Romance Studies最新文献_第7页

Attilio Rossi y los exiliados republicanos de 1939: lecturas de la modernidad en la plástica argentina (1936-1951) 阿提利奥·罗西和1939年的共和党流亡者:阿根廷塑料艺术中的现代性解读(1936-1951)

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Romance Studies Pub Date : 2020-10-01 DOI: 10.1080/02639904.2020.1859788

José-Ramón López García

{"title":"Attilio Rossi y los exiliados republicanos de 1939: lecturas de la modernidad en la plástica argentina (1936-1951)","authors":"José-Ramón López García","doi":"10.1080/02639904.2020.1859788","DOIUrl":"https://doi.org/10.1080/02639904.2020.1859788","url":null,"abstract":"RESUMEN El artista Attilio Rossi (Albairate, 1909-Milán, 1994) desarrolló en Italia una intensa actividad vanguardista en el ámbito de la tipografía y la difusión del arte abstracto. Huyendo del fascismo, llegó a Buenos Aires en 1935, trayendo consigo una concepción categórica del arte de vanguardia, con la abstracción como paradigma de una modernidad auténticamente revolucionaria. Durante la siguiente década y en el contexto transicional que vivía la plástica argentina, Rossi moduló progresivamente esta concepción. En pleno debate acerca de la identidad nacional argentina y de confrontación entre el realismo y la abstracción, se produjo una fuerte competencia acerca de cuál debía ser el discurso hegemónico de la modernidad y el lugar que debían ocupar las vanguardias. Asimismo, la vivencia del exilio actuó como otro hecho determinante en la vida y obra de Rossi. En este sentido, su contacto con los exiliados republicanos españoles radicados en Buenos Aires (Rafael Alberti, Guillermo de Torre, Rafael Dieste, Arturo Serrano Plaja, Luis Seoane, José Otero Espasandín, Lorenzo Varela …) supuso un factor decisivo para entender su posicionamiento último ante la modernidad. Finalmente, como resultado de las tensiones estético-políticas de este periodo, la obra de Rossi propondrá una interesante síntesis de la abstracción y la figuración.","PeriodicalId":41864,"journal":{"name":"Romance Studies","volume":"38 1","pages":"190 - 203"},"PeriodicalIF":0.0,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/02639904.2020.1859788","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46463228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Introduction (Part 2: Politics and Culture) 引言（第二部分：政治与文化）

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Romance Studies Pub Date : 2020-10-01 DOI: 10.1080/02639904.2020.1859786

E. Houvenaghel, Luisa García-Manso, M. Jansen, M. Urban

引用次数: 0

La creación literaria de Estanislao Lluesma Uranga: memoria republicana y perspectiva trasnacional Estanislao Lluesma Uranga的文学创作：共和记忆和跨国家视角

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Romance Studies Pub Date : 2020-10-01 DOI: 10.1080/02639904.2020.1860341

Verónica Azcue

{"title":"La creación literaria de Estanislao Lluesma Uranga: memoria republicana y perspectiva trasnacional","authors":"Verónica Azcue","doi":"10.1080/02639904.2020.1860341","DOIUrl":"https://doi.org/10.1080/02639904.2020.1860341","url":null,"abstract":"ABSTRACT Though largely forgotten today and still partly unpublished, the literary works of Estanislao Lluesma Uranga, a Spanish Republican who went into exile in Argentina in 1939, constitute a valuable contribution to testimonial literature, as well as an interesting example of cosmopolitan writing. Known mainly on account of his work in the field of medicine and his publications of a scientific nature, Lluesma Uranga also wrote several books of poetry, a play and a novel during his exile in Argentina. Closely tied to the Republican cause and to the aim of testimony, Lluesma Uranga’s writing exhibits throughout a characteristically transnational perspective, and tends to reflect a certain ambiguity with regard to identity. In his first work, the collection of poetry Palestra y Balcón (1945), the experience of the Spanish Civil War constitutes the central theme. Yet even in this work the use of different geographical and cultural settings is quite noteworthy, as is the expression of a broad, supranational standpoint, which situates itself in multiple spaces and views the effects of fascism and war from diverse perspectives. Subsequent works, such as the unpublished novel Arco de tiempo (1961) or the similarly unpublished dramatic work Olvido Rodríguez (1964), display the full development of these tendencies.","PeriodicalId":41864,"journal":{"name":"Romance Studies","volume":"38 1","pages":"215 - 225"},"PeriodicalIF":0.0,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/02639904.2020.1860341","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45704993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

‘Una piccola Italia.’ L’Argentina e il lavoro degli Italiani: breve storia di un tema che partì socialista e arrivò fascista “一个小意大利。”阿根廷与意大利人的作品：从社会主义到法西斯的主题简史

