International Journal of Islamic Architecture最新文献

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Everyday Migrant Architecture and Socio-Spatial Practices: Bawean Langkher in the Singapore Ponthuk 日常移民建筑与社会空间实践:新加坡 Ponthuk 中的 Bawean Langkher
IF 0.2 3区 艺术学
International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00132_1
Hadi Osni
{"title":"Everyday Migrant Architecture and Socio-Spatial Practices: Bawean Langkher in the Singapore Ponthuk","authors":"Hadi Osni","doi":"10.1386/ijia_00132_1","DOIUrl":"https://doi.org/10.1386/ijia_00132_1","url":null,"abstract":"\u0000 This article examines how migrants from the island of Bawean in the Indonesian Archipelago architecturally responded to the urban environment upon migrating to Singapore in the late nineteenth and early twentieth centuries. Baweanese migrants translated architectural traditions and everyday life routines by adjusting the layouts of existing urban forms to facilitate their socio-religious needs. The continuity of the Bawean langkher (prayer hall) was formed by dynamic links between the community and their changing circumstances, motivations for Baweanese migration, and spontaneous acts of agency and resistance to colonial intervention in and away from the homeland. I explore how the Singapore ponthuk (migrant house) continued to perpetuate the socio-religious norms, mores, taboos, and laws of the Baweanese in the first half of the twentieth century. Within the hinterland, this led to a religious identity that was distinct from that of the larger Malay community. I argue that these continuities can be brought to light through a consideration of the memory of socio-spatial practices in everyday settings. I further suggest that the case of the Bawean langkher in the ponthuks of Singapore expands upon the notion of invisible geographies in the field of Islamic architecture.\u0000","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":"78 10","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139395801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Forms of Protest: Political Art in the Digital and Urban Realm 抗议的形式:数字和城市领域的政治艺术
IF 0.2 3区 艺术学
International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00128_7
Eliana Abu-Hamdi
{"title":"Forms of Protest: Political Art in the Digital and Urban Realm","authors":"Eliana Abu-Hamdi","doi":"10.1386/ijia_00128_7","DOIUrl":"https://doi.org/10.1386/ijia_00128_7","url":null,"abstract":"IJIA’s Dialogues series brings together scholars and practitioners from across varied disciplines for a discussion of critical contemporary issues that interrogate the boundaries between architecture, art, anthropology, archaeology, and history. This session, the third instalment, was held as a webinar in February 2023 and hosted by IJIA Assistant Editor Eliana Abu-Hamdi, featuring Middle East scholars Jillian Schwedler, Deen Sharp, and Kyle Craig. Their conversation addressed the intersection of art, urban politics, and protest in the Middle East, broadly defined, in the form of public displays of sculpture and visual art (graffiti), especially as they are related to issues of displacement, dispossession, diaspora, and national identity. The conversation also extended to digital media and hashtag culture/activism, and to virtual identities. This is an edited excerpt from the original discussion.\u0000","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":"35 10","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139456778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cultural Exchange vs. Marginality: A Project for an Islamic Culture House in Genoa, Italy 文化交流与边缘化:意大利热那亚伊斯兰文化之家项目
IF 0.2 3区 艺术学
International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00135_1
Nicola Delledonne
{"title":"Cultural Exchange vs. Marginality: A Project for an Islamic Culture House in Genoa, Italy","authors":"Nicola Delledonne","doi":"10.1386/ijia_00135_1","DOIUrl":"https://doi.org/10.1386/ijia_00135_1","url":null,"abstract":"\u0000 Social marginalization at the urban scale can stem from an ingrained fear within opposing societal blocs that their identity is inevitably destined to be undermined, or even lost, due to cultural conflicts. This article argues that the design of projects that juxtapose different cultural traditions and practices and encourage an openness to the exchange of knowledge and learning can both promote the reinforcement of identity, and set the stage for the willing and mutual acceptance of difference. With this perspective as a starting point, this article explores an unrealized project for an Islamic Culture House in Genoa, Italy, intended to be a place in which Islamic culture can be shared with the Christian and non-Christian residents of the city. This unrealized project, which received the European Muslim League’s support in 2012, proposes the transformation of an old building located in the Darsena area, the dockyards of Genoa, into a centre of Islamic culture.\u0000","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":"35 21","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139394953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Stage of Dissemination: The Transformation of Architectural Concepts in Iranian Architectural Journals (1941–1967) 传播阶段:伊朗建筑期刊中建筑概念的转变(1941-1967 年)
