Artnodes最新文献_第10页

IF 0.3

Artnodes Pub Date : 2022-02-16 DOI: 10.7238/artnodes.v0i29.393040

Marina Garcés

{"title":"Imaginación crítica","authors":"Marina Garcés","doi":"10.7238/artnodes.v0i29.393040","DOIUrl":"https://doi.org/10.7238/artnodes.v0i29.393040","url":null,"abstract":"Cuando los hechos se convierten en predicciones o incluso en profecías catastróficas, solo pueden ser acatados o negados. La imaginación crítica queda entonces bloqueada en una doble experiencia de la ausencia de límites: la ausencia de límites que conduce al Apocalipsis o la ausencia de límites de la producción de imágenes en la fábrica global de la innovación y la creatividad. La tradición crítica acertó desde un principio al establecer que la condición para la verdadera autonomía (de la razón, de la decisión o del aprendizaje) es poder participar en la elaboración de los propios límites. Este artículo parte de la hipótesis de que el pensamiento crítico necesita elaborarse hoy en alianza con una ecología de la imaginación. La crítica es el arte de los límites, del examen y del discernimiento cauteloso acerca de las producciones humanas y de sus condiciones de posibilidad. La imaginación es la relación viva con ellos. Se sitúa en un «entre» que enlaza, más allá del principio de no contradicción, el ser y el no ser bajo sus distintas formas: lo que sabemos y lo que no sabemos, lo que vemos y lo que no vemos, así como las distintas dimensiones del tiempo. Por eso, como argumentaremos a lo largo del artículo, la imaginación es una potencia de la extrañeza que nos devuelve la posibilidad de relacionarnos con un mundo y una temporalidad comunes, pero no únicas.","PeriodicalId":42030,"journal":{"name":"Artnodes","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48820743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

Digital creation: possible (and achievable) futures 数字化创造：可能（和可实现）的未来

IF 0.3

Artnodes Pub Date : 2021-07-15 DOI: 10.7238/artnodes.v0i28.388278

P. González

{"title":"Digital creation: possible (and achievable) futures","authors":"P. González","doi":"10.7238/artnodes.v0i28.388278","DOIUrl":"https://doi.org/10.7238/artnodes.v0i28.388278","url":null,"abstract":"During the last year, science and technology have been playing an indispensable role in a difficult and complex context. All areas of our lives have been forced to adapt to digital processes at an accelerated pace. Faced with an obvious economic and social transformation, we want to consider the state of culture and creation, one of the sectors hardest hit by the crisis. Specifically, we are interested in focusing on the particular situation of digital creation, devastated especially by the lack of protection and funding, by the closure of galleries and specialised spaces. It is not a question of starting from scratch. Future possibilities must be presented as opportunities. First, by analysing what has been learned, experienced and discussed so far before and during the pandemic. From there, we must identify, on the one hand, the direct consequences of the pandemic, and on the other, the problems arising from the acceleration of the digital transformation. Especially in those aspects that allow us to relaunch and promote new lines of work, heterogeneous initiatives, or new methodologies while always bearing in mind that this knowledge and experience has to settle and survive under the rules of the digital economy. Both the creation and consumption of content requires new digital, communication, entrepreneurial and commercial skills. Let us look for new perspectives, let us face the transversality that the hybridisation between art, science and technology can offer. Let us analyse and share with all those involved in all the creative processes and avoid going back into a loop. We are facing a complicated and risky, but exciting project. It is more necessary than ever to learn from mistakes, and to extract the value of certain experiences related to digital art. And, above all, let us not forget two of the most important components: to value the creators, to recover the public, and to attract those who have never felt attracted by these types of artistic practices. Let us look for and share the way to encourage and promote new contents and scenarios.","PeriodicalId":42030,"journal":{"name":"Artnodes","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46553689","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Divergent theoretical trajectories in Game Studies: a bibliographical review 博弈研究中的分歧理论轨迹——文献综述

