{"title":"传播阶段:伊朗建筑期刊中建筑概念的转变(1941-1967 年)","authors":"Zahra Mirzaei, Zahra Ahari","doi":"10.1386/ijia_00131_1","DOIUrl":null,"url":null,"abstract":"\n From 1941 to 1967, modern architecture in Iran shifted from a phenomenon confined to the upper class with a focus on urban monuments and government buildings to a public commodity. Three of the period’s architectural journals, Arshitikt (Architect), Bank-i Sakhtimani (Construction Bank), and Mi‘mari-yi Nuvin (New Architecture), were among the most effective tools for spreading notions of modern architecture in Iran at this time. This article traces mid-twentieth-century Iranian architects’ conceptual constellation of modern architecture through a quantitative and qualitative analysis of these periodicals. We argue that the transformation of core architectural concepts in each journal were due to changes in the sociopolitical context and in Iranian architects’ professional status as models of modern architecture were increasingly disseminated. In particular, our article demonstrates how the idea of architecture as fan (technique) in the journal Arshitikt (1946–48) was defined as the exclusive expertise of modern Iranian architects. Fan was replaced by the notion of architecture as construction in Bank-i Sakhtimani (1955–62) to justify the ongoing engineered mass production of modernized houses. By the 1960s, journals like Mi‘mari-yi Nuvin (1961–65) situated architecture as an art and a science, reflecting newly emerging views on national modernist architecture in a stabilizing professional condition.\n","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Stage of Dissemination: The Transformation of Architectural Concepts in Iranian Architectural Journals (1941–1967)\",\"authors\":\"Zahra Mirzaei, Zahra Ahari\",\"doi\":\"10.1386/ijia_00131_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n From 1941 to 1967, modern architecture in Iran shifted from a phenomenon confined to the upper class with a focus on urban monuments and government buildings to a public commodity. Three of the period’s architectural journals, Arshitikt (Architect), Bank-i Sakhtimani (Construction Bank), and Mi‘mari-yi Nuvin (New Architecture), were among the most effective tools for spreading notions of modern architecture in Iran at this time. This article traces mid-twentieth-century Iranian architects’ conceptual constellation of modern architecture through a quantitative and qualitative analysis of these periodicals. We argue that the transformation of core architectural concepts in each journal were due to changes in the sociopolitical context and in Iranian architects’ professional status as models of modern architecture were increasingly disseminated. In particular, our article demonstrates how the idea of architecture as fan (technique) in the journal Arshitikt (1946–48) was defined as the exclusive expertise of modern Iranian architects. Fan was replaced by the notion of architecture as construction in Bank-i Sakhtimani (1955–62) to justify the ongoing engineered mass production of modernized houses. By the 1960s, journals like Mi‘mari-yi Nuvin (1961–65) situated architecture as an art and a science, reflecting newly emerging views on national modernist architecture in a stabilizing professional condition.\\n\",\"PeriodicalId\":41944,\"journal\":{\"name\":\"International Journal of Islamic Architecture\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2024-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Islamic Architecture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/ijia_00131_1\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHITECTURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Islamic Architecture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/ijia_00131_1","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
The Stage of Dissemination: The Transformation of Architectural Concepts in Iranian Architectural Journals (1941–1967)
From 1941 to 1967, modern architecture in Iran shifted from a phenomenon confined to the upper class with a focus on urban monuments and government buildings to a public commodity. Three of the period’s architectural journals, Arshitikt (Architect), Bank-i Sakhtimani (Construction Bank), and Mi‘mari-yi Nuvin (New Architecture), were among the most effective tools for spreading notions of modern architecture in Iran at this time. This article traces mid-twentieth-century Iranian architects’ conceptual constellation of modern architecture through a quantitative and qualitative analysis of these periodicals. We argue that the transformation of core architectural concepts in each journal were due to changes in the sociopolitical context and in Iranian architects’ professional status as models of modern architecture were increasingly disseminated. In particular, our article demonstrates how the idea of architecture as fan (technique) in the journal Arshitikt (1946–48) was defined as the exclusive expertise of modern Iranian architects. Fan was replaced by the notion of architecture as construction in Bank-i Sakhtimani (1955–62) to justify the ongoing engineered mass production of modernized houses. By the 1960s, journals like Mi‘mari-yi Nuvin (1961–65) situated architecture as an art and a science, reflecting newly emerging views on national modernist architecture in a stabilizing professional condition.
期刊介绍:
The International Journal of Islamic Architecture (IJIA) publishes bi-annually, peer-reviewed articles on the urban design and planning, architecture and landscape architecture of the historic Islamic world, encompassing the Middle East and parts of Africa and Asia, but also the more recent geographies of Islam in its global dimensions. The main emphasis is on the detailed analysis of the practical, historical and theoretical aspects of architecture, with a focus on both design and its reception. The journal also aims to encourage dialogue and discussion between practitioners and scholars. Articles that bridge the academic-practitioner divide are highly encouraged. While the main focus is on architecture, papers that explore architecture from other disciplinary perspectives, such as art, history, archaeology, anthropology, culture, spirituality, religion and economics are also welcome. The journal is specifically interested in contemporary architecture and urban design in relation to social and cultural history, geography, politics, aesthetics, technology and conservation. Spanning across cultures and disciplines, IJIA seeks to analyse and explain issues related to the built environment throughout the regions covered. The audience of this journal includes both practitioners and scholars. The journal publishes both online and in print. The first issue was published in January 2012.