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Pandemic experimentalism: decentering studio art education in an ongoing global emergency 流行病实验主义:在持续的全球紧急情况下分散工作室艺术教育

IF 0.3

Artnodes Pub Date : 2023-01-15 DOI: 10.7238/artnodes.v0i31.403473

J. Doyle, Simone Jones, Elizabeth Lopez

{"title":"Pandemic experimentalism: decentering studio art education in an ongoing global emergency","authors":"J. Doyle, Simone Jones, Elizabeth Lopez","doi":"10.7238/artnodes.v0i31.403473","DOIUrl":"https://doi.org/10.7238/artnodes.v0i31.403473","url":null,"abstract":"After eighteen months of online art education during the COVID-19 pandemic, the authors consider Form and Time, a required first-year studio art course at OCAD University in Toronto, as a case study within global practices of reconfiguration and experimentalism in art and design pedagogy during the crisis. Form and Time was scheduled to launch as a required first-year course on campus at OCADU in Fall 2020, but quarantine prompted the pivot to fully remote. Critiques of the traditional art school’s situated format were launched before COVID-19 by anti-ableist, Indigenous and feminist scholars, addressing access barriers and stressing resilience in the face of crisis and oppression. The pandemic disrupted the centrality of in-person studios and critique methods in post-secondary art education; this accelerated and took unexpected turns during the online pedagogical experiments of the early pandemic. In this context, Form and Time foreshadows new modes of art school studio delivery, decentering and critically intersecting with studio precedents suddenly disrupted by remote learning during COVID-19. Form and Time’s weekly asynchronous video lectures and online meetings probed themes of Space, Form and Time. Students posted weekly studio experiments on discussion boards, using materials close at hand. As with other art and design courses, everyday objects and materials provided a platform for discussing material conditions and encounters during the pandemic. Students depicted their unique surroundings using strategies of observation and walking. They accessed faculty-made online micro-workshops recorded by the various course instructors on home studio material techniques. These comprise a growing online archive shared by faculty teaching the multi-section course. Looking forward, we anticipate further crises. Greater interplay between online, blended and hands-on art studio education will prioritize flexibility that can better adapt to life pressures and emergencies, opening access for a diverse range of learners in decentered locations.","PeriodicalId":42030,"journal":{"name":"Artnodes","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46698574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A critical approach to Machine Learning forecast capabilities: creating a predictive biography in the age of the Internet of Behaviour (IoB) 机器学习预测能力的关键方法:在行为互联网(IoB)时代创建预测传记

IF 0.3

Artnodes Pub Date : 2023-01-15 DOI: 10.7238/artnodes.v0i31.405249

Diego Díaz, Clara Boj

{"title":"A critical approach to Machine Learning forecast capabilities: creating a predictive biography in the age of the Internet of Behaviour (IoB)","authors":"Diego Díaz, Clara Boj","doi":"10.7238/artnodes.v0i31.405249","DOIUrl":"https://doi.org/10.7238/artnodes.v0i31.405249","url":null,"abstract":"Based on the notion of the Datacene, understood as the time when data directly affects the social, cultural, economic, political, and even affective structures of the present, in this article we propose how Big Data and Artificial Intelligence give rise to the Internet of Behaviour: a new technological paradigm that has incredible potential to forecast and induce human behaviour. Since ancient times, humans have wanted to predict and alter the future, but in the last ten years, this wish has begun to become a reality due to great advances in the field of social engineering, raising serious doubts regarding social control and the loss of freedom. In this context of analysis, we present two projects developed within the framework of Art, Science, Technology and Society. Data Biography shows the enormous number of digital traces that we generate daily and uses them to compose a person’s biography, composed of 365 printed books. Machine Biography, for its part, investigates how current artificial intelligence techniques can predict and induce future human behaviour, for which we have used various forecast and generative models trained with data from our own digital activity, in order to generate another set of books with our foreseeable activity for the year 2050. Both projects invite us to consider from a critical perspective the present and future of the social transformations produced by Big Data and AI.","PeriodicalId":42030,"journal":{"name":"Artnodes","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47390424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Ópera y violencia virtual en los mundos ludoficcionales 游戏世界中的歌剧和虚拟暴力

IF 0.3

Artnodes Pub Date : 2023-01-15 DOI: 10.7238/artnodes.v0i31.411211

Juan Pablo Fernández-Cortés

引用次数: 0

Instalaciones pictóricas anamórficas aplicadas a la arquitectura: diseño virtual con Sketchup para proyectos reales 变形绘画装置在建筑中的应用:真实项目的Sketchup虚拟设计

