for Early Modern Cultural Studies","volume":"20 1","pages":"43 - 70"},"PeriodicalIF":0.5,"publicationDate":"2021-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/JEM.2020.0009","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46909641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Hester Pulter Observes the Eclipse: Or, the Poetics of the Astronomical Event 海丝特·普尔特观察日食:或者说,天文事件的诗学
IF 0.5
Journal for Early Modern Cultural Studies Pub Date : 2021-02-25 DOI: 10.1353/JEM.2020.0013
Lara Dodds
{"title":"Hester Pulter Observes the Eclipse: Or, the Poetics of the Astronomical Event","authors":"Lara Dodds","doi":"10.1353/JEM.2020.0013","DOIUrl":"https://doi.org/10.1353/JEM.2020.0013","url":null,"abstract":"abstract:Hester Pulter's poetic manuscript opens with a remarkable metaphysical poem, \"The Eclipse,\" that depicts both a lunar and a solar eclipse. This essay argues that this poem provides the foundation of Pulter's \"eclipse poetics,\" a cosmopoetic discourse focused on time rather than space. The eclipse is an event that encourages reflection on temporal concepts, including duration, repetition, and sequence, because of how it conjoins temporal continuity and discontinuity. An eclipse is simply the result of the alignment of the earth and moon in a particular configuration, but it is experienced as a moment of rare sublimity. Pulter uses this temporal duality to explore tensions between the mundane, the everyday rhythms of life and death, and the sublime, the potential transcendence of temporality itself. The essay explores Pulter's eclipse poetics in \"The Eclipse\" and other astronomical poems by examining \"Black Monday,\" a predicted total solar eclipse that may have provided a model for Pulter's poem. The final section of the essay proposes that Pulter's eclipse poetics expands the possibilities for thinking about the intersection of science and poetry by providing a model for understanding women's reception of scientific discovery and by expanding what it means to think literature and science together.","PeriodicalId":42614,"journal":{"name":"Journal for Early Modern Cultural Studies","volume":"20 1","pages":"144 - 168"},"PeriodicalIF":0.5,"publicationDate":"2021-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/JEM.2020.0013","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44982962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hester Pulter's Well-Wrought Urns: Early Modern Women, Sonnets, and New Criticism 海丝特·普尔特精心制作的骨灰瓮:早期现代女性、十四行诗与新批评
IF 0.5
Journal for Early Modern Cultural Studies Pub Date : 2021-02-25 DOI: 10.1353/JEM.2020.0012
Elizabeth Scott-Baumann
{"title":"Hester Pulter's Well-Wrought Urns: Early Modern Women, Sonnets, and New Criticism","authors":"Elizabeth Scott-Baumann","doi":"10.1353/JEM.2020.0012","DOIUrl":"https://doi.org/10.1353/JEM.2020.0012","url":null,"abstract":"abstract:Accounts of Hester Pulter's life often open with John Milton's poem to her sister, Margaret Ley. Yet the form in which he wrote—a sonnet—was not one Pulter chose to write in, and indeed relatively few seventeenth-century women did so. In her essay \"Where had all the flowers gone?: The Missing Space of Female Sonneteers in Seventeenth-Century England,\" Diana Henderson suggests that we read as sonnets many poems by women that have some sonnet qualities. Pulter's short poems, including \"The Circle [2],\" \"Immense Fount of Truth,\" and \"The Hope,\" draw the reader into a dizzying landscape of circles, revolutions, centers, stairs, and urns. These material forms represent Pulter's deep and rebarbative interaction with the sonnet tradition. Reading Pulter's poems in this way challenges versions of literary history that suggest women did not write sonnets for a century after Mary Wroth. This essay will suggest that seeing Pulter's poems as critical sonnets also allows us to place her work in dialogue with the New Critics. While Cleanth Brooks, of course, never read Hester Pulter, her metaphors of form provide a proleptic criticism of the New Critics' own use of formal metaphors to write literary history.","PeriodicalId":42614,"journal":{"name":"Journal for Early Modern Cultural Studies","volume":"20 1","pages":"120 - 143"},"PeriodicalIF":0.5,"publicationDate":"2021-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/JEM.2020.0012","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41588616","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hester Pulter's Dunghill Poetics 赫斯特·普尔特的粪堆诗学
