International Journal of Islamic Architecture最新文献

Drawing the Line: On the Impossibility of Utopia 划清界限：论乌托邦的不可能性

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00136_7

Ş. Yücel

引用次数: 0

Cultural Heritage-Led Regeneration of Historic Cities: A Strategic Intervention for the Metropolis of Tehran 以文化遗产为主导的历史名城复兴：德黑兰大都会的战略干预措施

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00134_1

Najmeh H. Viki, Howayda Al-Harithy

引用次数: 0

The Ambivalence of Urban Modernity and Marginality: The Making of Abadan Under the Anglo-Persian/Iranian Oil Company 城市现代化与边缘化的矛盾性：英国-波斯/伊朗石油公司打造的阿巴丹

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00133_1

Leila Saboori

{"title":"The Ambivalence of Urban Modernity and Marginality: The Making of Abadan Under the Anglo-Persian/Iranian Oil Company","authors":"Leila Saboori","doi":"10.1386/ijia_00133_1","DOIUrl":"https://doi.org/10.1386/ijia_00133_1","url":null,"abstract":"\u0000 The discovery of oil in Masjed Soleyman, Iran, in 1908 prompted the foundation of the British-owned Anglo Persian Oil Company (APOC), and the construction of a massive refinery in Abadan in the southwest. It also sparked astonishing industrial and urban development in the region. Within a span of fifty years following the discovery of oil, Abadan developed from a small tribal village to one of Iran’s major modern industrial cities. This study examines how the rapid modern transformation of Abadan under the management and control of APOC influenced the everyday lived experiences of the local population. As a typical colonial company town of the era, Abadan’s patterns of industrialization, urbanization, and modernization became archetypes for other oil cities in Iran and the Middle East. Shaped by dependence on a single commodity, the architecture and urban planning of Abadan reveals hierarchies of economic, social, and political domination. Using the oral histories of Iranians familiar with the period and the area, this research argues that early twentieth-century company towns in Iran such as Abadan served as rhetorical instruments, which foreign-owned companies and their hired architects and planners used to impose specific visions of modernity upon subaltern or indigenous populations.\u0000","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":"249 9","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139395234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Archive Wars: The Politics of History in Saudi Arabia, Rosie Bsheer (2020) 档案战争：沙特阿拉伯的历史政治》，Rosie Bsheer (2020)

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00137_5

Nora Elizabeth Barakat

引用次数: 0

From Granada to Berlin: The Alhambra Cupola, Anna McSweeney (2020) 从格拉纳达到柏林：阿尔罕布拉冲天炉，安娜-麦克斯维尼（2020 年）

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00138_5

Sarah Slingluff

引用次数: 0

Caliphs and Merchants: Cities and Economies of Power in the Near East (700–950), Fanny Bessard (2020) 哈里发与商人：近东的城市与权力经济（700-950 年）》，范妮-贝萨德 (2020)

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00140_5

Cecilia Palombo

引用次数: 0

Moroccan Sociocultural Practices of Space: Coping with Marginalization in Bidonvilles and Social Housing 摩洛哥空间社会文化实践：应对比东维尔和社会住房中的边缘化问题

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00130_1

M. Cheddadi, Hafsa Rifki

{"title":"Moroccan Sociocultural Practices of Space: Coping with Marginalization in Bidonvilles and Social Housing","authors":"M. Cheddadi, Hafsa Rifki","doi":"10.1386/ijia_00130_1","DOIUrl":"https://doi.org/10.1386/ijia_00130_1","url":null,"abstract":"\u0000 This article examines the everyday adaptation practices of marginalized inhabitants in present-day Morocco as they respond to their urban domestic environments and resist recent slum relocation projects. We first address urban policies implemented during the French protectorate era (1912–56), many of which have continued to impact Moroccan cities in the twenty-first century. Our research emphasizes the inadequacy of current urban policies and architectural designs, as well as their incompatibility with inhabitants’ ways of living and spatial needs. We explore how different socio-spatial practices in traditional medina cities, shantytowns, and social housing complexes illustrate marginalized social groups’ adaptation to official policies and sociocultural changes. Acknowledging that the built environment expresses the beliefs, cultures, and social backgrounds of inhabitants, we aim to illustrate their ways of living through case studies of two marginalized communities in the Douar El-Garaa shantytown in Rabat and a social housing complex in the suburbs of Casablanca. Our findings identify socio-spatial appropriation and adaptation practices that are rooted in sociocultural habits codified by Islamic customs and other Moroccan cultural norms.\u0000","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":"16 2","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139455320","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Architecture of Co-Existence: Building Pluralism, Ed. Azra Akšamija (2020) 共存的建筑：构建多元主义》，Ed.Azra Akšamija (2020)

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00139_5

Esra Akcan

引用次数: 0

Climate Change Adaptation in the Built Environment: Lessons from a Geographical Transect of Indus River Basin Settlements 建筑环境适应气候变化：印度河流域居民点地理横断面的经验教训

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00127_7

J. Wescoat

引用次数: 0

Scholarly Rigour in Gelatin Silver: K. A. C. Creswell’s Photographs of Islamic Architecture 明胶银照片中的严谨学术精神：K. A. C. Creswell 的伊斯兰建筑摄影作品

IF 0.2 3区艺术学

International Journal of Islamic Architecture Pub Date : 2024-01-01 DOI: 10.1386/ijia_00129_1

Alex Dika Seggerman

{"title":"Scholarly Rigour in Gelatin Silver: K. A. C. Creswell’s Photographs of Islamic Architecture","authors":"Alex Dika Seggerman","doi":"10.1386/ijia_00129_1","DOIUrl":"https://doi.org/10.1386/ijia_00129_1","url":null,"abstract":"\u0000 This article critically considers the aesthetics, process, and distribution of K. A. C. Creswell’s photographic collections of Islamic architecture. Creswell (1879–1974), a British university professor in Cairo from 1931 until his death, is considered one of the founders of the field of Islamic architectural history. As a young scholar in the 1910s, he took thousands of photographs of Islamic architectural sites, mainly in Egypt, which he then duplicated and deposited into major institutions of art historical study: Harvard University, the Victoria and Albert Museum, the Villa I Tatti, the Ashmolean Museum, and the American University in Cairo. While he strove to objectively document historical sites through photography, Creswell also inadvertently captured aspects of everyday life in the city of Cairo. These slips of modernity in his photographs highlight how he ‘personally re-created’ distinctive study images that are not solely documents of architecture. His choice of camera, lens, angle, shutter speed, lens filter, cropping, and printing generated an identifiable photographic style that marked these images within the field of art historical study. These five photographic collections, spread across three continents, thus exhibit how photography facilitated the incorporation of the field of Islamic art into the wider field of art history.\u0000","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":"60 7","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139395364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0