IF 0.2 3区 艺术学
International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00131_1
Zahra Mirzaei, Zahra Ahari
{"title":"The Stage of Dissemination: The Transformation of Architectural Concepts in Iranian Architectural Journals (1941–1967)","authors":"Zahra Mirzaei, Zahra Ahari","doi":"10.1386/ijia_00131_1","DOIUrl":"https://doi.org/10.1386/ijia_00131_1","url":null,"abstract":"\u0000 From 1941 to 1967, modern architecture in Iran shifted from a phenomenon confined to the upper class with a focus on urban monuments and government buildings to a public commodity. Three of the period’s architectural journals, Arshitikt (Architect), Bank-i Sakhtimani (Construction Bank), and Mi‘mari-yi Nuvin (New Architecture), were among the most effective tools for spreading notions of modern architecture in Iran at this time. This article traces mid-twentieth-century Iranian architects’ conceptual constellation of modern architecture through a quantitative and qualitative analysis of these periodicals. We argue that the transformation of core architectural concepts in each journal were due to changes in the sociopolitical context and in Iranian architects’ professional status as models of modern architecture were increasingly disseminated. In particular, our article demonstrates how the idea of architecture as fan (technique) in the journal Arshitikt (1946–48) was defined as the exclusive expertise of modern Iranian architects. Fan was replaced by the notion of architecture as construction in Bank-i Sakhtimani (1955–62) to justify the ongoing engineered mass production of modernized houses. By the 1960s, journals like Mi‘mari-yi Nuvin (1961–65) situated architecture as an art and a science, reflecting newly emerging views on national modernist architecture in a stabilizing professional condition.\u0000","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":"19 23","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139394110","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Destruction of the Old Bridge in Mostar: A Rupture in Collective Urban Space and Life 莫斯塔尔老桥的破坏:集体城市空间与生活的断裂
IF 0.2 3区 艺术学
International Journal of Islamic Architecture Pub Date : 2023-07-01 DOI: 10.1386/ijia_00117_1
Asja Mandić
{"title":"The Destruction of the Old Bridge in Mostar: A Rupture in Collective Urban Space and Life","authors":"Asja Mandić","doi":"10.1386/ijia_00117_1","DOIUrl":"https://doi.org/10.1386/ijia_00117_1","url":null,"abstract":"This article examines the destruction of the sixteenth-century pedestrian bridge of the city of Mostar, the Old Bridge, during the war in Bosnia and Herzegovina (1992–95) as a substantial disruption to the city’s urban fabric. The bridge was the symbol of the city, its most recognizable landmark, and a monument that linked two sides of the Neretva River into an integral urban unit. Reflecting on the repercussions of such violence in the context of the image of the city, I address the identity of the bridge, and the social relations inscribed in the materiality of the surrounding urban space. Due to the violence of the war and continued interethnic conflict, the meaning of the bridge changed; the construction of a new bridge on the same site was unable to repair breaches in the social relationships between Mostar’s communities. Architectural responses to rupture in the divided and contested city are exemplified in Mostar, an urban setting that has been ravaged by war, trauma, and ethno-nationalism.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45186879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Concrete Rupture: An Examination of Yugoslav Islamic Heritage in the Aftermath of the 1963 Skopje Earthquake 混凝土断裂:1963年斯科普里地震后对南斯拉夫伊斯兰遗产的考察
IF 0.2 3区 艺术学
International Journal of Islamic Architecture Pub Date : 2023-07-01 DOI: 10.1386/ijia_00116_1
Maja Babić