IF 0.3

Artnodes Pub Date : 2023-01-15 DOI: 10.7238/artnodes.v0i31.402701

Jose-Antonio Soriano-Colchero

{"title":"Instalaciones pictóricas anamórficas aplicadas a la arquitectura: diseño virtual con Sketchup para proyectos reales","authors":"Jose-Antonio Soriano-Colchero","doi":"10.7238/artnodes.v0i31.402701","DOIUrl":"https://doi.org/10.7238/artnodes.v0i31.402701","url":null,"abstract":"En este artículo nos centramos en el estudio, a través de una investigación experimental, de tres propuestas diseñadas para la previsualización de instalaciones pictóricas anamórficas aplicadas a espacios arquitectónicos. Tras el análisis de las metodologías desarrolladas desde el siglo XVI hasta la actualidad, presentamos el desarrollo de nuevos procedimientos metodológicos, a través del software de diseño gráfico vectorial y de modelado virtual Sketchup, que permite generar tanto la deformación que debe aplicarse a la imagen original para generar la anamorfosis, estableciendo los parámetros de medida como distancias y ángulos, como la previsualización del resultado final en el espacio virtual. Cada uno de los casos experimentados es diferente, y nos ofrece unos resultados únicos. De esta forma, las conclusiones obtenidas se deben a los procedimientos y las finalidades que nos han llevado a utilizar dicho programa. Así, resulta de gran interés la facilidad que Sketchup presenta para generar este tipo de proyectos, de manera que ofrece una metodología más intuitiva que las tradicionales, y, en consecuencia, permite la creación de instalaciones anamórficas sin necesidad de conocer todos y cada uno de los parámetros técnicos necesarios en un principio. Esta investigación sirve como precedente de futuros estudios en los que analicemos la aplicación directa de la anamorfosis en entornos urbanos, modificando el paisaje a través de esta.","PeriodicalId":42030,"journal":{"name":"Artnodes","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43781650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ecologías de la saturación. Investigación artística: Space Debris :: Constelaciones de desechos 饱和生态。艺术研究:空间碎片:碎片星座

IF 0.3

Artnodes Pub Date : 2023-01-15 DOI: 10.7238/artnodes.v0i31.402822

Esther Pizarro Juanas

{"title":"Ecologías de la saturación. Investigación artística: Space Debris :: Constelaciones de desechos","authors":"Esther Pizarro Juanas","doi":"10.7238/artnodes.v0i31.402822","DOIUrl":"https://doi.org/10.7238/artnodes.v0i31.402822","url":null,"abstract":"El lanzamiento del Sputnik en 1957, el primer satélite de la humanidad, inauguró una nueva era en la conquista del espacio exterior; pero también marcó el inicio de un nuevo tipo de contaminación invisible a nuestros ojos, la contaminación espacial. Desde entonces, nuestro planeta se ha rodeado de numerosos satélites encargados de estudiar nuestro clima, predecir catástrofes, ayudarnos a responder preguntas científicas importantes para la evolución humana y mantenernos continuamente conectados y vigilados. La vida útil de estos satélites se ve amenazada por la saturación de objetos que rodean la Tierra. Los choques accidentales entre objetos que orbitan el espacio exterior pueden producir nubes de desechos que se mueven a gran velocidad, con el consiguiente riesgo de colisión para futuras misiones espaciales. Cuanto mayor es la conectividad planetaria, más aumenta la contaminación espacial. Este escenario de saturación nos conecta con premisas conceptuales, como el ambiente artificial, la ecología sin naturaleza o el hiperobjeto; puntos de anclaje de diversos autores relacionados con el Antropoceno, que serán examinados en este texto, y que servirán de pilar teórico para la propuesta artística que presentamos. La investigación artística que lleva por título, Space Debris :: Constelaciones de desechos, analiza y evidencia el enorme enjambre de basura espacial que gira alrededor de la Tierra en sus cuatro órbitas principales. Basándose en datos extraídos de fuentes científicas, identifica las principales once potencias responsables de la acumulación exponencial de desechos espaciales, clasifica y categoriza los datos, y visibiliza cómo se distribuye toda esta constelación de desechos espaciales en el cosmos mediante una instalación escultórica inmersiva e interactiva.","PeriodicalId":42030,"journal":{"name":"Artnodes","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44594814","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Video Art in the Southern Cone. Festivals, archives, and remediation of the analogue past 南锥体的录像艺术。节日，档案，以及对模拟过去的补救

