的目标和方法作为对社会责任的表达

IF 0.1 3区 艺术学 0 MUSIC
Bárbara Alge, Julio Mendívil
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引用次数: 0

摘要

这篇文章是对本期主题期刊《死亡博物馆》的以下文章的介绍。它提出了应用民族音乐学的概念,被理解为一种以社会责任原则为指导的方法,并被理解为将学术、知识和理解付诸实践。本文讨论了应用民族音乐学在英语学术界和德语世界的出现及其相关性,并深入了解了应用民族乐学可以在不同领域进行实践:从音乐档案和博物馆等传统领域到反对社会正义和维护土著人民和少数民族权利的行动主义,对音乐和文化可持续性或健康的积极行动,对冲突局势中的音乐学干预,以及最后对音乐教育学的民族音乐学贡献。作者并不声称提出应用民族音乐学的最终定义,而是旨在展示该领域的潜力,并展示应用性民族音乐学项目过程中出现的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Über Ziele und Ansätze der angewandten Musikethnologie als Ausdruck sozialer Verantwortung
This article functions as an introduction to the following articles of this themed issue of Die Musikforschung. It frames the idea of an applied ethnomusicology, understood as an approach guided by principles of social responsibility, and as scholarship, knowledge and understanding put to practical use. The article discusses the emergence and relevance of applied ethnomusicology in Anglophone academia as well as the German-speaking world and gives insight into different fields in which applied ethnomusicology can be practiced: from traditional areas such as musical archives and museums to activism against social justice and for the rights of indigenous people and minorities, activism for musical and cultural sustainability or health, to musicological interventions in conflict situations and, finally, ethnomusicological contributions to music pedagogy. The authors do not claim to present a final definition of applied ethnomusicology, but rather aim to demonstrate the potential of this field and to show problems emerging in the course of ethnomusicological projects of an applied character.
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