{"title":"Dalla parte di Eva: Female Alliances and Genealogies in Maria Rosa Cutrufelli’s Writing Practice","authors":"S. Todesco","doi":"10.1080/02639904.2022.2133446","DOIUrl":null,"url":null,"abstract":"ABSTRACT My contribution examines the creation of female collective memory and legacy in the works of Sicilian-born feminist writer Maria Rosa Cutrufelli. I analyse this aspect as both a literary and a political strategy aimed at retrieving a ‘sisterhood’, well-known to second-wave American feminism. Cutrufelli’s novels are filled with female protagonists, or personagge, who rarely act on their own. In fact, at the basis of each character’s struggle to achieve an individual agency one can identify various forms of relationships (friendship, love, political alliance, family bonds). Moreover, as is the case with her dystopian novel L’isola delle madri, unexpected connections among extremely diverse women become decisive in challenging social and symbolic paradigms, such as biological motherhood and its bond with a capitalist exploitation of reproductive bodies. Cutrufelli’s reinvention of female memories corresponds to the construction of a collective legacy that reads against the grain of the Italian literary canon, in which individual heroism – along with gendered asymmetries and power relationships – has often implied an automatic identification with a strong, self-centred masculinity. On the contrary, Cutrufelli’s stories insist on female relationships that go through different phases of negotiation and forms of losses and appropriation, thus calling for substantially different notions of non-hierarchical femininity. This is also confirmed by Cutrufelli’s own filiations and active collaborations with fellow women writers belonging to different generations. In the light of the above, my chapter explores various forms of female bonds in Cutrufelli’s writings, while also taking into consideration the significance of extra-textual elements in the writer’s biography and current engagement, in order to argue for her originality in pursuing a specific, ‘hybrid’ approach to 21st-century feminism.","PeriodicalId":41864,"journal":{"name":"Romance Studies","volume":"40 1","pages":"127 - 145"},"PeriodicalIF":0.1000,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Romance Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/02639904.2022.2133446","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT My contribution examines the creation of female collective memory and legacy in the works of Sicilian-born feminist writer Maria Rosa Cutrufelli. I analyse this aspect as both a literary and a political strategy aimed at retrieving a ‘sisterhood’, well-known to second-wave American feminism. Cutrufelli’s novels are filled with female protagonists, or personagge, who rarely act on their own. In fact, at the basis of each character’s struggle to achieve an individual agency one can identify various forms of relationships (friendship, love, political alliance, family bonds). Moreover, as is the case with her dystopian novel L’isola delle madri, unexpected connections among extremely diverse women become decisive in challenging social and symbolic paradigms, such as biological motherhood and its bond with a capitalist exploitation of reproductive bodies. Cutrufelli’s reinvention of female memories corresponds to the construction of a collective legacy that reads against the grain of the Italian literary canon, in which individual heroism – along with gendered asymmetries and power relationships – has often implied an automatic identification with a strong, self-centred masculinity. On the contrary, Cutrufelli’s stories insist on female relationships that go through different phases of negotiation and forms of losses and appropriation, thus calling for substantially different notions of non-hierarchical femininity. This is also confirmed by Cutrufelli’s own filiations and active collaborations with fellow women writers belonging to different generations. In the light of the above, my chapter explores various forms of female bonds in Cutrufelli’s writings, while also taking into consideration the significance of extra-textual elements in the writer’s biography and current engagement, in order to argue for her originality in pursuing a specific, ‘hybrid’ approach to 21st-century feminism.
摘要:我的作品探讨了西西里出生的女权主义作家玛丽亚·罗莎·卡特鲁菲利作品中女性集体记忆和遗产的创造。我将这一方面分析为一种文学和政治策略,旨在恢复第二波美国女权主义所熟知的“姐妹情谊”。卡特鲁菲利的小说中充满了女性主角,或者说人物角色,她们很少单独行动。事实上,在每个角色努力实现个人代理的基础上,人们可以确定各种形式的关系(友谊、爱情、政治联盟、家庭纽带)。此外,正如她的反乌托邦小说《L'isola delle madri》一样,在挑战社会和象征范式的过程中,极端多样化的女性之间的意外联系变得至关重要,比如生物母性及其与资本主义剥削生殖身体的联系。卡特鲁菲利对女性记忆的重塑与集体遗产的构建相对应,这种遗产与意大利文学经典背道而驰,在意大利文学经典中,个人英雄主义——以及性别不对称和权力关系——往往意味着对强烈的、以自我为中心的男子气概的自动认同。相反,卡特鲁菲利的故事坚持认为,女性关系经历了不同的谈判阶段、不同形式的损失和侵占,因此呼吁对非等级女性气质有实质性的不同观念。Cutrufelli自己的分支机构以及与不同世代的女作家的积极合作也证实了这一点。有鉴于此,本章探讨了卡特鲁菲利作品中各种形式的女性纽带,同时也考虑到了作者传记和当前参与中文本外元素的重要性,以证明她在追求21世纪女权主义的特定“混合”方法方面的独创性。