{"title":"British Popular Culture in Armah’s The Beautyful Ones Are Not Yet Born","authors":"David Robinson","doi":"10.1080/18125441.2019.1690565","DOIUrl":"https://doi.org/10.1080/18125441.2019.1690565","url":null,"abstract":"This article considers the first novel of the Ghanaian author Ayi Kwei Armah, The Beautyful Ones Are Not Yet Born (1968, Oxford: Heinemann) in terms of the novel’s references to British popular cul...","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2019.1690565","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45911910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Storytelling in David Mitchell’s Cloud Atlas: Archiving the Future-to-Come","authors":"Dalene Labuschagne","doi":"10.1080/18125441.2020.1754447","DOIUrl":"https://doi.org/10.1080/18125441.2020.1754447","url":null,"abstract":"Cloud Atlas, published in 2004 (London: Sceptre), is British author David Mitchell’s third and arguably best-known novel, one that has attracted significant critical attention. At the heart of such...","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2020.1754447","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44231179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Forest Within the Farm: Locating the Collective Androgynous Influence as Destabilising Anthropocentric Control of Space in Diana Wynne Jones's Hexwood","authors":"Mary-Anne Potter","doi":"10.1080/18125441.2019.1647451","DOIUrl":"https://doi.org/10.1080/18125441.2019.1647451","url":null,"abstract":"The influence of the Anthropocene has required a reconsideration of how humanity relates to, depends on, and interacts with the world. This, according to Jeremy Davies, summons towards it a re-imag...","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2019.1647451","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48736910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"When Old Names Refuse to Go: Myths, Power, and Subversion in NoViolet Bulawayo’s We Need New Names","authors":"Rangarirayi Mapanzure","doi":"10.1080/18125441.2020.1764087","DOIUrl":"https://doi.org/10.1080/18125441.2020.1764087","url":null,"abstract":"Zimbabwe’s post-independence political and economic crises continue to be a subject of intense fictional and non-fictional representation. However, none of the recent fictional representations has ...","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2020.1764087","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45536190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Intersecting Diasporas","authors":"S. Naidu","doi":"10.1080/18125441.2019.1661597","DOIUrl":"https://doi.org/10.1080/18125441.2019.1661597","url":null,"abstract":"With increased mobility enabled by evolving technology, the world experiences higher rates of migration and globalisation than ever before. This phenomenon has led, in recent years, to a high volume of literature about migration and diaspora, i.e. literature which deals with the general theme of transnationalism. The term transnational, in its simplest guise, refers to the relations between citizens of different nation states and the networks which link them. It also refers to the complex subjectivity of those who migrate. Scholars emphasise that transnationalism, because of heterogeneity and diversity, gives rise to a site for dynamic social and cultural change. At the same time, continuity is a necessary feature of this site. The co-existence of change and continuity (a focused process of adaptation and assimilation which simultaneously considers the role of memory, the past, and ties to homeland) then is also a defining element of transnationalism. The tensions and struggles which arise from this paradox have a radical impact on the construction of subjectivities as represented in this literature. Thus the term transnational comes to refer not only to the geographic multi-locationality of authors or characters, but also to their potential for subversion of national, ethnic and other cultural or political identities/affiliations, and it is this potential for subversion which is the main focus of this themed issue.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"24 1","pages":"1 - 2"},"PeriodicalIF":0.0,"publicationDate":"2019-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2019.1661597","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46165495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Speaking for the Refugee Other: Missioneering, White Saviourism, and the Politics of Ethnographic Representation in Luis Alberto Urrea's Across the Wire","authors":"Marzia Milazzo","doi":"10.1080/18125441.2019.1650820","DOIUrl":"https://doi.org/10.1080/18125441.2019.1650820","url":null,"abstract":"Abstract Luis Alberto Urrea's Across the Wire: Life and Hard Times on the Mexican Border (1993) provides a harrowing perspective on the struggles of a group of mainly indigenous refugees and migrants who live in one of Tijuana's many colonias—informal settlements with no utilities or public services—where they barely survive by picking trash. Written from notes that Urrea compiled while he was a translator for Baptist missionaries from 1978 to 1982 and then again in the 1990s, Across the Wire is deeply indebted to colonial modes of representation that have characterised Western anthropological knowledge production, and specifically ethnographic writing, from its inception. The memoir cum ethnographic work cum journalistic account aims to call attention to the hardships that refugees in Tijuana face and elicit sympathy for their plight. Yet, despite Urrea's intention to humanise his subjects, Across the Wire depicts them as helpless, in need of outside deliverance, and ultimately inferior to Urrea and his missionary crew, reproducing a white saviour narrative that reifies the myth of white, Western superiority. In the process, Across the Wire unwittingly reveals the pernicious workings of white saviourism and illustrates how it is contingent on an exploitative relationship in which the purported “helper” is the actual beneficiary.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"24 1","pages":"58 - 72"},"PeriodicalIF":0.0,"publicationDate":"2019-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2019.1650820","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48593563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Being a Foreigner … Is a Sort of Lifelong Pregnancy: Interrogating the Maternal and the Diasporic in Jhumpa Lahiri's The Namesake","authors":"Indrani Karmakar","doi":"10.1080/18125441.2019.1650821","DOIUrl":"https://doi.org/10.1080/18125441.2019.1650821","url":null,"abstract":"ABSTRACT This article is concerned with the gendered aspect of the diaspora as portrayed in Jhumpa Lahiri's novel The Namesake (London: HarperCollins, 2003). It explores how Lahiri charts a mother's experience of (dis)location and the simultaneous confrontation of a series of contradictions, namely homeland and host land, tradition and transformation, remembering and remaking home. Reading the novel in the light of diaspora theories, this article examines how these dualities leave the gendered diasporic subject fragmented, while evaluating the ways in which characters come to terms with this fragmentation, reconciling fractured selves. I will argue that in Lahiri's depiction these dualities are necessarily perceived through the prism of the maternal. Additionally, I will consider how the novel foregrounds a gendered experience of the diaspora in which the meaning of home is saturated in the maternal, be it the home one leaves or the home one remakes in the host land.