{"title":"当代罗马尼亚街头乌托邦的面孔:英雄的墓地(2017),阿德里安·莱森丘克著","authors":"Alina Iorga","doi":"10.3196/003581222835027949","DOIUrl":null,"url":null,"abstract":"The emergence of globalization, the economic and political crisis of the postcommunist transition, the cultural and identity challenges of the integration in the European Union have modeled – within the Romanian social and cultural imaginary – a dynamics that is relevant\n for the incorporation of »social dreaming« or »utopianism« (L T Sargent) Connected to the »deep contradiction between universalism and particularism« (Ph Wegner) that is conceived of as a constant characteristic of modernity and that is illustrated by the\n Romanian opposition between »localism« and »Occidentalism«, and also related to the »memo- rial conflicts« (J Candau) regarding the recent past, this dynamics has been integrated in the narratives of contemporary Romanian novels Without adopting all the\n conventions of narrative utopia (its negative varieties included), the Romanian novels of the 2000s reveal the mutations of »social dreaming« either in realistic, or in allegorical or parabolic forms tributary to the utopian / dystopian imaginary It is also the case of the novel\n The Cemetery of Heroes (2017) by Adrian Lesenciuc, in which both the utopian satire and the dystopia are contrasted against a cultural-pedagogic utopia within a parable of multiple semantic levels The subjects, the narrative strategies and the elements of vision that are characteristic\n for (anti-)utopianism are here instrumented in a complex narrative architecture which includes a political novel, a parable of civilizations and a parable of the human condition","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Visages de l'utopie dans la par abole roumaine contemporaine: Le Cimetière des héros (2017) par Adrian Lesenciuc\",\"authors\":\"Alina Iorga\",\"doi\":\"10.3196/003581222835027949\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The emergence of globalization, the economic and political crisis of the postcommunist transition, the cultural and identity challenges of the integration in the European Union have modeled – within the Romanian social and cultural imaginary – a dynamics that is relevant\\n for the incorporation of »social dreaming« or »utopianism« (L T Sargent) Connected to the »deep contradiction between universalism and particularism« (Ph Wegner) that is conceived of as a constant characteristic of modernity and that is illustrated by the\\n Romanian opposition between »localism« and »Occidentalism«, and also related to the »memo- rial conflicts« (J Candau) regarding the recent past, this dynamics has been integrated in the narratives of contemporary Romanian novels Without adopting all the\\n conventions of narrative utopia (its negative varieties included), the Romanian novels of the 2000s reveal the mutations of »social dreaming« either in realistic, or in allegorical or parabolic forms tributary to the utopian / dystopian imaginary It is also the case of the novel\\n The Cemetery of Heroes (2017) by Adrian Lesenciuc, in which both the utopian satire and the dystopia are contrasted against a cultural-pedagogic utopia within a parable of multiple semantic levels The subjects, the narrative strategies and the elements of vision that are characteristic\\n for (anti-)utopianism are here instrumented in a complex narrative architecture which includes a political novel, a parable of civilizations and a parable of the human condition\",\"PeriodicalId\":42267,\"journal\":{\"name\":\"ROMANISCHE FORSCHUNGEN\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ROMANISCHE FORSCHUNGEN\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3196/003581222835027949\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ROMANISCHE FORSCHUNGEN","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3196/003581222835027949","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 0
摘要
全球化的出现,后共产主义转型的经济和政治危机,在罗马尼亚的社会和文化想象中,欧盟一体化的文化和身份挑战已经塑造了一种与“社会梦想”或“乌托邦主义”的结合相关的动态(L T Sargent),与“普遍主义和特殊主义之间的深刻矛盾”(Ph . Wegner)联系在一起,这种矛盾被认为是现代性的一个永恒特征,并通过罗马尼亚的“地方主义”和“西方主义”之间的对立来说明。也与最近的过去有关的“备忘录-竞争冲突”(J Candau),这种动态已被整合到当代罗马尼亚小说的叙事中,没有采用叙事乌托邦的所有惯例(包括其消极变种),2000年代的罗马尼亚小说揭示了“社会梦想”的突变,要么是现实的,阿德里安·莱森奇奇(Adrian Lesenciuc)的小说《英雄公墓》(2017)也是如此,在这部小说中,乌托邦式的讽刺和反乌托邦都与一个文化教育乌托邦形成了鲜明的对比,这是一个多重语义层面的寓言。作为(反)乌托邦主义特征的叙事策略和视觉元素在这里被运用在一个复杂的叙事架构中,其中包括政治小说,文明寓言和人类状况寓言
Visages de l'utopie dans la par abole roumaine contemporaine: Le Cimetière des héros (2017) par Adrian Lesenciuc
The emergence of globalization, the economic and political crisis of the postcommunist transition, the cultural and identity challenges of the integration in the European Union have modeled – within the Romanian social and cultural imaginary – a dynamics that is relevant
for the incorporation of »social dreaming« or »utopianism« (L T Sargent) Connected to the »deep contradiction between universalism and particularism« (Ph Wegner) that is conceived of as a constant characteristic of modernity and that is illustrated by the
Romanian opposition between »localism« and »Occidentalism«, and also related to the »memo- rial conflicts« (J Candau) regarding the recent past, this dynamics has been integrated in the narratives of contemporary Romanian novels Without adopting all the
conventions of narrative utopia (its negative varieties included), the Romanian novels of the 2000s reveal the mutations of »social dreaming« either in realistic, or in allegorical or parabolic forms tributary to the utopian / dystopian imaginary It is also the case of the novel
The Cemetery of Heroes (2017) by Adrian Lesenciuc, in which both the utopian satire and the dystopia are contrasted against a cultural-pedagogic utopia within a parable of multiple semantic levels The subjects, the narrative strategies and the elements of vision that are characteristic
for (anti-)utopianism are here instrumented in a complex narrative architecture which includes a political novel, a parable of civilizations and a parable of the human condition
期刊介绍:
Die Romanischen Forschungen sind eine der ältesten deutschen Fachzeitschriften. Ihr Gegenstand sind die romanischen Sprachen, Literaturen und Kulturen von den Anfängen bis zur Gegenwart. Herausgeber und Beirat pflegen die Verbindung von Sprach- und Literaturwissenschaft und bevorzugen Beiträge und Rezensionen mit einer gesamtromanischen Fragestellung. Die Publikationssprachen sind außer allen romanischen Sprachen das Deutsche und Englische. Die hohe Qualität der Beiträge wird durch ein strenges peer-review-Verfahren gewährleistet.