Hispanic Research Journal-Iberian and Latin American Studies最新文献_第4页

Más allá del patriarcado: Sororidad femenina (y feminista) en la adaptación cinematográfica de Nada (Edgar Neville, 1947) 超越父权制:电影改编自《虚无》中的女性(和女权主义)姐妹会(埃德加·内维尔，1947)

IF 0.1 4区社会学

Hispanic Research Journal-Iberian and Latin American Studies Pub Date : 2022-01-02 DOI: 10.1080/14682737.2022.2112461

Xavier Pérez, Núria Bou

引用次数: 0

Con las suegras en vanguardia: Mujeres fuertes y desafiantes en las comedias españolas costumbristas 以婆婆为前卫：西班牙喜剧中坚强而富有挑战性的女性

IF 0.1 4区社会学

Hispanic Research Journal-Iberian and Latin American Studies Pub Date : 2022-01-02 DOI: 10.1080/14682737.2022.2112463

A. Vázquez

{"title":"Con las suegras en vanguardia: Mujeres fuertes y desafiantes en las comedias españolas costumbristas","authors":"A. Vázquez","doi":"10.1080/14682737.2022.2112463","DOIUrl":"https://doi.org/10.1080/14682737.2022.2112463","url":null,"abstract":"RESUMEN La suegra es uno de los objetos de mofa más extendidos en las tradiciones cómicas de diferentes contextos históricos y culturales. Desde la perspectiva masculina que tradicionalmente ha dominado el discurso cómico, el carácter bufo de este personaje bebe de tropos misóginos y edadistas. En la producción cinematográfica española son frecuentes las comedias de costumbres en torno a la pareja y/o la familia donde la suegra aparece como una fuerza antagónica al protagonista varón. Si bien las suegras suelen ser personajes de reparto relegados a apariciones breves, los largometrajes Maldición gitana (Jerónimo Mihura, 1953) y Despedida de soltero (Eugenio Martín, 1959) que aquí se estudian les conceden un inusitado protagonismo. A partir de convenciones propias de la comedia basada en la guerra de los sexos, la suegra aparece como un ser grotesco pero que goza de poder, astucia y tesón para enfrentarse al orden que el hombre pretende imponer. Si bien las transgresiones cómicas de estos personajes pueden invitar a una risa punitiva y conservadora que refuerza el orden patriarcal, existen posibilidades de lectura heterodoxas que habilitan una risa más liberadora y disruptiva hacia las normas de género.","PeriodicalId":42561,"journal":{"name":"Hispanic Research Journal-Iberian and Latin American Studies","volume":"23 1","pages":"56 - 72"},"PeriodicalIF":0.1,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47799779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Introduction by the Co-editors 联合编辑介绍

IF 0.1 4区社会学

Hispanic Research Journal-Iberian and Latin American Studies Pub Date : 2022-01-02 DOI: 10.1080/14682737.2022.2112477

T. Whittaker, Dunja Fehimović

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引用次数: 0

Finding Emilio Fernández: Mexican Extras and Latinx Representation in Early Sound Era Hollywood 寻找埃米利奥·费尔南德斯：墨西哥演员和早期声音时代好莱坞的拉丁裔代表

IF 0.1 4区社会学

Hispanic Research Journal-Iberian and Latin American Studies Pub Date : 2022-01-02 DOI: 10.1080/14682737.2022.2112451

D. Tierney

引用次数: 0

The Lost Cinema of Mexico: From Lucha Libre to Cine Familiar and Other Churros 墨西哥失落的电影院：从《自由的Lucha》到《熟悉的电影院》和《其他教堂》

IF 0.1 4区社会学

Hispanic Research Journal-Iberian and Latin American Studies Pub Date : 2022-01-02 DOI: 10.1080/14682737.2022.2112476

Emily Hind

引用次数: 1

Ponchos y sarapes: El cine mexicano en Buenos Aires (1934–1943) 雨披和纱笼:布宜诺斯艾利斯的墨西哥电影(1934 - 1943)

IF 0.1 4区社会学

Hispanic Research Journal-Iberian and Latin American Studies Pub Date : 2022-01-02 DOI: 10.1080/14682737.2022.2112472

A. Holmes

引用次数: 0

Revolutionary Visions: Jewish Life and Politics in Latin American Film 革命视野：拉丁美洲电影中的犹太人生活与政治

IF 0.1 4区社会学

Hispanic Research Journal-Iberian and Latin American Studies Pub Date : 2022-01-02 DOI: 10.1080/14682737.2022.2112473

Talía Dajes

引用次数: 1

Moving Verses: Poetry on Screen in Argentine Cinema 动人的诗句:阿根廷电影银幕上的诗歌

IF 0.1 4区社会学

Hispanic Research Journal-Iberian and Latin American Studies Pub Date : 2022-01-02 DOI: 10.1080/14682737.2022.2112474

Ignacio Aguiló

{"title":"Moving Verses: Poetry on Screen in Argentine Cinema","authors":"Ignacio Aguiló","doi":"10.1080/14682737.2022.2112474","DOIUrl":"https://doi.org/10.1080/14682737.2022.2112474","url":null,"abstract":"setenta para presentar historias de abandono paterno motivado por luchas y decisiones pol ıticas. La autora analiza las experiencias infantiles de los protagonistas para examinar c omo confluyen las relaciones entre padres e hijos, la pol ıtica, el ser jud ıo —teorizado a partir de las intervenciones de Le on Rozitchner— y el g enero para orientar aspectos de la identidad en procesos de maduraci on fuera de lo normativo. En su ep ılogo, la autora profundiza en la representaci on cinematogr afica como espacio para explorar una rearticulaci on de las identificaciones culturales, pol ıticas, nacionales y religiosas y discute las puertas que el libro deja abiertas para investigaciones futuras. Si bien el g enero es se~ nalado como discusi on pendiente, una arista menos explorada en general y en el libro —e incluso m as productiva— ser ıa la de la clase social, uno de los aspectos m as complejos y problem aticos para la representaci on de las comunidades jud ıas latinoamericanas. Pridgeon se resiste a dar respuestas un ıvocas a las preguntas que plantea sobre auto-identificaci on, pertenencia y conformaci on de una subjetividad pol ıtica jud ıa en Latinoam erica. En su lugar, ofrece un an alisis amplio y documentado en el que la puesta en escena de multiplicidades, matices, ambig€ uedades y negociaciones permanentes —con el contexto y con un otro— es, en s ı, la respuesta.","PeriodicalId":42561,"journal":{"name":"Hispanic Research Journal-Iberian and Latin American Studies","volume":"23 1","pages":"146 - 148"},"PeriodicalIF":0.1,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44476736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Buñuel’s Messy Law and the “Extimate” Image in El ángel exterminador and La Mort en ce jardin bunuel的混乱法律和El angel灭虫者和这个花园中的死亡的“灭虫者”形象

IF 0.1 4区社会学

Hispanic Research Journal-Iberian and Latin American Studies Pub Date : 2022-01-02 DOI: 10.1080/14682737.2022.2112464

D. Campbell

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引用次数: 0

Fashioning Spanish Cinema: Costume, Identity, and Stardom 塑造西班牙电影:服装、身份和明星

IF 0.1 4区社会学

Hispanic Research Journal-Iberian and Latin American Studies Pub Date : 2022-01-02 DOI: 10.1080/14682737.2022.2112471

A. Davies

引用次数: 0