Romance Studies最新文献

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Affidamento and (Pop)-Feminism: Advocating for Women’s Rights in The Handmaid’s Tale and Luna Nera 誓词与(流行)女权主义:在《使女的故事》和《露娜·奈拉》中倡导妇女权利
3区 文学
Romance Studies Pub Date : 2022-10-02 DOI: 10.1080/02639904.2022.2133447
F. Calamita
{"title":"Affidamento and (Pop)-Feminism: Advocating for Women’s Rights in The Handmaid’s Tale and Luna Nera","authors":"F. Calamita","doi":"10.1080/02639904.2022.2133447","DOIUrl":"https://doi.org/10.1080/02639904.2022.2133447","url":null,"abstract":"ABSTRACT The Handmaid’s Tale ([1985] 2017), a must-read feminist dystopian novel by Canadian author Margaret Atwood, and Luna Nera [Black Moon] (2019), a recent historical-fantasy novel by Italian writer Tiziana Triana, present narratives that encourage their readers to question traditional models of femininity. Set in different times, yet in settings that are in many ways similar, both narratives describe societies where women are perceived as individuals to be controlled and at the same time where sisterhood helps them to succeed. Following the rise of right-wing governments and ideologies on both sides of the Atlantic and the backlash of the patriarchy against women’s hard-won rights and freedoms, Atwood’s twentieth-century masterpiece has regained visibility thanks to its on-screen adaptation as a TV series. Similarly, Triana’s Luna Nera has also recently been adapted as a Netflix original TV series directed by Francesca Comencini, Paola Randi and Susanna Nicchiarelli, thus revealing the neglected history of witches in seventeenth-century central Italy to global viewers. Through some fictional examples as a starting point for the discussion, this article will reflect on the following questions: at a time when women’s rights, particularly reproductive rights, are under threat, what can novels and TV series inspired by them tell us about contemporary gender concerns? How can symbolic motherhood and sisterhood help women in these challenging scenarios to escape patriarchal control? And how, in turn, might their actions influence the audience? Building on feminist discourses on the practice of affidamento [entrustment], I will discuss a series of sociocultural issues relevant to contemporary women, with particular attention to reproductive rights, represented in the novels and their TV series adaptation in the context of the current political debates on both sides of the Atlantic and beyond.","PeriodicalId":41864,"journal":{"name":"Romance Studies","volume":"40 1","pages":"146 - 161"},"PeriodicalIF":0.0,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42175172","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dalla parte di Eva: Female Alliances and Genealogies in Maria Rosa Cutrufelli’s Writing Practice 伊娃:玛丽亚·罗莎·卡特鲁菲利写作实践中的女性联盟与谱系
3区 文学
Romance Studies Pub Date : 2022-10-02 DOI: 10.1080/02639904.2022.2133446
S. Todesco
{"title":"Dalla parte di Eva: Female Alliances and Genealogies in Maria Rosa Cutrufelli’s Writing Practice","authors":"S. Todesco","doi":"10.1080/02639904.2022.2133446","DOIUrl":"https://doi.org/10.1080/02639904.2022.2133446","url":null,"abstract":"ABSTRACT My contribution examines the creation of female collective memory and legacy in the works of Sicilian-born feminist writer Maria Rosa Cutrufelli. I analyse this aspect as both a literary and a political strategy aimed at retrieving a ‘sisterhood’, well-known to second-wave American feminism. Cutrufelli’s novels are filled with female protagonists, or personagge, who rarely act on their own. In fact, at the basis of each character’s struggle to achieve an individual agency one can identify various forms of relationships (friendship, love, political alliance, family bonds). Moreover, as is the case with her dystopian novel L’isola delle madri, unexpected connections among extremely diverse women become decisive in challenging social and symbolic paradigms, such as biological motherhood and its bond with a capitalist exploitation of reproductive bodies. Cutrufelli’s reinvention of female memories corresponds to the construction of a collective legacy that reads against the grain of the Italian literary canon, in which individual heroism – along with gendered asymmetries and power relationships – has often implied an automatic identification with a strong, self-centred masculinity. On the contrary, Cutrufelli’s stories insist on female relationships that go through different phases of negotiation and forms of losses and appropriation, thus calling for substantially different notions of non-hierarchical femininity. This is also confirmed by Cutrufelli’s own filiations and active collaborations with fellow women writers belonging to different generations. In the light of the above, my chapter explores various forms of female bonds in Cutrufelli’s writings, while also taking into consideration the significance of extra-textual elements in the writer’s biography and current engagement, in order to argue for her originality in pursuing a specific, ‘hybrid’ approach to 21st-century feminism.","PeriodicalId":41864,"journal":{"name":"Romance Studies","volume":"40 1","pages":"127 - 145"},"PeriodicalIF":0.0,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48932028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mothering, Migration and Intercultural Mediation in Anna Maria Dell’oso’s Songs of the Suitcase 安娜·玛丽亚·德罗索的《行李箱之歌》中的母性、迁移与跨文化调解