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"24 1","pages":"44 - 57"},"PeriodicalIF":0.0,"publicationDate":"2019-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2019.1650821","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48884824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"South Africa and the Politics of Coevality","authors":"Khwezi Mkhize","doi":"10.1080/18125441.2019.1651386","DOIUrl":"https://doi.org/10.1080/18125441.2019.1651386","url":null,"abstract":"ABSTRACT The argument that I make in this article is that in leaving the prison house of apartheid, South Africa generated exclusive categories of belonging (framed around multiracial nationalism and citizenship) at the expense of a pan-African politics. By reading South African engagements with the African diaspora as a signifier of disavowed solidarities, this article does a number of things. It traces disassociations with being African as constitutive, rather than epiphenomenal, to South Africa's project of freedom. I suggest that, more than two decades after apartheid, grappling with xenophobia, for instance, is not about coming to terms with what's gone “wrong” with South Africa. Rather, it is about reckoning with something internal to the logic of the country's construction and the ongoing negotiation of its history and contradictions. Working across genres and with a range of theoretical and narrative interventions by diasporic African intellectuals and creatives after 1994, I argue that narratives that engage with questions of diaspora after South Africa's transitional years offer an important vista from which to read these tensions. In thinking through the diasporic African subject's location between multiple national histories, freedom and death, tentative and conditional belonging, I propose a way of reading the cultural politics of identity in South Africa from what it refuses to be rather than its expectant narratives. This emerges as an important vantage point from which to reanimate the urgencies of pan-Africanist solidarities.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"24 1","pages":"73 - 91"},"PeriodicalIF":0.0,"publicationDate":"2019-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2019.1651386","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45796197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Chaotic Homecomings in Prodigal Daughters edited by Lauretta Ngcobo, Always Another Country by Sisonke Msimang, and What We Lose by Zinzi Clemmons","authors":"J. Jacobs","doi":"10.1080/18125441.2019.1651385","DOIUrl":"https://doi.org/10.1080/18125441.2019.1651385","url":null,"abstract":"ABSTRACT The article discusses three contemporary works about and by first- and second-generation South African exiles. In Lauretta Ngcobo's collection of memoirs, Prodigal Daughters: Stories of South African Women in Exile (Scottsville: University of KwaZulu-Natal Press, 2012), 17 South African women present their personal accounts of political exile. In Sisonke Msimang's Always Another Country: A Memoir of Exile and Home (Johannesburg: Jonathan Ball, 2017), she writes about her exile childhood in Zambia, Kenya, Canada, and the United States, and her return to South Africa in the 1990s. Finally, Zinzi Clemmons's experimentalist debut novel, in the form of a grief memoir, What We Lose (New York: Viking, 2017), features a protagonist who, like the author, is a young American woman, the daughter of a South African mother and an African American father. All three works engage with the South African exile's experience of unhoming and conflicted homecoming, and, importantly, with what home has come to signify for second-generation exiles. Focusing on the central exilic motifs of home and homecoming, the article shows how any essentialist or foundational notion of “home” is complicated by the experience of exile, especially for children of exile. Through an analysis of memoir and fictional memoir, the article argues that chaos complexity theory, with its principle of generative disorder and trajectories that are nonlinear, multidirectional, irreversible, unforeseen, unpredictable, and unstoppable, might also provide a useful paradigm for understanding the experiences and approaching the writings of those whose lives have been shaped in the wake of their parents’ exile.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"24 1","pages":"21 - 43"},"PeriodicalIF":0.0,"publicationDate":"2019-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2019.1651385","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47431469","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nguyen‘s Ghosts in The Sympathizer: Collapsing Binaries and Signalling Just Memory","authors":"S. Bosman","doi":"10.1080/18125441.2019.1650818","DOIUrl":"https://doi.org/10.1080/18125441.2019.1650818","url":null,"abstract":"Abstract In “Remembering War, Dreaming Peace”, Viet Thanh Nguyen describes popular American stories about the Vietnam War as “melodramas of traumatized white manhood” (Japanese Journal of American Studies 20 [2009]: 152). These limit the compassion available for non-American characters by way of compulsory empathy for the figure of the beleaguered American soldier. He argues that greater cosmopolitanism in American literature about the conflict would redress this by eliciting empathy for these ignored others. Nguyen furthers this argument in Nothing Ever Dies (Cambridge: Harvard University Press, 2016) by claiming that stories about the war tend to stereotype these forgotten others as victims, villains, or revolutionary heroes. Consequently, non-American characters are never granted the degree of subjectivity reserved for those Western characters who hate or sympathise with them. In this article, I utilise Derrida‘s concepts of the spectre and hauntology to contend that Nguyen limns ghosts in The Sympathizer (London: Corsair, 2015) to embody the Vietnamese narrator‘s capacity to perform inhumane actions, thereby elevating him to full subjectivity. I argue that the indeterminacies associated with spectres allow Nguyen to trouble the simple binaries between aggressor and victim. Furthermore, by deploying these indeterminacies strategically, Nguyen uses The Sympathizer to explore the possibilities of just memory in contexts that change due to the migration of those subjects who perform commemorative acts.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"24 1","pages":"12 - 3"},"PeriodicalIF":0.0,"publicationDate":"2019-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2019.1650818","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43095229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}