MUSIKFORSCHUNGPub Date : 2021-09-22DOI: 10.52412/mf.2019.h1.58
Ying Wang
{"title":"\"beaucoup plus modal que tonal\"","authors":"Ying Wang","doi":"10.52412/mf.2019.h1.58","DOIUrl":"https://doi.org/10.52412/mf.2019.h1.58","url":null,"abstract":"Focusing on three of Dutilleux's mid to late orchestral works - \"Timbres, espace, movement ou La Nuit etoile\" (1978), \"The Shadows of Time\" (1997) and \"Sur le meme accord\" (2002) - this article gives insight into Henri Dutilleux's scale-defined pitch organization techniques and the role of colour in the works of the French composer. The paper questions the ambiguous relationship between tonality and modality, and asserts the previously only peripherally attested importance of modes for Dutilleux's works. An analysis of pitch organization demonstrates how Dutilleux's aesthetic and literature-inspired concepts of \"progressive growing\" function musically by foregrounding pivot chords or notes, and how their return reflects the idea of involuntary memory (\"memo ire involuntaire\") derived from Marcel Proust's \"A la recherche du temps perdu\".","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49055586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MUSIKFORSCHUNGPub Date : 2021-09-22DOI: 10.52412/mf.2014.h1.65
R. Kleinertz
{"title":"Richard Wagners Begriff der \"dichterisch-musikalischen Periode\"","authors":"R. Kleinertz","doi":"10.52412/mf.2014.h1.65","DOIUrl":"https://doi.org/10.52412/mf.2014.h1.65","url":null,"abstract":"Gemessen am Gesamtumfang des Schrifttums über Wagner nehmen Studien zu grundsätzlichen Fragen der Analyse von \"Form\" / \"Formen\" seiner Musik einen zahlenmäßig untergeordneten Rang ein. Dies könnte nicht zuletzt auch ein Problem der Begrifflichkeit sein, mit der sich das Spezifische der Musik Wagners überhaupt beschreiben ließe. Neben dem Begriff \"Motiv\" beziehungsweise \"Leitmotiv\" ist derjenige der \"dichterisch-musikalischen Periode\" der einzige von Wagner geprägte Begriff. Seiner Bedeutung für die Analyse von Wagners Werken wird im Folgenden nachgegangen. - Ausgehend von Wagners Verwendung von Begriffen wie \"Versmelodie\" und \"Tonart\" wird zunächst herausgearbeitet, dass in seinen Opern \"musikalische Modulation\" stets in Verbindung mit dem Versinhalt auf Empfindungen zurückleitet. Aus entsprechend sprachlich motivierten Modulationen aus einer Grundtonart heraus eröffnen sich neue Möglichkeiten des musikalischen Ausdrucks. Im nächsten Schritt werden Auffassungen von Wagners Periodenbegriff in der Forschungsliteratur erörtert (Alfred Lorenz, Carl Dahlhaus, Peter Petersen, Thomas S. Grey, Werner Breig). Diese werden anhand von Wagners Opern (insbesondere \"Der Ring des Nibelungen\") sowie den musiktheoretischen Äußerungen des Komponisten (vor allem in \"Oper und Drama\") auf ihre Tragfähigkeit überprüft. Dabei wird festgehalten, dass das Problem der Motivation von Modulationen durch das Drama für Wagner ein zentrales harmonisches Effektmittel war. Bereits in \"Oper und Drama\" betonte er, dass der Musiker bei Versen gleicher Empfindung keinen Grund habe, die Tonart zu verlassen. Diesen Grund liefert erst der Wechsel der Empfindungen, die er in seinen Ausführungen zur \"dichterisch-musikalischen Periode\" formuliert. Der von Wagner geprägte Begriff taugt nicht nur zu Beschreibung einzelner, tonal mehr oder weniger geschlossener Gebilde, sondern vermag auch das Bewusstsein für ein Grundprinzip Wagners im \"Ring\" zu schärfen: die aus dem \"Drama\" motivierte Modulation. \u0000bms online (Beatrix Obal)","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46168772","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MUSIKFORSCHUNGPub Date : 2021-09-22DOI: 10.52412/mf.1986.h2.1433
Irmlind Capelle
{"title":"Albert Lortzing und das norddeutsche Singspiel","authors":"Irmlind Capelle","doi":"10.52412/mf.1986.h2.1433","DOIUrl":"https://doi.org/10.52412/mf.1986.h2.1433","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46563196","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MUSIKFORSCHUNGPub Date : 2021-09-22DOI: 10.52412/mf.2019.h4.36
Bárbara Alge, Julio Mendívil