3区 文学
Romance Studies Pub Date : 2022-10-02 DOI: 10.1080/02639904.2022.2133463
Eliana Maestri
{"title":"Mothering, Migration and Intercultural Mediation in Anna Maria Dell’oso’s Songs of the Suitcase","authors":"Eliana Maestri","doi":"10.1080/02639904.2022.2133463","DOIUrl":"https://doi.org/10.1080/02639904.2022.2133463","url":null,"abstract":"ABSTRACT This article explores representations of mothering practices in Songs of the Suitcase (1998) by second-generation Italian Australian writer Anna Maria Dell’oso. This collection of short stories devotes special attention to the interlinks between mothering and mediation among culturally diverse groups in modern Australian society. Theoretical frameworks provided by scholars in translation, interpreting and child language brokering are used to shed light on how Dell’oso succeeds in voicing Italian Australian women migrants’ abilities to negotiate and mediate between various cultural groups, ethnicities and generations, especially when it comes to mothering and maternal care. How does Dell’oso configure mothering as the most invaluable caregiving practice, vis-à-vis global mobility and circulation of values? How does she represent and problematize the role of mothers and daughters in modern Australia? How does she challenge families’ views on how to mother? How does she interpret the role of the mediator of cultural memories and family beliefs? By displaying the author’s fictional alter egos as the most privileged sites of exploration, Dell’oso reflects on the impact of migration upon mothering practices and the mother-daughter dyad. Finally, she offers thought-provoking views on how Italian Australian mothering practices, as social values, are confronted with and fashioned by ever-changing communities of migrants.","PeriodicalId":41864,"journal":{"name":"Romance Studies","volume":"40 1","pages":"209 - 232"},"PeriodicalIF":0.0,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46349697","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lire pour aimanter: la polymorphie spatio-temporelle du réel dans Made in China de Jean-Philippe Toussaint 阅读aimanter:让-菲利普·杜桑的《中国制造》中真实的时空多态性
3区 文学
Romance Studies Pub Date : 2022-04-03 DOI: 10.1080/02639904.2022.2114626
Dan Zhang
{"title":"Lire pour aimanter: la polymorphie spatio-temporelle du réel dans Made in China de Jean-Philippe Toussaint","authors":"Dan Zhang","doi":"10.1080/02639904.2022.2114626","DOIUrl":"https://doi.org/10.1080/02639904.2022.2114626","url":null,"abstract":"ABSTRACT Made in China, un récit où Toussaint joint ingénieusement la réalité à la fiction, tourne autour d’une souplesse tant passive qu’active: le narrateur, incarnant la figure de l’auteur, dit avoir pris l’habitude de se laisser porter par les événements, mais s’apprête aussi à accueillir le hasard et à ‘aimanter du vivant’. Notre analyse s’articule autour de l’énergie magnétique constitutive du processus d’aimantation et basée dans Made in China sur une narration non-linéaire. A la rupture de la linéarité du récit correspond la réunion des forces contraires qui génère un effet semblable à celui du champ magnétique. Nous soutenons que la suspension régulière du déroulement narratif prend appui sur l’acte de lire analysé par Michel de Certeau et s’établit sur des moments de silence propices à l’activité liseuse. Une polymorphie spatio-temporelle du réel se profile sous l’effet du champ magnétique et, étant donné la narration non-linéaire, offre aussi l’occasion de dialoguer avec la structure d’horizon empruntée à la phénoménologie husserlienne et réinterprétée par Merleau-Ponty. Un portrait de l’écrivain en rapport intime avec le monde en ressort et relie la ‘volonté consciente’ à la souplesse apparente.","PeriodicalId":41864,"journal":{"name":"Romance Studies","volume":"40 1","pages":"88 - 98"},"PeriodicalIF":0.0,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47484972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Andrew Michael Ramsay’s Defence of Fénelon: Classical Poetics or Political Discourse? 安德鲁·迈克尔·拉姆齐为费内龙辩护:古典诗学还是政治话语?