{"title":"The Concrete Rupture: An Examination of Yugoslav Islamic Heritage in the Aftermath of the 1963 Skopje Earthquake","authors":"Maja Babić","doi":"10.1386/ijia_00116_1","DOIUrl":"https://doi.org/10.1386/ijia_00116_1","url":null,"abstract":"The study of the Cold War built environment and its links with communist ideology have permeated the field of architectural history and theory since the fall of the Berlin Wall in 1989. However, the treatment of Ottoman Islamic heritage under state socialist rule remains a little examined subject. The earthquake that demolished large swaths of the Yugoslav city of Skopje in 1963 caused heavy damage to Ottoman architecture. In the years that followed, the reconstruction of Skopje became a symbol of a singular, international collaboration between countries from both sides of the Cold War divide. The city that arose became the 1970s brutalist capital of the Balkans. This article examines the treatment of Ottoman urban heritage in Skopje and its sociocultural and political implications during the post-disaster (re)construction of a modernizing and modernist city. I argue that disregard for the historical breadth and the continuing religious, cultural, and social significance of the region’s Ottoman-era urban spaces and structures for Skopje’s Muslim community in the creation of the brutalist city was not exclusively based on anti-Muslim rhetoric. Rather, it was part of the driving quest for modernity sought by the Yugoslav communist leaders in the second half of the twentieth century.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48570194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rupture and Response: Addressing Disaster, Conflict, and Change 破裂和反应:处理灾难、冲突和变化
IF 0.2 3区 艺术学
International Journal of Islamic Architecture Pub Date : 2023-07-01 DOI: 10.1386/ijia_00113_2
Hala Auji
{"title":"Rupture and Response: Addressing Disaster, Conflict, and Change","authors":"Hala Auji","doi":"10.1386/ijia_00113_2","DOIUrl":"https://doi.org/10.1386/ijia_00113_2","url":null,"abstract":"","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46077141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Abdelhalim Ibrahim Abdelhalim: An Architecture of Collective Memory, James Steele (2020) Abdelhalim Ibrahim Abdelhalim:一个集体记忆的建筑,James Steele (2020)
IF 0.2 3区 艺术学
International Journal of Islamic Architecture Pub Date : 2023-07-01 DOI: 10.1386/ijia_00123_5
Leïla El-Wakil
{"title":"Abdelhalim Ibrahim Abdelhalim: An Architecture of Collective Memory, James Steele (2020)","authors":"Leïla El-Wakil","doi":"10.1386/ijia_00123_5","DOIUrl":"https://doi.org/10.1386/ijia_00123_5","url":null,"abstract":"Review of: Abdelhalim Ibrahim Abdelhalim: An Architecture of Collective Memory, James Steele (2020)\u0000 Cairo: The American University in Cairo Press, 194 pp., 31 b&w and 176 colour illus.,\u0000 ISBN: 9789774168901, €48 (hardback)","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43537677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Iranzamin, Powerhouse Museum, Sydney, Australia, March 18–August 8, 2021 Iranzamin,动力博物馆,澳大利亚悉尼,2021年3月18日至8月8日
IF 0.2 3区 艺术学
International Journal of Islamic Architecture Pub Date : 2023-07-01 DOI: 10.1386/ijia_00125_5
Ana Silkatcheva
{"title":"Iranzamin, Powerhouse Museum, Sydney, Australia, March 18–August 8, 2021","authors":"Ana Silkatcheva","doi":"10.1386/ijia_00125_5","DOIUrl":"https://doi.org/10.1386/ijia_00125_5","url":null,"abstract":"Review of: Iranzamin, Powerhouse Museum, Sydney, Australia, March 18–August 8, 2021","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43066667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
New Universities for a New Nation: American Architects Redesign Higher Education for a Modern Pakistan 新国家的新大学:美国建筑师为现代巴基斯坦重新设计高等教育
IF 0.2 3区 艺术学
International Journal of Islamic Architecture Pub Date : 2023-07-01 DOI: 10.1386/ijia_00115_1
S. Leslie
{"title":"New Universities for a New Nation: American Architects Redesign Higher Education for a Modern Pakistan","authors":"S. Leslie","doi":"10.1386/ijia_00115_1","DOIUrl":"https://doi.org/10.1386/ijia_00115_1","url":null,"abstract":"Indian Partition in 1947 left Pakistan without an educational infrastructure sufficient to transform itself into a modern nation. Pakistan inherited several universities from the British Raj that had been intended to train civil servants for a colonial territory, not leaders for an independent country. The predominantly Hindu faculty subsequently left for India. Seeking to build new universities on the American model, Pakistan turned to a number of prominent United States-based architects who, in collaboration with their Pakistani colleagues and with funding from US foreign aid programmes and international agencies, designed new universities for science, technology, and medicine. The University of Islamabad (later Quaid-i-Azam University), the East Pakistan Agricultural University (later Bangladesh Agricultural University), five polytechnics in East Pakistan, and the Aga Khan Hospital and Medical College in Karachi were all planned in the 1960s and early 1970s and completed by the 1980s. Each architect sought to design universities appropriate for a post-Partition and post-colonial state that would be at once Muslim and modern in their curricula and in their architectural designs. However, the universities could not heal the rupture that created them, and in some ways contributed to furthering it.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46778698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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