传播阶段:伊朗建筑期刊中建筑概念的转变(1941-1967 年)

IF 0.3 3区 艺术学 0 ARCHITECTURE
Zahra Mirzaei, Zahra Ahari
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引用次数: 0

摘要

从 1941 年到 1967 年,伊朗的现代建筑从一种仅限于上层社会的现象转变为一种公共商品,其重点是城市纪念碑和政府建筑。这一时期的三份建筑期刊《Arshitikt》(《建筑师》)、《Bank-i Sakhtimani》(《建设银行》)和《Mi'mari-yi Nuvin》(《新建筑》)是在伊朗传播现代建筑理念的最有效工具之一。本文通过对这些期刊的定量和定性分析,追溯了二十世纪中期伊朗建筑师对现代建筑概念的理解。我们认为,随着现代建筑模式的不断传播,社会政治环境和伊朗建筑师的专业地位都发生了变化,这导致了每种期刊中核心建筑概念的转变。特别是,我们的文章展示了《Arshitikt》杂志(1946-48 年)中 "建筑是扇子(技术)"的概念是如何被定义为现代伊朗建筑师的专有技术的。在《Bank-i Sakhtimani》(1955-62 年)中,"扇子 "被 "建筑即施工 "的概念所取代,为正在进行的现代化住宅工程化大规模生产提供了依据。到了 20 世纪 60 年代,《Mi'mari-yi Nuvin》(1961-65 年)等期刊将建筑定位为一门艺术和科学,反映了在稳定的专业条件下新出现的关于国家现代主义建筑的观点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Stage of Dissemination: The Transformation of Architectural Concepts in Iranian Architectural Journals (1941–1967)
From 1941 to 1967, modern architecture in Iran shifted from a phenomenon confined to the upper class with a focus on urban monuments and government buildings to a public commodity. Three of the period’s architectural journals, Arshitikt (Architect), Bank-i Sakhtimani (Construction Bank), and Mi‘mari-yi Nuvin (New Architecture), were among the most effective tools for spreading notions of modern architecture in Iran at this time. This article traces mid-twentieth-century Iranian architects’ conceptual constellation of modern architecture through a quantitative and qualitative analysis of these periodicals. We argue that the transformation of core architectural concepts in each journal were due to changes in the sociopolitical context and in Iranian architects’ professional status as models of modern architecture were increasingly disseminated. In particular, our article demonstrates how the idea of architecture as fan (technique) in the journal Arshitikt (1946–48) was defined as the exclusive expertise of modern Iranian architects. Fan was replaced by the notion of architecture as construction in Bank-i Sakhtimani (1955–62) to justify the ongoing engineered mass production of modernized houses. By the 1960s, journals like Mi‘mari-yi Nuvin (1961–65) situated architecture as an art and a science, reflecting newly emerging views on national modernist architecture in a stabilizing professional condition.
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍: The International Journal of Islamic Architecture (IJIA) publishes bi-annually, peer-reviewed articles on the urban design and planning, architecture and landscape architecture of the historic Islamic world, encompassing the Middle East and parts of Africa and Asia, but also the more recent geographies of Islam in its global dimensions. The main emphasis is on the detailed analysis of the practical, historical and theoretical aspects of architecture, with a focus on both design and its reception. The journal also aims to encourage dialogue and discussion between practitioners and scholars. Articles that bridge the academic-practitioner divide are highly encouraged. While the main focus is on architecture, papers that explore architecture from other disciplinary perspectives, such as art, history, archaeology, anthropology, culture, spirituality, religion and economics are also welcome. The journal is specifically interested in contemporary architecture and urban design in relation to social and cultural history, geography, politics, aesthetics, technology and conservation. Spanning across cultures and disciplines, IJIA seeks to analyse and explain issues related to the built environment throughout the regions covered. The audience of this journal includes both practitioners and scholars. The journal publishes both online and in print. The first issue was published in January 2012.
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