3区 文学
Romance Studies Pub Date : 2022-04-03 DOI: 10.1080/02639904.2022.2114627
Claudia García-Minguillán
{"title":"Andrew Michael Ramsay’s Defence of Fénelon: Classical Poetics or Political Discourse?","authors":"Claudia García-Minguillán","doi":"10.1080/02639904.2022.2114627","DOIUrl":"https://doi.org/10.1080/02639904.2022.2114627","url":null,"abstract":"ABSTRACT This paper presents the hypothesis that Discours de la poesie épique is the first political text written by Fénelon’s disciple, Andrew Michael Ramsay. In 1716, Ramsay published a new edition of Les aventures de Télémaque along with a discourse that follows the rhetoric of classical poetics in which he defends its moral content. Scholarship on Ramsay has pointed out that he made use of the connection he had with his preceptor in order to aggrandize the Jacobite aspirant and legitimize his ascension to the British crown. In the light of these political principles and the criticism of the epic genre, we will analyse a case that reflects the close connection between the development of epic poetry, poetics, and political ideology.","PeriodicalId":41864,"journal":{"name":"Romance Studies","volume":"40 1","pages":"61 - 75"},"PeriodicalIF":0.0,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42890042","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bolañesque Affects: Communities of Poets in Diego Trelles Paz’s El círculo de los escritores asesinos and Alejandro Zambra’s Poeta chileno bolanesque影响:迭戈·特雷莱斯·帕兹的El circulo de los escritores asesinos和亚历杭德罗·赞布拉的智利诗人中的诗人社区
3区 文学
Romance Studies Pub Date : 2022-04-03 DOI: 10.1080/02639904.2022.2114629
Rodrigo López Martínez
{"title":"Bolañesque Affects: Communities of Poets in Diego Trelles Paz’s El círculo de los escritores asesinos and Alejandro Zambra’s Poeta chileno","authors":"Rodrigo López Martínez","doi":"10.1080/02639904.2022.2114629","DOIUrl":"https://doi.org/10.1080/02639904.2022.2114629","url":null,"abstract":"ABSTRACT This article traces Roberto Bolaño’s fictionalized imprint in Diego Trelles Paz’s El círculo de los escritores asesinos and Alejandro Zambra’s Poeta chileno. These novels thematize Los detectives salvajes’ repercussions and effects on the Latin American literary scene, translating Bolaño’s imaginary around a poetic ethos into narrative dilemmas and strategies. El círculo de los escritores asesinos and Poeta chileno not only reflect on how to write but on how to be writers after Bolaño, once Ulises Lima and Roberto Belano established the Latin American poet’s pervasive and idealistic role model. Just as Bolaño’s real visceralistas are more concerned with living a poetic life than writing an oeuvre, Trelles Paz and Zambra portray communities of poets where affects and books permeate and reinforce each other. Ultimately, they draw opposing ethical outcomes from Los detectives salvajes’ iconic interweaving of literature, friendship, love and death.","PeriodicalId":41864,"journal":{"name":"Romance Studies","volume":"40 1","pages":"99 - 115"},"PeriodicalIF":0.0,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47362176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Family, City, Revolution: The Locations of Black Belonging in the Poetry of Jesús Cos Causse 家庭、城市、革命:Jesús Cos Cause诗歌中黑人归属的定位
3区 文学
Romance Studies Pub Date : 2022-04-03 DOI: 10.1080/02639904.2022.2114628
C. James
{"title":"Family, City, Revolution: The Locations of Black Belonging in the Poetry of Jesús Cos Causse","authors":"C. James","doi":"10.1080/02639904.2022.2114628","DOIUrl":"https://doi.org/10.1080/02639904.2022.2114628","url":null,"abstract":"ABSTRACT Jesús Cos Causse (1945–2007) was a foundational voice within black Cuban literature of the Revolution. As a journalist, diplomat and cultural activist, he was also instrumental in creating institutions which used poetry as a means of instigating social justice and promoting regional cooperation among Caribbean and Latin American societies. Although Cos Causse was a prolific writer and a pivotal force in Cuba’s artistic industries for decades, his work has not enjoyed much critical reception in English. This is partly because he was based in Santiago de Cuba. This placed him beyond the focus of the enterprises of cultural criticism (national and international) which have tended to be obsessed with Havana and with the cultural prototypes generated in the nation’s capital. This paper offers a reading of Cos Causse’s poetry which pays attention to his exploration of ideas of the black family, of Santiago de Cuba and of the place of black Cubans within the Revolution. It highlights the powerful anti-colonialist stance of Cos Causse’s thinking and shows the vital role that the history of Santiago plays in the development of his radical poetic conscience. I argue that Jesús Cos Causse’s poetry demonstrates the indispensable significance of family, the city of Santiago and the Revolution as coordinates of belonging for black Cubans (renowned or anonymous).","PeriodicalId":41864,"journal":{"name":"Romance Studies","volume":"40 1","pages":"76 - 87"},"PeriodicalIF":0.0,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43833219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Becoming Menard? Geopolitical Readings and the Authorial Subject in César Aira 成为Menard吗?中国的地缘政治阅读与权威主题
