International Journal of Islamic Architecture最新文献_第3页

Climate Change Adaptation in the Built Environment: Lessons from a Geographical Transect of Indus River Basin Settlements 建筑环境适应气候变化：印度河流域居民点地理横断面的经验教训

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00127_7

J. Wescoat

引用次数: 0

Architecture of Co-Existence: Building Pluralism, Ed. Azra Akšamija (2020) 共存的建筑：构建多元主义》，Ed.Azra Akšamija (2020)

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00139_5

Esra Akcan

引用次数: 0

Scholarly Rigour in Gelatin Silver: K. A. C. Creswell’s Photographs of Islamic Architecture 明胶银照片中的严谨学术精神：K. A. C. Creswell 的伊斯兰建筑摄影作品

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00129_1

Alex Dika Seggerman

{"title":"Scholarly Rigour in Gelatin Silver: K. A. C. Creswell’s Photographs of Islamic Architecture","authors":"Alex Dika Seggerman","doi":"10.1386/ijia_00129_1","DOIUrl":"https://doi.org/10.1386/ijia_00129_1","url":null,"abstract":"\u0000 This article critically considers the aesthetics, process, and distribution of K. A. C. Creswell’s photographic collections of Islamic architecture. Creswell (1879–1974), a British university professor in Cairo from 1931 until his death, is considered one of the founders of the field of Islamic architectural history. As a young scholar in the 1910s, he took thousands of photographs of Islamic architectural sites, mainly in Egypt, which he then duplicated and deposited into major institutions of art historical study: Harvard University, the Victoria and Albert Museum, the Villa I Tatti, the Ashmolean Museum, and the American University in Cairo. While he strove to objectively document historical sites through photography, Creswell also inadvertently captured aspects of everyday life in the city of Cairo. These slips of modernity in his photographs highlight how he ‘personally re-created’ distinctive study images that are not solely documents of architecture. His choice of camera, lens, angle, shutter speed, lens filter, cropping, and printing generated an identifiable photographic style that marked these images within the field of art historical study. These five photographic collections, spread across three continents, thus exhibit how photography facilitated the incorporation of the field of Islamic art into the wider field of art history.\u0000","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139395364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Everyday Migrant Architecture and Socio-Spatial Practices: Bawean Langkher in the Singapore Ponthuk 日常移民建筑与社会空间实践：新加坡 Ponthuk 中的 Bawean Langkher

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00132_1

Hadi Osni

{"title":"Everyday Migrant Architecture and Socio-Spatial Practices: Bawean Langkher in the Singapore Ponthuk","authors":"Hadi Osni","doi":"10.1386/ijia_00132_1","DOIUrl":"https://doi.org/10.1386/ijia_00132_1","url":null,"abstract":"\u0000 This article examines how migrants from the island of Bawean in the Indonesian Archipelago architecturally responded to the urban environment upon migrating to Singapore in the late nineteenth and early twentieth centuries. Baweanese migrants translated architectural traditions and everyday life routines by adjusting the layouts of existing urban forms to facilitate their socio-religious needs. The continuity of the Bawean langkher (prayer hall) was formed by dynamic links between the community and their changing circumstances, motivations for Baweanese migration, and spontaneous acts of agency and resistance to colonial intervention in and away from the homeland. I explore how the Singapore ponthuk (migrant house) continued to perpetuate the socio-religious norms, mores, taboos, and laws of the Baweanese in the first half of the twentieth century. Within the hinterland, this led to a religious identity that was distinct from that of the larger Malay community. I argue that these continuities can be brought to light through a consideration of the memory of socio-spatial practices in everyday settings. I further suggest that the case of the Bawean langkher in the ponthuks of Singapore expands upon the notion of invisible geographies in the field of Islamic architecture.\u0000","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139395801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Forms of Protest: Political Art in the Digital and Urban Realm 抗议的形式：数字和城市领域的政治艺术

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00128_7

Eliana Abu-Hamdi

引用次数: 0

Beirut and The Golden Sixties: A Manifesto of Fragility, Gropius Bau 贝鲁特和黄金六十年代脆弱宣言，格罗皮乌斯建筑事务所

