Scrutiny2-Issues in English Studies in Southern Africa最新文献

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Re-Writing the Nation: Literary Rehistoricisation and Counter-Hegemonic Discourse in Ken Wiwa's In the Shadow of a Saint and Jacob Dlamini's Native Nostalgia 重新书写民族:肯·维瓦的《圣徒的阴影》和雅各布·德拉米尼的《乡土乡愁》中的文学再历史化和反霸权话语
Scrutiny2-Issues in English Studies in Southern Africa Pub Date : 2017-05-04 DOI: 10.1080/18125441.2017.1345976
Aghogho Akpome
{"title":"Re-Writing the Nation: Literary Rehistoricisation and Counter-Hegemonic Discourse in Ken Wiwa's In the Shadow of a Saint and Jacob Dlamini's Native Nostalgia","authors":"Aghogho Akpome","doi":"10.1080/18125441.2017.1345976","DOIUrl":"https://doi.org/10.1080/18125441.2017.1345976","url":null,"abstract":"ABSTRACT In this article, I analyse two recent African autobiographical works for the ways in which they provide counter-hegemonic national discourses in regard to Nigeria and South Africa. The texts are In the Shadow of a Saint (2001), Ken Wiwa's memoir and biographical homage to his father, the martyred Nigerian writer and activist, Ken Saro-Wiwa, and Native Nostalgia (2009) by the South African historian, Jacob Dlamini. The article highlights the different ways in which each author challenges official discourses of post-conflict national reconciliation through the re-imagining of national histories, the narrative reconstruction of social/cultural identity and the depiction of space. Furthermore, it highlights how the subgenre of postcolonial life-writing is deployed for purposes of literary (re)historicisation and socio-political critique while drawing attention to important divergences, convergences and connections between post-2000 writing from two of Africa's eminent literary sites—Nigeria and South Africa.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"22 1","pages":"49 - 64"},"PeriodicalIF":0.0,"publicationDate":"2017-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2017.1345976","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42364479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
A Walk through Hillbrow: Melancholic Attachments, Impeded Movement and the Search for a Post-Apartheid Image of Masculinity in Kgebetli Moele's Room 207 漫步在希尔布罗:忧郁的依恋,阻碍的运动和寻找后种族隔离时代的男性形象,在Kgebetli Moele的207室
Scrutiny2-Issues in English Studies in Southern Africa Pub Date : 2017-05-04 DOI: 10.1080/18125441.2017.1304439
D. Demir
{"title":"A Walk through Hillbrow: Melancholic Attachments, Impeded Movement and the Search for a Post-Apartheid Image of Masculinity in Kgebetli Moele's Room 207","authors":"D. Demir","doi":"10.1080/18125441.2017.1304439","DOIUrl":"https://doi.org/10.1080/18125441.2017.1304439","url":null,"abstract":"ABSTRACT In South African writing, Johannesburg, as the economic centre of the country, has continuously been a topic for novels and poems throughout the twentieth and twenty-first centuries. In the so-called “Jim comes to Jo’burg” genre, protagonists coming from a rural area are presented as being in danger of being seduced and swallowed by the corrupt ways of the city. Kgebetli Moele's Room 207 (2006) draws on and writes back to this genre in various ways. The novel focuses on the lives of six young black men who live in Hillbrow and insist that Johannesburg is no longer a “capital of sins”, but a place where dreams of a better future are possible. This article suggests that despite the narrator's claim that post-apartheid Johannesburg is a city of dreams and hopes and now belongs to the black population, the narrative is haunted by melancholia and an inability to confront both Johannesburg's and the country's past. I base my observations on Freud's theory of melancholia as the pathological alternative to mourning, to show that the protagonists have not overcome the losses or injuries incurred by the unjust and segregationist apartheid system. This manifests in a crisis of their masculine identity, which in turn can be traced back to a melancholic attachment to the image of the male anti-apartheid freedom fighter. Finally, by drawing on Sarah Nuttall's (2008, 2009) and Achille Mbembe's (2008) observations on Johannesburg, this article argues that Johannesburg itself appears as a place of loss towards which the protagonist develops a pathological melancholic attachment.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"22 1","pages":"17 - 3"},"PeriodicalIF":0.0,"publicationDate":"2017-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2017.1304439","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42604861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Towards a Stylistic Re-Reading of John Eppel's Absent: The English Teacher 约翰·埃佩尔《缺席:英语教师》的文体重读
Scrutiny2-Issues in English Studies in Southern Africa Pub Date : 2017-05-04 DOI: 10.1080/18125441.2017.1344874
N. Dube
{"title":"Towards a Stylistic Re-Reading of John Eppel's Absent: The English Teacher","authors":"N. Dube","doi":"10.1080/18125441.2017.1344874","DOIUrl":"https://doi.org/10.1080/18125441.2017.1344874","url":null,"abstract":"ABSTRACT This paper seeks to articulate the reasons behind the structure and style John Eppel employs in his novel Absent: The English Teacher. Approaches to John Eppel's creative works have been myopic and slight. Attention has not been paid to the technical achievements and the deliberate construction that Eppel uses in his novel Absent: The English Teacher. This paper eschews prior readings of this work in order to formulate a new one based on structure. By dealing with the unusual elements of the novel the paper explains the alternative ways of representation and storytelling found in the novel. The inclusion of certain structural elements in the novel by Eppel is found to be deliberate. It is concluded that the structure of the novel is appropriate to the story because of the occupation of the protagonist. Multi-genre inclusion in the prose of the novel is identified, assessed and the impact towards its contribution to the narrative objectives is highlighted. This paper argues that Eppel should rightly be considered a member of the Zimbabwean literary establishment based on his innovative creativity.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"22 1","pages":"82 - 95"},"PeriodicalIF":0.0,"publicationDate":"2017-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2017.1344874","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49291466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Revisioning Reality: Transcending Space and Time in the Buddhist Writings of Lafcadio Hearn 修正现实:拉斐迪奥·赫恩佛学著作的时空超越