IF 0.5
Journal for Early Modern Cultural Studies Pub Date : 2021-02-25 DOI: 10.1353/JEM.2020.0008
F. Dolan
{"title":"Hester Pulter's Dunghill Poetics","authors":"F. Dolan","doi":"10.1353/JEM.2020.0008","DOIUrl":"https://doi.org/10.1353/JEM.2020.0008","url":null,"abstract":"abstract:Hester Pulter frequently mentions dunghills, often using the word as an adjective to describe the earth. The dunghill might not appear to require much glossing, but its seventeenth-century meanings were more nuanced—literally, layered—than we might expect. While some of Pulter's contemporaries used \"dunghill\" to describe what we might call a dump—the final destination of garbage—they most often used the words \"dunghill\" and \"muckheap\" to describe repositories where organic matter of various kinds was gathered and transformed into compost to enrich soil. In the seventeenth century, this kind of dunghill—a matrix as well as a grave—was revalued and promoted as part of a larger reconsideration of waste as resource. The generative dunghill models Pulter's poetic process (recombining, ruminating, and revising) as well as the accretive and collaborative process that is the online edition called The Pulter Project. Seeing the dunghill as a creative process challenges divisions between elite poetry and agricultural labor, figural and literal, and even this life and the next. This essay's inquiry into the material history and figural resonances of the dunghill aspires not just to deepen our understanding of one of Pulter's keywords but also to interrogate the principles behind glossing and assembling \"curations\" for the online Pulter Project.","PeriodicalId":42614,"journal":{"name":"Journal for Early Modern Cultural Studies","volume":"20 1","pages":"16 - 42"},"PeriodicalIF":0.5,"publicationDate":"2021-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/JEM.2020.0008","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44719504","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Age in Love: Shakespeare and the Elizabethan Court by Jacqueline Vanhoutte (review) 杰奎琳·范胡特的《恋爱时代:莎士比亚与伊丽莎白宫廷》(评论)
IF 0.5
Journal for Early Modern Cultural Studies Pub Date : 2021-02-25 DOI: 10.1353/JEM.2020.0016
Kailey Giordano
{"title":"Age in Love: Shakespeare and the Elizabethan Court by Jacqueline Vanhoutte (review)","authors":"Kailey Giordano","doi":"10.1353/JEM.2020.0016","DOIUrl":"https://doi.org/10.1353/JEM.2020.0016","url":null,"abstract":"","PeriodicalId":42614,"journal":{"name":"Journal for Early Modern Cultural Studies","volume":"20 1","pages":"205 - 206"},"PeriodicalIF":0.5,"publicationDate":"2021-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/JEM.2020.0016","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48848005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Poet in the Making: How Hester Pulter Read the Digital Age 《成长中的诗人:海丝特·普拉特如何解读数字时代
IF 0.5
Journal for Early Modern Cultural Studies Pub Date : 2021-02-25 DOI: 10.1353/JEM.2020.0007
L. Knight, Wendy L. Wall
{"title":"Poet in the Making: How Hester Pulter Read the Digital Age","authors":"L. Knight, Wendy L. Wall","doi":"10.1353/JEM.2020.0007","DOIUrl":"https://doi.org/10.1353/JEM.2020.0007","url":null,"abstract":"","PeriodicalId":42614,"journal":{"name":"Journal for Early Modern Cultural Studies","volume":"20 1","pages":"1 - 15"},"PeriodicalIF":0.5,"publicationDate":"2021-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/JEM.2020.0007","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42178198","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Apocalyptic Spanish Race 启示录中的西班牙种族
IF 0.5
Journal for Early Modern Cultural Studies Pub Date : 2020-11-12 DOI: 10.1353/jem.2020.0000
José Juan Villagrana