IF 0.3

Artnodes Pub Date : 2021-07-09 DOI: 10.7238/ARTNODES.V0I28.380176

Rosa Núñez-Pacheco, Phillip Penix-Tadsen

{"title":"Divergent theoretical trajectories in Game Studies: a bibliographical review","authors":"Rosa Núñez-Pacheco, Phillip Penix-Tadsen","doi":"10.7238/ARTNODES.V0I28.380176","DOIUrl":"https://doi.org/10.7238/ARTNODES.V0I28.380176","url":null,"abstract":"Video games have become important objects of study for different academic disciplines. From the birth of the medium in the mid-twentieth century to the present, video games have offered new and creative ways of approaching reality and fiction, and not only serve as entertainment, but also have significant cultural, social, and technological implications. The formal study of this medium is the purview of the field of game studies, which brings together the contributions of various disciplines. This paper presents a bibliographical review of several theoretical trajectories in game studies, reflecting on the relevance of early debates on narratology and ludology, and examining the ways these initial divisions of the field have branched beyond that debate. Over the past several years, the narratological line of critique has established links with other theories such as cognitivism, the theory of fictional worlds and the contributions of unnatural narratology to the analysis of new technologies; ludology, for its part, has grown through its adaptations to postcolonial and decolonial theories in cultural studies, as well as through its connections to critical race and gender studies. We conclude that as game studies has evolved as a discipline, its initial theoretical debates have undergone profound transformations that have brought depth to the analysis of games’ meaning and diversified to the tools and techniques we have for analysing games as digital and cultural artefacts.","PeriodicalId":42030,"journal":{"name":"Artnodes","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46544672","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Criticisms of digital art: foundations and theoretical limits 数字艺术的批评:基础和理论限制

IF 0.3

Artnodes Pub Date : 2021-07-09 DOI: 10.7238/ARTNODES.V0I28.385861

Umberto Roncoroni Osio

引用次数: 0

La anamorfosis en el arte contemporáneo. Un análisis de las diferentes estrategias de su aplicación en las creaciones de artistas actuales 当代艺术中的变形。浅析其在当代艺术家创作中应用的不同策略

IF 0.3

Artnodes Pub Date : 2021-07-09 DOI: 10.7238/A.V0I28.381600

Jose-Antonio Soriano-Colchero

{"title":"La anamorfosis en el arte contemporáneo. Un análisis de las diferentes estrategias de su aplicación en las creaciones de artistas actuales","authors":"Jose-Antonio Soriano-Colchero","doi":"10.7238/A.V0I28.381600","DOIUrl":"https://doi.org/10.7238/A.V0I28.381600","url":null,"abstract":"La anamorfosis es una variante de la perspectiva matemática estudiada por artistas e in-telectuales europeos desde el siglo xvi, y se alcanzó la publicación del método definitivo en el siglo xvii. Su original aura misteriosa sería sustituida, debido a la consideración sobre las imágenes a las que se le aplicaba, por mero entretenimiento tras su popularización durante el siglo xviii, mediante los gabinetes de curiosidades y Kunst-und Wunderkammeern. No obstante, la anamorfosis ha continuado estudiándose y aplicándose a proyectos de creación artística. Así, el objetivo de la presente publicación es el desarrollo de una actualización sobre cómo la anamorfosis es aplicada al arte contemporáneo a través del estudio de numerosas obras, evidenciando las posibilidades técnicas y conceptuales que este sistema ofrece tanto al arte en sí como a la sociedad en general a través de este. Todas las obras analizadas –relacionadas con la anamorfosis óptica y catóptrica a través de la escultura, la fotografía y la pintura de artistas callejeros o relacionados a las galerías de arte– propician un discurso que invita a la reflexión sobre la realidad contemporánea o hiperrealidad. Con ello, damos a conocer el método de la anamorfosis, además de incentivar a los artistas visuales a aplicarlo en futuras creaciones, dado el interés que genera el método por su versatilidad en cuanto a potencial metodológico y de significación, demostrado en el cuerpo del artículo y en las conclusiones. La imagen anamórfica es entendida, por lo tanto, como metaimagen que evidencia su propia artificiosidad, incitando al observador a reflexionar sobre la realidad y exigiendo nuevas formas de interpretar lo observado.","PeriodicalId":42030,"journal":{"name":"Artnodes","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47723395","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Digital creation: possible (and achievable) futures 数字化创造：可能（和可实现）的未来