3区 文学
Romance Studies Pub Date : 2022-01-02 DOI: 10.1080/02639904.2021.1950360
Niall H. D. Geraghty
{"title":"Becoming Menard? Geopolitical Readings and the Authorial Subject in César Aira","authors":"Niall H. D. Geraghty","doi":"10.1080/02639904.2021.1950360","DOIUrl":"https://doi.org/10.1080/02639904.2021.1950360","url":null,"abstract":"ABSTRACT This article discusses César Aira’s critical engagement with Jorge Luis Borges’s masterful short story ‘Pierre Menard, autor del Quijote’. While there are few overt references to Borges’s story within Aira’s essayistic output, it will be shown that those that do exist are highly significant. Indeed, it will be argued that Aira’s literary process — developed at length and in detail across his critical work — is heavily indebted to ‘Pierre Menard’. Opening first with a reflection on Borges’s Evaristo Carriego, the article explores the ways in which Aira discusses Borges’s story in relation to the Duchampian ready-made, uncovers its importance within his analysis of exotic literature, and argues that Aira inverts Menard’s labour by shifting his focus from the act of reading to the act of writing in his re-creation of the story. In this way, it will be proposed that Aira advocates an a-personal process which nonetheless affirms a central place for the individual author, while simultaneously producing works of geopolitical significance. Ultimately, it will be shown that the story provides the inspiration for Aira’s conceptualization of the literary work as a temporal event, and the promotion of a formless marginality which undermines colonial taxonomies.","PeriodicalId":41864,"journal":{"name":"Romance Studies","volume":"40 1","pages":"1 - 18"},"PeriodicalIF":0.0,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41907763","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Estebanillo González - A New Perspective on the Last Pícaro Estebanillo González -对过去的新看法Pícaro
3区 文学
Romance Studies Pub Date : 2022-01-02 DOI: 10.1080/02639904.2022.2055301
Sonia Fajkis
{"title":"Estebanillo González - A New Perspective on the Last Pícaro","authors":"Sonia Fajkis","doi":"10.1080/02639904.2022.2055301","DOIUrl":"https://doi.org/10.1080/02639904.2022.2055301","url":null,"abstract":"ABSTRACT Estebanillo González is the last Spanish picaresque novel, but its eponymous protagonist rarely features in the discussions on the genre in the way other male characters, Lazarillo, Guzmán or Pablos do. In this article, drawing on earlier literary criticism and historical research concerning religious diasporas in Early Modern Europe, I offer a new analysis of the protagonist’s possible converso origins. The protagonist’s attitude towards his alleged hidalguía questions the relevance of social status. In the second part of the article, I argue that behind the protagonist’s jokes and puns hides religious scepticism aimed in particular at Counter-Reformation techniques of casuistry. Both hidalguía and Catholic practices, fundamental aspects of Spanish society, are therefore undermined. Estebanillo, as the last picaro, offers his own original vision of the self in the world and as such should join the picaresque trio.","PeriodicalId":41864,"journal":{"name":"Romance Studies","volume":"40 1","pages":"31 - 41"},"PeriodicalIF":0.0,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45477220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Lenguaje e identidad en el Caribe colombiano: un estudio de la narrativa de Hazel Robinson’ “哥伦比亚加勒比地区的语言和身份:对黑泽尔·罗宾逊叙事的研究”
3区 文学
Romance Studies Pub Date : 2022-01-02 DOI: 10.1080/02639904.2022.2051907
L. López-Martínez
{"title":"‘Lenguaje e identidad en el Caribe colombiano: un estudio de la narrativa de Hazel Robinson’","authors":"L. López-Martínez","doi":"10.1080/02639904.2022.2051907","DOIUrl":"https://doi.org/10.1080/02639904.2022.2051907","url":null,"abstract":"RESUMEN La isla de San Andrés está ubicada aproximadamente a 110 millas al este de la Costa caribeña de Nicaragua y a 300 millas al oeste-noroeste del territorio continental colombiano. La literatura y la cultura de las islas del archipiélago de San Andrés y Providencia son aún poco conocidas y estudiadas, tanto dentro como fuera de Colombia, por problemas de edición, traducción y a distribución y también porque la relación entre el continente y las islas ha sido a menudo tensa y difícil. Una escritora que ha sido crucial para escribir la historia del archipiélago es Hazel Robinson Abrahams (1935-). Este artículo analiza tres de sus novelas (No Give Up Maan! 2010, Sail Ahoy! 2004 y El príncipe de Santa Catalina 2009) y cómo cuestionan el modelo nacional impuesto por el Estado colombiano a finales del siglo XIX y principios del siglo XX, especialmente a través del uso del lenguaje, la relación con la naturaleza y el legado traumático de la esclavitud.","PeriodicalId":41864,"journal":{"name":"Romance Studies","volume":"40 1","pages":"19 - 30"},"PeriodicalIF":0.0,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48868098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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