{"title":"The Apocalyptic Spanish Race","authors":"José Juan Villagrana","doi":"10.1353/jem.2020.0000","DOIUrl":"https://doi.org/10.1353/jem.2020.0000","url":null,"abstract":"abstract:This essay shows how a late sixteenth-century English polemic racialized Spaniards not only in terms of their perceived tincture of Moorish and Jewish blood but also in terms of their partly European Gothic otherness. Medieval and early modern Spanish chronicles created a positive pedigree from the figures of Tubal and Magog from the Noachic Table of Nations in Genesis. For Spaniards, these figures represented a pure, original Spanish or Gothic ancestry variously used to underwrite the reconquista of the Iberian Peninsula, assert blood purity against anxieties of Jewish and Moorish miscegenation, and justify Spain's claim to colonial dominance in the sixteenth century. For its part, this English polemic fastened Spain's pedigree to a sinister version of Magog described in Ezekiel and Revelation to explain Spanish cruelty and to qualify English claims to Spanish possessions. This essay uncovers the broader racial contours of the Black Legend through an approach centered on critical race studies and intellectual history.","PeriodicalId":42614,"journal":{"name":"Journal for Early Modern Cultural Studies","volume":"20 1","pages":"1 - 28"},"PeriodicalIF":0.5,"publicationDate":"2020-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/jem.2020.0000","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46413811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Image of Elizabeth I in Early Modern Spain ed. by Eduardo Olid Guerrero and Esther Fernández (review) 爱德华多·奥利德·格雷罗和埃丝特·费尔南德斯主编的《伊丽莎白一世在早期现代西班牙的形象》(评论)
IF 0.5
Journal for Early Modern Cultural Studies Pub Date : 2020-11-12 DOI: 10.1353/jem.2020.0004
M. Ehrlich
{"title":"The Image of Elizabeth I in Early Modern Spain ed. by Eduardo Olid Guerrero and Esther Fernández (review)","authors":"M. Ehrlich","doi":"10.1353/jem.2020.0004","DOIUrl":"https://doi.org/10.1353/jem.2020.0004","url":null,"abstract":"","PeriodicalId":42614,"journal":{"name":"Journal for Early Modern Cultural Studies","volume":"20 1","pages":"111 - 119"},"PeriodicalIF":0.5,"publicationDate":"2020-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/jem.2020.0004","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46186386","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"Thou Shalt be Dido's Son": Surrogate Motherhood in Christopher Marlowe's Dido, Queen of Carthage “你将成为狄多的儿子”:克里斯托弗·马洛笔下迦太基女王狄多的代孕母亲
IF 0.5
Journal for Early Modern Cultural Studies Pub Date : 2020-11-12 DOI: 10.1353/jem.2020.0003
Heather L. Bailey
{"title":"\"Thou Shalt be Dido's Son\": Surrogate Motherhood in Christopher Marlowe's Dido, Queen of Carthage","authors":"Heather L. Bailey","doi":"10.1353/jem.2020.0003","DOIUrl":"https://doi.org/10.1353/jem.2020.0003","url":null,"abstract":"abstract:This essay focuses on the interactions between Dido and Cupid in Christopher Marlowe's Dido, Queen of Carthage. Unlike Marlowe's source material, Marlowe's play focuses on the way Dido pretends to be the mother of Cupid, constructing herself as a kind of surrogate mother. These interactions reflect the fraught status of surrogate children, who were at increased risk of exploitation even as they were viewed as a potential threat to their adoptive parents. The performance conditions of the play exacerbate this unease as Dido was performed by a group of child actors who were viewed as surrogate children to the theater manager. Like a surrogate child, the boy player was both a commodity to be exploited and a threat because he occupied a liminal space between boyhood and adulthood. Drawing on broader cultural unease concerning surrogate parent-child relationships, Marlowe uses Cupid's status as surrogate son who is both a sexual plaything and a sinister threat to highlight anxieties about the agency of boy players on the cusp of manhood. The discrepancy between Cupid's boyish appearance and his crafty manipulation of Dido reminds the audience that the actor playing Cupid will also one day possess the full sexual and political agency of an adult.","PeriodicalId":42614,"journal":{"name":"Journal for Early Modern Cultural Studies","volume":"20 1","pages":"109 - 83"},"PeriodicalIF":0.5,"publicationDate":"2020-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/jem.2020.0003","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48208027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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