{"title":"Zum semantisch motivierten Illokutionspotential der italienischen Verbalperiphr Ase andare + participio passato: Eine periphrastische Schnittstelle zwischen Modalität, Temporalität und Diathese","authors":"Paul Mayr","doi":"10.3196/003581222835027921","DOIUrl":"https://doi.org/10.3196/003581222835027921","url":null,"abstract":"Nel presente contributo sarà presa in esame una perifrasi verbale che finora è stata in gran parte trascurata dalle ricerche dedicate alle costruzioni verbali di tipo perifrastico dell'ita- liano: la perifrasi modale andare + participio passato. Si parte dal presupposto\u0000 che questa perifrasi verbale non esprima solo valori modali e diatetici, come segnalano i manuali di grammatica italiana, ma anche valori temporali Verrà dimostrato che la manifestazione linguistica dei tre valori appena menzionati è strettamente vincolata alla semantica diacronica\u0000 del modificatore andare della perifrasi verbale Sulla base di una raccolta di dichiarazioni politiche prese dalle edizioni online di diversi quotidiani e portali di notizie regionali italiani, saranno inoltre esaminate le funzioni pragmatiche di questa costruzione verbale, che costituisce\u0000 un punto di interfaccia fra modalità, temporalità e diatesi","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41332497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Visages de l'utopie dans la par abole roumaine contemporaine: Le Cimetière des héros (2017) par Adrian Lesenciuc","authors":"Alina Iorga","doi":"10.3196/003581222835027949","DOIUrl":"https://doi.org/10.3196/003581222835027949","url":null,"abstract":"The emergence of globalization, the economic and political crisis of the postcommunist transition, the cultural and identity challenges of the integration in the European Union have modeled – within the Romanian social and cultural imaginary – a dynamics that is relevant\u0000 for the incorporation of »social dreaming« or »utopianism« (L T Sargent) Connected to the »deep contradiction between universalism and particularism« (Ph Wegner) that is conceived of as a constant characteristic of modernity and that is illustrated by the\u0000 Romanian opposition between »localism« and »Occidentalism«, and also related to the »memo- rial conflicts« (J Candau) regarding the recent past, this dynamics has been integrated in the narratives of contemporary Romanian novels Without adopting all the\u0000 conventions of narrative utopia (its negative varieties included), the Romanian novels of the 2000s reveal the mutations of »social dreaming« either in realistic, or in allegorical or parabolic forms tributary to the utopian / dystopian imaginary It is also the case of the novel\u0000 The Cemetery of Heroes (2017) by Adrian Lesenciuc, in which both the utopian satire and the dystopia are contrasted against a cultural-pedagogic utopia within a parable of multiple semantic levels The subjects, the narrative strategies and the elements of vision that are characteristic\u0000 for (anti-)utopianism are here instrumented in a complex narrative architecture which includes a political novel, a parable of civilizations and a parable of the human condition","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47100133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Die Autorinnen und Autoren dieses Heftes","authors":"","doi":"10.3196/003581222835027976","DOIUrl":"https://doi.org/10.3196/003581222835027976","url":null,"abstract":"","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42381713","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Die Aufklärung in Spanien und die erste Massenimpfung Lateinamerikas: Manuel José Quintanas A la expedición española para propagar la vacuna en América (1806)","authors":"Andrea Gremels","doi":"10.3196/003581222835027958","DOIUrl":"https://doi.org/10.3196/003581222835027958","url":null,"abstract":"El ensayo analiza el entrelazamiento de los discursos coloniales, nacionales y progresistas en el poema »A la expedición española para propagar la vacuna en América« (1806) de Manuel José Quintana Esta oda aborda la campaña transatlántica\u0000 de vacunación contra la viruela iniciada por la Real expedición filantrópica de la vacuna de 1803 a 1810 ordenada por Carlos IV y dirigido por el cirujano de Alicante, Francisco Xavier Balmis A través de la poetización neoclasicista de la lucha contra la\u0000 pandemia Quintana no solo reflexiona sobre el papel de España como explotador e ilustrador de América Latina a principios del siglo XIX , sino también