3区文学

Romance Studies Pub Date : 2020-10-01 DOI: 10.1080/02639904.2020.1861795

Roberto Risso

{"title":"‘Una piccola Italia.’ L’Argentina e il lavoro degli Italiani: breve storia di un tema che partì socialista e arrivò fascista","authors":"Roberto Risso","doi":"10.1080/02639904.2020.1861795","DOIUrl":"https://doi.org/10.1080/02639904.2020.1861795","url":null,"abstract":"ABSTRACT This essay analyses the development of a crucial idea: the concept of human work in Italian culture and literature during the final decades of the Nineteen Century and the first four decades of the Twentieth. This time frame, that sees the freshly unified Italy going through crisis but also economic and industrial development, is the period in which Socialism becomes relevant and influences writers and thinkers. And so does the concept of human work that is depicted by many writers dealing with the massive Italian emigration, particularly to Argentina, as a fundamental right of man, a means to advance in life and society. Many works by Edmondo De Amicis, a very popular and loved writer of that time, represent people struggling and succeeding in migrating and creating wealth and comfortable living conditions at home and abroad through a positive work ethic. But with the development of the new century and the increasing prevalence of Nationalism as well as the experience of Colonialism, the idea of migration and working abroad assumes overtones of conquest and domination: in the case of the fascist author Comunardo Braccialarghe, this shift is evident as he celebrates Italian participation in Argentine society as something akin to a Roman conquest and a way to make the Italian Kingdom powerful and dominant beyond its national borders.","PeriodicalId":41864,"journal":{"name":"Romance Studies","volume":"38 1","pages":"204 - 214"},"PeriodicalIF":0.0,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/02639904.2020.1861795","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43512229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

L’io in esilio. Italiani e spagnoli in Argentina: studi di caso 流亡的我。阿根廷的意大利语和西班牙语：个案研究

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Romance Studies Pub Date : 2020-10-01 DOI: 10.1080/02639904.2020.1860343

Alejandro Patat

{"title":"L’io in esilio. Italiani e spagnoli in Argentina: studi di caso","authors":"Alejandro Patat","doi":"10.1080/02639904.2020.1860343","DOIUrl":"https://doi.org/10.1080/02639904.2020.1860343","url":null,"abstract":"ABSTRACT During the nineteenth century autobiographical writings (autobiographies, memoirs, diaries, letters) deviate from the Rousseauian path and place at the centre of the stories the figure of the exile, of the stateless person, of the apatrida, of the refoulé, in which new problems and visions of the world are condensed. The narration of exile is from now an unsubstitutable part of life’s trajectory — enunciated for the first time from the highly symbolic nucleus of youth. It takes the form of an individual shipwreck and a forced expulsion from a repulsive and oppressive social fabric. But twentieth century dictatorships will generate new forms of exile, linked not only to political proscription — from confinement to expatriation — but to new strategies of racial persecution — from deportation to the Lager. This paper seeks to analyse how some autobiographical texts of Italian and Spanish exile in Argentina, highlight new semantic fields and new visions of the world beyond the appropriation of consolidated narrative strategies. Moreover, the testimonies of Italian Jews and Spanish political dissidents in Argentina are an essential tool for interpreting the phenomenon of migration and contemporary transnationalization and create the setting for a comprehensive debate on individual and collective identity.","PeriodicalId":41864,"journal":{"name":"Romance Studies","volume":"38 1","pages":"226 - 238"},"PeriodicalIF":0.0,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/02639904.2020.1860343","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43385707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

La Escena Española Actual Ante las Mujeres del Exilio Republicano en Argentina

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Romance Studies Pub Date : 2020-07-02 DOI: 10.1080/02639904.2020.1852797

Raquel García-Pascual

引用次数: 0

Memoria transcultural, exilio republicano y teatro: Visto al pasar (2002), de Carmen Antón, actriz de La Barraca, y Desde la mecedora (2017), de Elena Boledi 跨文化记忆、共和党流亡和戏剧：通过（2002年），由营房女演员卡门·安东和埃琳娜·博莱迪的《从摇椅上》（2017年）观看

3区文学

Romance Studies Pub Date : 2020-07-02 DOI: 10.1080/02639904.2020.1834984

Luisa García-Manso

{"title":"Memoria transcultural, exilio republicano y teatro: Visto al pasar (2002), de Carmen Antón, actriz de La Barraca, y Desde la mecedora (2017), de Elena Boledi","authors":"Luisa García-Manso","doi":"10.1080/02639904.2020.1834984","DOIUrl":"https://doi.org/10.1080/02639904.2020.1834984","url":null,"abstract":"ABSTRACT The recovery of the legacy of the Spanish Republican exile of 1939 is having a noteworthy impact on current society. This impact affects both Spain and the countries that hosted the exiles during the Franco dictatorship. Taking into account the emergence of exile memory in the Argentinian stage, this article argues that we are facing a case of transcultural memory, a memory that moves beyond national, social, ethnic, and religious borders (Astrid Erll). After giving some examples of transcultural memory plays, the article focuses on Desde la mecedora. República, guerra y exilio (2017), by the Argentinian writer Elena Boledi. This play is based on Visto al pasar. República, guerra y exilio (2002), the memoirs of María del Carmen García Antón (Madrid, 1916 — Buenos Aires, 2007). Carmen Antón was an actress in La Barraca, the university theatre company led by Federico García Lorca and Eduardo Ugarte, and played the role of Mariana Pineda during the Civil War. Boledi’s play recreates characters and symbols that represent the fight for freedom, such as Federico García Lorca, Mariana Pineda, and Guernica, by Picasso, analysed here as examples of forms of transcultural memory.","PeriodicalId":41864,"journal":{"name":"Romance Studies","volume":"38 1","pages":"134 - 147"},"PeriodicalIF":0.0,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/02639904.2020.1834984","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43912265","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Rosalia Polizzi ‘tra’ e ‘in’ due mondi: lo spazio diasporico in Anni ribelli 罗莎莉娅·波利齐兹(Rosalia Polizzi)“tria”和“in”两个世界:在叛逆的岁月里，散居在外的空间