IF 0.3

Artnodes Pub Date : 2023-01-15 DOI: 10.7238/artnodes.v0i31.402842

María Alejandra Crescentino

{"title":"Video Art in the Southern Cone. Festivals, archives, and remediation of the analogue past","authors":"María Alejandra Crescentino","doi":"10.7238/artnodes.v0i31.402842","DOIUrl":"https://doi.org/10.7238/artnodes.v0i31.402842","url":null,"abstract":"This article examines the challenges faced by physical and digital archives dedicated to video art in the Southern Cone, focusing on accessibility, preservation, and dissemination. To map such a complex situation, firstly, it identifies four influential Latin American video art festivals, including the Festival Franco-Chileno de Video Arte, the Festival Franco-Latinoamericano de Video Arte, Videobrasil and Buenos Aires Video, which promoted the production, circulation, and dissemination of audiovisual arts in the last two decades of the 20th century. Secondly, the article explores three regional initiatives – UMATIC, Açervo online Associação Cultural Videobrasil, and ARCA – that, since the mid-2000s, have carried out tasks of valuation and making accessible video art collections related to the aforementioned festivals. Drawing on Bolter and Grusin’s concept of remediation, it is proposed that these three initiatives be interpreted as remediation projects, as they are concerned with reshaping old media formats and multiplying media through hypermediation. The understanding of these projects also relies on the concept of “anomic archive”, which refers to the idea of a documentary archive constructed through an intentional process of collecting and sharing knowledge beyond traditional institutions. Finally, the article approaches digital archives as a means of accessing primary sources, proposing a reflection on the opportunities and risks posed by these remediation projects.","PeriodicalId":42030,"journal":{"name":"Artnodes","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48930725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Investigación artística en la educación superior: contexto de inclusión y modalidades 高等教育中的艺术研究：包容的背景和方式

IF 0.3

Artnodes Pub Date : 2023-01-15 DOI: 10.7238/artnodes.v0i31.402862

María Teresa Galarza-Neira

引用次数: 0

Transformations of more-than-human networks and the impact of material objects on tactical media artworks 非人类网络的转变和物质对象对战术媒体艺术的影响

IF 0.3

Artnodes Pub Date : 2023-01-15 DOI: 10.7238/artnodes.v0i31.403453

Caterina Antonopoulou

{"title":"Transformations of more-than-human networks and the impact of material objects on tactical media artworks","authors":"Caterina Antonopoulou","doi":"10.7238/artnodes.v0i31.403453","DOIUrl":"https://doi.org/10.7238/artnodes.v0i31.403453","url":null,"abstract":"More-than-human networks and the impact of material non-human entities have come into focus, in both social and computer sciences, since the late twentieth century. In social sciences, a plethora of conceptualizations emerged to describe complex, dynamic, heterogeneous and non-hierarchical structures of material and non-material, human and non-human, congruent and conflicting entities. In computer science, the birth of the Internet and the subsequent emergence of the World Wide Web drew scientists’ attention to networks, as well. Later, the advent of the Internet of Things (IoT) contributed to a shift in the prevailing perception of the Internet, from an immaterial entity to a network of interconnected material objects. Critical media artists explore the agency of non-human entities and the hybrid networks they articulate with heterogeneous agents. Some of them employ interconnected material objects to initiate tactical interventions at the intersection of art and activism. In this paper, we study tactical media artworks that incorporate material and technologically augmented everyday objects. We treat material objects as threefold entities – social, artistic and technological – and focus on the heterogeneous dynamic networks articulated around them. We investigate the actions and interactions of the entities involved, which result in a transformation of the emerging network. We show that these actions and interactions establish small-scale spatiotemporal spheres in which power relations are redistributed. The paper begins with a review of selected social and philosophical theories that introduced new terms, topologies and concepts for describing more-than-human networks. It then moves on to the advancement of networked technologies, focusing on the Internet’s materiality and the Internet of Things. Finally, it examines more-than-human networks, their transformations and the role of material objects in tactical media artworks through the analysis of two selected case studies.","PeriodicalId":42030,"journal":{"name":"Artnodes","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46740748","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Knowledge Cultures in New Media Art 新媒体艺术中的知识文化

IF 0.3

Artnodes Pub Date : 2023-01-15 DOI: 10.7238/artnodes.v0i31.402859

R. Hoetzlein

引用次数: 0

Laboratorio de Luz. Más de 30 años de investigación en arte, ciencia y tecnología en el panorama español 光实验室。西班牙艺术、科学和技术研究30多年

IF 0.3

Artnodes Pub Date : 2023-01-15 DOI: 10.7238/artnodes.v0i31.411124

Moisés Mañas Carbonell, María José Martínez de Pisón Ramón

引用次数: 0