{"title":"Josquins Chanson „Nymphes, Napées” als Bearbeitung des Invitatoriums „Circumdederunt me” und als Grundlage für Kontrafaktur, Zitat und Nachahmung","authors":"M. Just","doi":"10.52412/mf.1990.h4.1289","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"MUSIKFORSCHUNG","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52412/mf.1990.h4.1289","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}