sobre la posición ambigua de España dentro del movimiento ilustrado en Europa Su imaginario de una América\u0000 hispana curada de la viruela con la ayuda de la ’madre patria‘, involucra una dimensión utópica El discurso progresista de su poema es una proyección de su visión ilustrada en el continente suramericano El ’nuevo‘ mundo simboliza su ideario\u0000 de una ’nueva‘ España unida en una comunidad humanitaria y que se ha liberado de las fuerzas opresivas del Antiguo Régimen","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49206009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Das Erzählen Sozialer Traumata. Der Ich-Erzähler, das Kommunikative Gedächtnis und das Vergessen bei Juan Gabriel Vásquez","authors":"Florian Homann","doi":"10.3196/003581221834272066","DOIUrl":"https://doi.org/10.3196/003581221834272066","url":null,"abstract":"La relación entre literatura, memoria y olvido es un tema dominante en la narrativa de Juan Gabriel Vásquez, escritor que trata con preferencia los procesos del recordar a nivel individual y colectivo. En este artículo se analizan los aspectos correspondientes en\u0000 El ruido de las cosas al caer cuyo narrador quiere superar un trauma y olvidar. Se aplica el concepto de una retórica de la memoria colectiva y se muestra que la novela está relacionada con una dimensión comunicativa de la memoria: entre otros factores, la\u0000 instancia narrativa en primera persona asocia la narración a la experiencia directa del narrador testigo en un horizonte social cercano. Determinados acontecimientos e intertextos se convierten en referencias culturales y, por lo tanto, en figuras de memoria en las que se basa\u0000 la memoria colectiva de una generación específica.","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42086263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Aproximación a un Estudio Estilístico de la Fraseología Representada en la Crónica Troyana (Juan de Burgos, 1490)","authors":"Santiago Vicente Llavata","doi":"10.3196/003581221834272075","DOIUrl":"https://doi.org/10.3196/003581221834272075","url":null,"abstract":"This article aims to contribute to the knowledge of Medieval Hispanic Phraseology by means of the stylistic analysis of the phraseological units, which are represented in the Crónica troyana (Juan de Burgos, 1490). To achieve this aim, this study is based on the methodological\u0000 program proposed by Echenique Elizondo (2003), in order to tackle the historical and stylistic analysis of these units. From the selection of two passages referring to amor and to militia in the context of the Matter of Troy, the combinations contained in the Crónica\u0000 troyana will be analyzed in contrast to the rest of peninsular versions derived from the Historia destructionis Troiae (c. 1287). This is intended to advance the knowledge of the phraseology represented in the narrative tradition of the Matter of Troy in the Hispanic domain.","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46675973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La Littérature, Lieu d'Émergence du Souvenir dans L'Ecriture ou la vie de Jorge Semprun","authors":"B. Elie","doi":"10.3196/003581221834272039","DOIUrl":"https://doi.org/10.3196/003581221834272039","url":null,"abstract":"In seinem Buch L'Ecriture ou la vie, in dem Jorge Semprun seine Lagererfahrung schildert, finden sich zahlreiche intertextuelle Verweise auf die Dichter Baudelaire, Rimbaud, Hugo, Celan, Valéry, Char, Brecht, Aragon, Darío, Coleridge, die Roman-Autoren Malraux und\u0000 Kafka, die Philosophen Kant, Wittgenstein und Schelling. Wie ist eine solche Fülle an kulturellen Referenzen im Bericht über eines der größten Entmenschlichungsunternehmen der Geschichte zu verstehen? Diese Verweise erscheinen gleichsam als Umwege für den Erzähler,\u0000 der sich mit der schwierigen Aufgabe konfrontiert sieht, seine Erlebnisse aufzuzeichnen, um sie zu übermitteln. Wenn die Literatur beziehungsweise die Kunst allgemein es Semprun ermöglicht, die Lagererfahrung auszusprechen, dann auch deshalb, weil sie bei seinem Überleben im\u0000 Konzentrationslager eine große Rolle gespielt hat. Denn die Literatur bietet Raum für Verbundenheit und Anteilnahme. Ja, sie bedeutet eine Art Zusammensein und schafft bei denen, die an ihr teilhaben, ein brüderliches Gefühl der Zugehörigkeit zu einer menschlichen\u0000 Gemeinschaft inmitten der auf Entmenschlichung zielenden Realität des Lagers. Viel mehr noch aber scheinen die literarischen Verweise auf einer tieferen Ebene das Gedächtnis