IF 0.3

Artnodes Pub Date : 2021-07-09 DOI: 10.7238/AV0I28.388278

P. Díaz

{"title":"Digital creation: possible (and achievable) futures","authors":"P. Díaz","doi":"10.7238/AV0I28.388278","DOIUrl":"https://doi.org/10.7238/AV0I28.388278","url":null,"abstract":"During the last year, science and technology have been playing an indispensable role in a difficult and complex context. All areas of our lives have been forced to adapt to digital processes at an accelerated pace.\u0000\u0000\u0000Faced with an obvious economic and social transformation, we want to consider the state of culture and creation, one of the sectors hardest hit by the crisis. Specifically, we are interested in focusing on the particular situation of digital creation, devastated especially by the lack of protection and funding, by the closure of galleries and specialised spaces.\u0000\u0000\u0000It is not a question of starting from scratch. Future possibilities must be presented as opportunities. First, by analysing what has been learned, experienced and discussed so far before and during the pandemic. From there, we must identify, on the one hand, the direct consequences of the pandemic, and on the other, the problems arising from the acceleration of the digital transformation. Especially in those aspects that allow us to relaunch and promote new lines of work, heterogeneous initiatives, or new methodologies while always bearing in mind that this knowledge and experience has to settle and survive under the rules of the digital economy. Both the creation and consumption of content requires new digital, communication, entrepreneurial and commercial skills.\u0000\u0000\u0000Let us look for new perspectives, let us face the transversality that the hybridisation between art, science and technology can offer. Let us analyse and share with all those involved in all the creative processes and avoid going back into a loop. We are facing a complicated and risky, but exciting project. It is more necessary than ever to learn from mistakes, and to extract the value of certain experiences related to digital art. And, above all, let us not forget two of the most important components: to value the creators, to recover the public, and to attract those who have never felt attracted by these types of artistic practices. Let us look for and share the way to encourage and promote new contents and scenarios.","PeriodicalId":42030,"journal":{"name":"Artnodes","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47823092","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Discurso videolúdico y transhumanismo en SOMA

IF 0.3

Artnodes Pub Date : 2021-07-09 DOI: 10.7238/ARTNODES.V0I28.385626

Álvaro Pina Arrabal

{"title":"Discurso videolúdico y transhumanismo en SOMA","authors":"Álvaro Pina Arrabal","doi":"10.7238/ARTNODES.V0I28.385626","DOIUrl":"https://doi.org/10.7238/ARTNODES.V0I28.385626","url":null,"abstract":"En este trabajo se realiza un análisis del discurso videolúdico de SOMA (2015), seleccionado por su alta carga diegética, filosófica y, en última instancia, discursiva. Las ideas sobre la ética del transhumanismo y la conciencia humana que plantea se estudian como parte de un discurso mayor: los límites morales de la ciencia y la tecnología. Así, se ofrece un marco teórico en el que se señala la potencialidad discursiva de los videojuegos a partir de su carga narrativa. En concreto, se aboga por una concepción del videojuego como discurso multimodal electrónico, de manera que para analizar un discurso videolúdico haya que atender a los distintos elementos multisemióticos que lo integran y no solo al texto (lo que supondría sesgar y/o limitar el análisis del discurso en cuestión). Se parte de presupuestos narratológicos y se proponen siete indicadores discursivos que encauzan el discurso multimodal de SOMA: cronotopos diegéticos, elementos metamórficos narrativos, elementos narrativos opcionales, actantes con potencial cesativo, diálogos, decisiones morales y el cuestionario. Se concluye que los videojuegos, en cuanto que “sistemas afectivos” (Anable, 2018), propician la representación y consiguiente transmisión de sentimientos humanos complejos (como los derivados de la propuesta transhumanista) que cabe estudiar desde un análisis del discurso multimodal que atienda a los distintos componentes semióticos que integran el videojuego.","PeriodicalId":42030,"journal":{"name":"Artnodes","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44284592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Metaphysics of The Machines: From Human-Robot-Robot Interaction to AI Philoso-phers Abstraction 机器的形而上学:从人-机器人-机器人交互到人工智能哲学家的抽象

IF 0.3

Artnodes Pub Date : 2021-07-09 DOI: 10.7238/ARTNODES.V0I28.385735

Predrag K. Nikolić, Ruiyang Liu

{"title":"Metaphysics of The Machines: From Human-Robot-Robot Interaction to AI Philoso-phers Abstraction","authors":"Predrag K. Nikolić, Ruiyang Liu","doi":"10.7238/ARTNODES.V0I28.385735","DOIUrl":"https://doi.org/10.7238/ARTNODES.V0I28.385735","url":null,"abstract":"In this paper, we introduce the artwork «Syntropic Counterpoints: Metaphysics of The Machines» which is part of the ongoing art-based research project «Syntropic Counterpoints». We aim to investigate the potentials of using artificial intelligence as an interdisciplinary creative medium. Moreover, to raise fundamental questions related to the artificial agents' role in raising human-AI society throughout the continuous period of reaching its emancipation. We are proposing the conceptual approach and methods in creating the audio-visual AI automated content through philosophical discussions between the four AI philosopher clones of Aristotle, Nietzsche, Machiavelli, and Sun Tzu. Special attention is given to the hybrid usage of technologies that led us toward transforming artificial intelligence into a co-existing artistic entity and novel creative framework for art and design practitioners. Therefore, we discuss some of the crucial questions related to our research and further directions in exploring AI abstraction in the context of robot creativity and its potential future forms. Our approach toward the liberation of machine creativity is through the use of words and grammar as a creative tool humans developed to express worlds «beyond» the world. The interaction between the audience and the installation is antagonistic as the process of further AI emancipation seems inevitable.","PeriodicalId":42030,"journal":{"name":"Artnodes","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44629107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