3区文学

Romance Studies Pub Date : 2020-07-02 DOI: 10.1080/02639904.2020.1834983

M. Jansen, M. B. Urban

{"title":"Rosalia Polizzi ‘tra’ e ‘in’ due mondi: lo spazio diasporico in Anni ribelli","authors":"M. Jansen, M. B. Urban","doi":"10.1080/02639904.2020.1834983","DOIUrl":"https://doi.org/10.1080/02639904.2020.1834983","url":null,"abstract":"Sommario Il presente contributo analizza la scelta della regista italo-argentina Rosalia Polizzi di mettere in scena in Anni ribelli (1994), la formazione intellettuale di una adolescente sul finire del peronismo nella Buenos Aires cosmopolita del 1955. Dato che la coproduzione italo-argentina in due lingue si dirige a un pubblico transnazionale, ci si chiede in primo luogo in quali chiavi è stata interpretata questa pellicola storica di sfondo autobiografico nei due paesi; si discute inoltre in quale contesto cinematografico collocare il film presentato nel ‘Panorama italiano’ del Festival di Venezia nel 1994, e uscito in concomitanza dei primi film sulle recenti migrazioni. Il saggio suggerisce che in Anni ribelli il trasnazionalismo è inteso come uno ‘spazio diasporico’ connotato dal punto di vista del genere; in esso la storia di formazione di una adolescente espressione della seconda generazione di migranti siciliani a Buenos Aires interroga i miti del cosmopolitismo e del peronismo. Tale posizione ‘ibrida’ della pellicola pone delle domande anche sullo sguardo di Polizzi, emigrante di seconda generazione che si considera come un ‘emigrante di ritorno’.","PeriodicalId":41864,"journal":{"name":"Romance Studies","volume":"38 1","pages":"118 - 133"},"PeriodicalIF":0.0,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/02639904.2020.1834983","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43809192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“¿Para quién escribía Elena Fortún? Exilio y tensión autorial en Celia, institutriz en América (1944) “埃琳娜·福图恩为谁写作？流亡和权威紧张在西莉亚，美国家庭教师（1944年）

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Romance Studies Pub Date : 2020-04-02 DOI: 10.1080/02639904.2020.1794601

María Carmen Puertollano García

{"title":"“¿Para quién escribía Elena Fortún? Exilio y tensión autorial en Celia, institutriz en América (1944)","authors":"María Carmen Puertollano García","doi":"10.1080/02639904.2020.1794601","DOIUrl":"https://doi.org/10.1080/02639904.2020.1794601","url":null,"abstract":"ABSTRACT In the 43rd issue of the Mexican journal Cuadernos Americanos (1949), Francisco Ayala published “Para quién escribimos nosotros”, his milestone article on the reflection on the losses, alterations and uncertainties that would define the authorship of writers of the Spanish republican exile in itself and in its relationship with its possible readership. From the framework of Ayala’s essay, this article studies Celia, institutriz en América, one of the novels written by Elena Fortún in her Buenos Aires exile, published in Madrid by Aguilar in 1944, to determine how the author responded to that general conflict. The aim is to focus on why, how and with what implications Elena Fortún enacts the tension between two forces: the fidelity to the literary project around the character of Celia, initiated in Spain before the Civil War and characterized by a renovating modernity, and the demands associated with a certain reception (resulting, in turn, from the symbolic and cultural pact that has redefined everything), which is not only that of the public, but also that of the official and ecclesiastical censorship instituted by the dictatorship as a guarantee of orthodoxy.","PeriodicalId":41864,"journal":{"name":"Romance Studies","volume":"38 1","pages":"68 - 79"},"PeriodicalIF":0.0,"publicationDate":"2020-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/02639904.2020.1794601","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42418589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Exilio y feminidad. Dos colaboraciones de María Zambrano en Sur 放逐和女性气质。maria桑布拉诺在南方的两次合作

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Romance Studies Pub Date : 2020-04-02 DOI: 10.1080/02639904.2020.1794604

María Carrillo Espinosa

引用次数: 0