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00141_5

Çiğdem İvren

引用次数: 0

Cultural Exchange vs. Marginality: A Project for an Islamic Culture House in Genoa, Italy 文化交流与边缘化：意大利热那亚伊斯兰文化之家项目

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00135_1

Nicola Delledonne

引用次数: 0

The Stage of Dissemination: The Transformation of Architectural Concepts in Iranian Architectural Journals (1941–1967) 传播阶段：伊朗建筑期刊中建筑概念的转变（1941-1967 年）

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00131_1

Zahra Mirzaei, Zahra Ahari

{"title":"The Stage of Dissemination: The Transformation of Architectural Concepts in Iranian Architectural Journals (1941–1967)","authors":"Zahra Mirzaei, Zahra Ahari","doi":"10.1386/ijia_00131_1","DOIUrl":"https://doi.org/10.1386/ijia_00131_1","url":null,"abstract":"\u0000 From 1941 to 1967, modern architecture in Iran shifted from a phenomenon confined to the upper class with a focus on urban monuments and government buildings to a public commodity. Three of the period’s architectural journals, Arshitikt (Architect), Bank-i Sakhtimani (Construction Bank), and Mi‘mari-yi Nuvin (New Architecture), were among the most effective tools for spreading notions of modern architecture in Iran at this time. This article traces mid-twentieth-century Iranian architects’ conceptual constellation of modern architecture through a quantitative and qualitative analysis of these periodicals. We argue that the transformation of core architectural concepts in each journal were due to changes in the sociopolitical context and in Iranian architects’ professional status as models of modern architecture were increasingly disseminated. In particular, our article demonstrates how the idea of architecture as fan (technique) in the journal Arshitikt (1946–48) was defined as the exclusive expertise of modern Iranian architects. Fan was replaced by the notion of architecture as construction in Bank-i Sakhtimani (1955–62) to justify the ongoing engineered mass production of modernized houses. By the 1960s, journals like Mi‘mari-yi Nuvin (1961–65) situated architecture as an art and a science, reflecting newly emerging views on national modernist architecture in a stabilizing professional condition.\u0000","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139394110","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Concrete Rupture: An Examination of Yugoslav Islamic Heritage in the Aftermath of the 1963 Skopje Earthquake 混凝土断裂:1963年斯科普里地震后对南斯拉夫伊斯兰遗产的考察

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2023-07-01 DOI: 10.1386/ijia_00116_1

Maja Babić

{"title":"The Concrete Rupture: An Examination of Yugoslav Islamic Heritage in the Aftermath of the 1963 Skopje Earthquake","authors":"Maja Babić","doi":"10.1386/ijia_00116_1","DOIUrl":"https://doi.org/10.1386/ijia_00116_1","url":null,"abstract":"The study of the Cold War built environment and its links with communist ideology have permeated the field of architectural history and theory since the fall of the Berlin Wall in 1989. However, the treatment of Ottoman Islamic heritage under state socialist rule remains a little examined subject. The earthquake that demolished large swaths of the Yugoslav city of Skopje in 1963 caused heavy damage to Ottoman architecture. In the years that followed, the reconstruction of Skopje became a symbol of a singular, international collaboration between countries from both sides of the Cold War divide. The city that arose became the 1970s brutalist capital of the Balkans. This article examines the treatment of Ottoman urban heritage in Skopje and its sociocultural and political implications during the post-disaster (re)construction of a modernizing and modernist city. I argue that disregard for the historical breadth and the continuing religious, cultural, and social significance of the region’s Ottoman-era urban spaces and structures for Skopje’s Muslim community in the creation of the brutalist city was not exclusively based on anti-Muslim rhetoric. Rather, it was part of the driving quest for modernity sought by the Yugoslav communist leaders in the second half of the twentieth century.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48570194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Destruction of the Old Bridge in Mostar: A Rupture in Collective Urban Space and Life 莫斯塔尔老桥的破坏:集体城市空间与生活的断裂

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2023-07-01 DOI: 10.1386/ijia_00117_1

Asja Mandić

引用次数: 0