Estebanillo González -对过去的新看法Pícaro

IF 0.1 3区 文学 0 LITERATURE, ROMANCE
Sonia Fajkis
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引用次数: 0

摘要

《埃斯特巴尼洛González》是西班牙最后一部流浪汉小说,但其同名主人公很少像其他男性角色拉扎里洛、Guzmán或帕布罗斯那样出现在关于这一类型的讨论中。在这篇文章中,我借鉴了早期关于近代欧洲宗教流散的文学批评和历史研究,对主人公可能的皈依起源进行了新的分析。主人公对他所谓的hidalguía的态度质疑了社会地位的相关性。在文章的第二部分,我认为在主人公的笑话和双关语背后隐藏着宗教怀疑主义,特别是针对反宗教改革的诡辩技巧。因此,作为西班牙社会基本方面的hidalguía和天主教习俗都受到了损害。埃斯特巴尼奥,作为最后一个流浪汉,在这个世界上提供了他自己对自我的原始看法,因此应该加入流浪汉三人组。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Estebanillo González - A New Perspective on the Last Pícaro
ABSTRACT Estebanillo González is the last Spanish picaresque novel, but its eponymous protagonist rarely features in the discussions on the genre in the way other male characters, Lazarillo, Guzmán or Pablos do. In this article, drawing on earlier literary criticism and historical research concerning religious diasporas in Early Modern Europe, I offer a new analysis of the protagonist’s possible converso origins. The protagonist’s attitude towards his alleged hidalguía questions the relevance of social status. In the second part of the article, I argue that behind the protagonist’s jokes and puns hides religious scepticism aimed in particular at Counter-Reformation techniques of casuistry. Both hidalguía and Catholic practices, fundamental aspects of Spanish society, are therefore undermined. Estebanillo, as the last picaro, offers his own original vision of the self in the world and as such should join the picaresque trio.
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来源期刊
Romance Studies
Romance Studies LITERATURE, ROMANCE-
CiteScore
0.20
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