aufleben zu lassen. Die Literatur wird somit zur Quelle des Zeugenberichts.","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47381222","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"’Nur Über Ihre Leiche‘? Aspekte der Fantastik in Javier Marías' Cor Azón Tan Blanco und Mañana en la Batalla Piensa en Mí: Eine Lektüre mit Julio Cortázar","authors":"Claudia Jünke","doi":"10.3196/003581221833406211","DOIUrl":"https://doi.org/10.3196/003581221833406211","url":null,"abstract":"La contribución explora la dimensión fantástica de dos novelas de Javier Marías, Corazón tan blanco (1992) y Mañana en la batalla piensa en mí (1994), basándose en las reflexiones de Julio Cortázar sobre lo\u0000 fantástico en Hispanoamérica . Bien es verdad que las dos novelas mencionadas no forman parte de la literatura fantástica en un sentido estricto; no obstante se sirven de temas, motivos y estrategias narrativas características de este tipo de ficción . Utilizando\u0000 los modelos de la ’constelación instantánea‘ (Cortázar) y de la ’pareja espantosa‘ (Marías), el artículo muestra que en ambas novelas las transgresiones fantásticas corresponden a transgresiones en el ámbito de las relaciones\u0000 entre el género masculino y el femenino . La super-vivencia y estabilidad de los hombres están vinculadas con la muerte de las mujeres – la autoafirmación de los protagonistas masculinos solo es posible ’sobre su cadáver‘ (E . Bronfen) .","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44735956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Le Superlatif des Adjectifs Tough Suivis d'un Supin en Roumain Contemporain: Problèmes D'Accord et de Position Adnominale","authors":"Reidar Veland","doi":"10.3196/003581221833406185","DOIUrl":"https://doi.org/10.3196/003581221833406185","url":null,"abstract":"In contemporary Romanian, adjectives of the tough class combined with a verbal supine are said to be invariable . This article uses corpus data to show that while this is on the whole true for adjectives in the plain form, it is not true for superlatives, which agree with the\u0000 noun they refer to in more than 40 per cent of the cases . It is also shown that superlative tough adjectives occur much more often in prenominal position than do tough adjectives in the plain form . They are, however, more prone to appear after the head noun than superlatives\u0000 in general . Superlatives of the type in question can also split around the noun they modify, as can other types of superlative constructions with a complement . The possibility for a tough adjective in the plain form to appear before the noun when followed by a supine complement is,\u0000 however, a unique feature for this type of AP.","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43505358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Narrative der Essstörung im Zeitgenössischen Film und Roman: Simón Bross' Malos hábitos (2007) und Nina Bouraouis La voyeuse interdite (1991)","authors":"C. Jacobi","doi":"10.3196/003581221833406176","DOIUrl":"https://doi.org/10.3196/003581221833406176","url":null,"abstract":"En el cine contemporáneo y en la literatura narrativa de los países de lengua románica se encuentra una multitud de obras en las cuales los trastornos alimenticios no sólo representan una adecuación exagerada a los dictados contemporáneos de\u0000 belleza, sino también una metáfora sociocultural que visualiza las disfunciones de la sociedad actual a través del cuerpo femenino. El análisis de la película Malos hábitos (2007) del director mejicano Simón Bross y de la novela La\u0000 voyeuse interdite (1991) de la autora franco-argelina Nina Bou- raoui demuestra que la sumisión del cuerpo femenino a los ideales desinhibidos de belleza occidental (Bross) y a las normas púdicas de un Islam fundamentalista (Bouraoui) representan la dependencia de la mujer\u0000 con respecto al poder de la mirada masculina (male gaze), transformando el cuerpo femenino en un espacio de proyección de las jerarquías sociales . Ante la idea ampliamente difundida del Islam como ’lo otro‘, criticado particularmente por su ’concepción\u0000 atrasada‘ en cuanto al papel de la mujer, la comparación demuestra que la hipersexualización occidental y la tabuización integrista del cuerpo femenino son dos caras de la misma moneda, que reduce a la mujer – de manera desconcertantemente similar – al\u0000 estado de objeto sexual.","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46758787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}