{"title":"Über Ziele und Ansätze der angewandten Musikethnologie als Ausdruck sozialer Verantwortung","authors":"Bárbara Alge, Julio Mendívil","doi":"10.52412/mf.2019.h4.36","DOIUrl":"https://doi.org/10.52412/mf.2019.h4.36","url":null,"abstract":"This article functions as an introduction to the following articles of this themed issue of Die Musikforschung. It frames the idea of an applied ethnomusicology, understood as an approach guided by principles of social responsibility, and as scholarship, knowledge and understanding put to practical use. The article discusses the emergence and relevance of applied ethnomusicology in Anglophone academia as well as the German-speaking world and gives insight into different fields in which applied ethnomusicology can be practiced: from traditional areas such as musical archives and museums to activism against social justice and for the rights of indigenous people and minorities, activism for musical and cultural sustainability or health, to musicological interventions in conflict situations and, finally, ethnomusicological contributions to music pedagogy. The authors do not claim to present a final definition of applied ethnomusicology, but rather aim to demonstrate the potential of this field and to show problems emerging in the course of ethnomusicological projects of an applied character.","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46797281","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MUSIKFORSCHUNGPub Date : 2021-09-22DOI: 10.52412/mf.1979.h2.1731
Alfred Dürr
{"title":"Neue Forschungen zu Bachs Kunst der Fuge","authors":"Alfred Dürr","doi":"10.52412/mf.1979.h2.1731","DOIUrl":"https://doi.org/10.52412/mf.1979.h2.1731","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46814738","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MUSIKFORSCHUNGPub Date : 2021-09-22DOI: 10.52412/mf.1996.h2.1027
Volker Schier
{"title":"süddeutsches Tropar-Fragment","authors":"Volker Schier","doi":"10.52412/mf.1996.h2.1027","DOIUrl":"https://doi.org/10.52412/mf.1996.h2.1027","url":null,"abstract":"Das Bistumsarchiv der Diözese Augsburg beherbergt ein wahrscheinlich süddeutsches fragmentarisches Graduale aus der ersten Hälfte des 12. Jahrhunderts, das auf Blatt 7 recto einen kurzen Tropar enthält. Verzeichnet sind im Tropar Gesänge zum Weihnachtsfest, zum Fest des hl. Stephanus und zum Fest des hl. Johannes. Sowohl das Repertoire wie auch die melodischen Lesarten lassen sich in identischer Form in keiner weiteren Quelle aufzeigen. Der Tropus im Stephanus-Formular deutet auf eine Verbindung der aufgezeichneten Praxis nach St. Gallen und Eichstätt hin. Die Position dieses Tropus innerhalb des wohl ursprünglichen St. Galler Formulars wurde jedoch bei der Übernahme in den Tropar des Fragments erheblich verändert.","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47971250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MUSIKFORSCHUNGPub Date : 2021-09-22DOI: 10.52412/mf.1990.h4.1289
M. Just
{"title":"Josquins Chanson „Nymphes, Napées” als Bearbeitung des Invitatoriums „Circumdederunt me” und als Grundlage für Kontrafaktur, Zitat und Nachahmung","authors":"M. Just","doi":"10.52412/mf.1990.h4.1289","DOIUrl":"https://doi.org/10.52412/mf.1990.h4.1289","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47172046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MUSIKFORSCHUNGPub Date : 2021-09-22DOI: 10.52412/mf.1979.h2.1728
Dieter Torkewitz
{"title":"‚entwickelte Zeit'. Zum Intermezzo op. 116, IV von Johannes Brahms","authors":"Dieter Torkewitz","doi":"10.52412/mf.1979.h2.1728","DOIUrl":"https://doi.org/10.52412/mf.1979.h2.1728","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47208074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MUSIKFORSCHUNGPub Date : 2021-09-22DOI: 10.52412/mf.2008.h3.3000
Hans-Christoph Mauruschat
{"title":"Komponist Hans Sommer (1837-1922) und seine Musikbibliothek","authors":"Hans-Christoph Mauruschat","doi":"10.52412/mf.2008.h3.3000","DOIUrl":"https://doi.org/10.52412/mf.2008.h3.3000","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49271314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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