La condición transreal: información expandida y hacktivismo en el Media Art 超真实状态:媒体艺术中的扩展信息和黑客行动主义

IF 0.3

Artnodes Pub Date : 2021-07-09 DOI: 10.7238/A.V0I28.377879

C. F. Castrillo

{"title":"La condición transreal: información expandida y hacktivismo en el Media Art","authors":"C. F. Castrillo","doi":"10.7238/A.V0I28.377879","DOIUrl":"https://doi.org/10.7238/A.V0I28.377879","url":null,"abstract":"Desde el Media Art hallamos una larga serie de expresiones culturales de carácter innovador en respuesta a las nuevas inquietudes e intereses surgidos en la era de la posverdad. En la presente investigación se hará especial hincapié en el importante papel del hacktivismo para incentivar la participación ciudadana en la lucha contra la desinformación y el abuso de poder desde el ámbito más experimental de la cultura digital. Adoptaremos como objeto de estudio el corpus artístico de Paolo Cirio, por su interés al abordar el papel central de la información como medio y contenido creativo. En sus obras, la activación de originales mecanismos de visualización de datos e interacción con el usuario va dirigida no solo a denunciar injusticias y falsedades, sino también a estimular una intervención real sobre los propios hechos. A partir del análisis de algunas de sus principales aportaciones se establecerá un marco teórico original para la identificación de aquellas aportaciones creativas que entran dentro de la que denominaremos “condición transreal”. La relevancia de esta propuesta reside en el planteamiento de unas coordenadas para el estudio de aquellos proyectos transmedia de carácter interactivo, y en la mayoría de las ocasiones contestatario, capaces de brindar un nuevo modelo de relación con la audiencia y una atractiva estrategia de expansión del universo informativo desde el compromiso social mediante una acción directa sobre la realidad.","PeriodicalId":42030,"journal":{"name":"Artnodes","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45518244","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Estrategias del cine volumétrico para generar empatía en la audiencia. El caso de Queerskins: Ark 体积电影在观众中产生共鸣的策略。奎尔斯金斯案：方舟

IF 0.3

Artnodes Pub Date : 2021-07-09 DOI: 10.7238/ARTNODES.V0I28.386381

Francisco-Julián Martínez-Cano, Emilio Roselló-Tormo, Emilio Roselló-Tormo

{"title":"Estrategias del cine volumétrico para generar empatía en la audiencia. El caso de Queerskins: Ark","authors":"Francisco-Julián Martínez-Cano, Emilio Roselló-Tormo, Emilio Roselló-Tormo","doi":"10.7238/ARTNODES.V0I28.386381","DOIUrl":"https://doi.org/10.7238/ARTNODES.V0I28.386381","url":null,"abstract":"El registro volumétrico ofrece la posibilidad de trabajar con grabaciones de actores reales en producciones cinematográficas interactivas de realidad virtual. Queerskins: Ark (Szilak y Tsiboulski, 2020) es una de las primeras creaciones narrativas que aplican y exploran esta técnica, capaz de potenciar las respuestas empáticas de la audiencia. El presente trabajo parte del análisis de esta obra, con el objetivo de identificar los procedimientos de creación empleados en su construcción. Este estudio emplea una metodología cualitativa que se compone de tres fases. Una primera de revisión bibliográfica, posteriormente se profundiza en el proceso de creación de Queerskins: Ark a través de una serie de entrevistas semiestructuradas a los autores. Finalmente se analiza el metraje virtual aplicando un modelo propio diseñado en tres bloques. Los proyectos de investigación, llevados a cabo para comprobar el impacto de la narrativa audiovisual de RV en el espectador, siempre han optado por las estrategias de toma de perspectiva. La obra objeto de estudio, por el contrario, experimenta con la aplicación de recursos expresivos y artísticos con el mismo fin. Los resultados expuestos demuestran la existencia de métodos alternativos para generar respuestas empáticas en la audiencia.","PeriodicalId":42030,"journal":{"name":"Artnodes","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44984801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0