Hester Pulter Observes the Eclipse: Or, the Poetics of the Astronomical Event

IF 0.1 Q4 CULTURAL STUDIES
Lara Dodds
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Abstract

abstract:Hester Pulter's poetic manuscript opens with a remarkable metaphysical poem, "The Eclipse," that depicts both a lunar and a solar eclipse. This essay argues that this poem provides the foundation of Pulter's "eclipse poetics," a cosmopoetic discourse focused on time rather than space. The eclipse is an event that encourages reflection on temporal concepts, including duration, repetition, and sequence, because of how it conjoins temporal continuity and discontinuity. An eclipse is simply the result of the alignment of the earth and moon in a particular configuration, but it is experienced as a moment of rare sublimity. Pulter uses this temporal duality to explore tensions between the mundane, the everyday rhythms of life and death, and the sublime, the potential transcendence of temporality itself. The essay explores Pulter's eclipse poetics in "The Eclipse" and other astronomical poems by examining "Black Monday," a predicted total solar eclipse that may have provided a model for Pulter's poem. The final section of the essay proposes that Pulter's eclipse poetics expands the possibilities for thinking about the intersection of science and poetry by providing a model for understanding women's reception of scientific discovery and by expanding what it means to think literature and science together.
海丝特·普尔特观察日食:或者说,天文事件的诗学
海丝特·普尔特的诗稿以一首非凡的玄学诗《月食》开篇,这首诗描绘了月食和日食。本文认为,这首诗为普尔特的“日蚀诗学”提供了基础,这是一种关注时间而非空间的宇宙学话语。日食是一个鼓励人们思考时间概念的事件,包括持续时间、重复和顺序,因为它将时间连续性和非连续性结合在一起。日食仅仅是地球和月球在特定形态下对齐的结果,但它是一个罕见的崇高时刻。普尔特利用这种时间的二元性来探索世俗之间的紧张关系,即日常的生死节奏,以及崇高,即时间本身的潜在超越。这篇文章通过考察“黑色星期一”来探讨普尔特在《日蚀》和其他天文诗歌中的日食诗学,“黑色星期一”是一个预测的日全食,可能为普尔特的诗歌提供了一个模型。文章的最后一部分提出,普尔特的日食诗学为理解女性对科学发现的接受提供了一种模式,并扩展了将文学与科学结合起来思考的意义,从而扩大了思考科学与诗歌交叉的可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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