Scrutiny2-Issues in English Studies in Southern Africa Pub Date : 2017-05-04 DOI: 10.1080/18125441.2017.1304440
Antony Goedhals
{"title":"Revisioning Reality: Transcending Space and Time in the Buddhist Writings of Lafcadio Hearn","authors":"Antony Goedhals","doi":"10.1080/18125441.2017.1304440","DOIUrl":"https://doi.org/10.1080/18125441.2017.1304440","url":null,"abstract":"ABSTRACT The Victorian writer Lafcadio Hearn has been credited with being one of the first Westerners to adopt “Eastern”, specifically Buddhist, ideas about reality. The effect of Hearn's neo-Buddhist, quasi-scientific vision is to deconstruct Victorian certainties and generate new ways of thinking – new metaphors for constructing an understanding of the world. Hearn's engagement with Buddhism and science caused him to revision his understanding of time and space – of our place in the universe. The effect of his meditations is to change the way he conceives of the self – and also the way he understands the very fabric of reality. This essay outlines the scientific and religious theories that interested Hearn and looks at Hearn's coming to terms with some of these ideas in selected Buddhist writings from his oeuvre. The new metaphors for describing reality apparent in them – though they are now commonplaces of both New Age and of scientific discourse – were radical at the time, and potentially played a part in the fundamental reconceptualisation of reality that took place in the early twentieth century, especially in the fields of physics and cosmology.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"22 1","pages":"111 - 96"},"PeriodicalIF":0.0,"publicationDate":"2017-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2017.1304440","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42670261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In Her Bones: Second Wave “Women's Time” in Tanith Lee's The Winter Players 在她的骨子里:塔妮丝·李的《冬季球员》中的第二波“女性时间”
Scrutiny2-Issues in English Studies in Southern Africa Pub Date : 2017-05-04 DOI: 10.1080/18125441.2017.1311361
E. Donaldson
{"title":"In Her Bones: Second Wave “Women's Time” in Tanith Lee's The Winter Players","authors":"E. Donaldson","doi":"10.1080/18125441.2017.1311361","DOIUrl":"https://doi.org/10.1080/18125441.2017.1311361","url":null,"abstract":"ABSTRACT During feminism's second wave (circa 1960‒1980) a particular approach to time gained ground and was explored by many cultural feminist activists, thinkers and writers. This feminine time was conceived of as cyclical and organic rather than masculine, mechanistic and linear and developed out of the essentialist celebration of “Woman” that dominated cultural feminism during this period. These cultural feminists called for an embracing of “women's time” which, they argued, would liberate women whose identities had been limited by the expectations of a patriarchal Western world and the patrilinear temporality it prescribed. Although their terms are considered problematically essentialist today, this remains an interesting moment in both feminist history and debates regarding temporality. This paper discusses fantasy author and feminist, Tanith Lee's evocation and exploration of second wave cultural feminism's “women's time” in her 1976 novella The Winter Players. In this novella Lee's protagonist is doomed to repeat a static, limited role for all time and in order to break free, steps into an alternative cyclical women's time that undoes the authority of the paternalistic his-story that traps her. Once in this temporal space, she draws on both her own magical power and that of a female continuum of priestesses to reweave patrilinear time, in so doing empowering the women of her world to claim their right to public space/ time.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"22 1","pages":"112 - 127"},"PeriodicalIF":0.0,"publicationDate":"2017-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2017.1311361","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41693422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Utterly Divided”? The Feminist Perspectives of Lauretta Ngcobo and Olive Schreiner “完全分裂”?劳蕾塔·恩科博和奥利芙·施莱纳的女权主义视角
Scrutiny2-Issues in English Studies in Southern Africa Pub Date : 2017-01-02 DOI: 10.1080/18125441.2017.1332765
L. Graham
{"title":"“Utterly Divided”? The Feminist Perspectives of Lauretta Ngcobo and Olive Schreiner","authors":"L. Graham","doi":"10.1080/18125441.2017.1332765","DOIUrl":"https://doi.org/10.1080/18125441.2017.1332765","url":null,"abstract":"ABSTRACT This article compares the feminist views of Olive Schreiner with those of Lauretta Ngcobo, raising questions about race, gender, intersectionality, decolonisation and the curriculum in South Africa.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"22 1","pages":"86 - 94"},"PeriodicalIF":0.0,"publicationDate":"2017-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2017.1332765","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48273894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Expanding the Territory: Creative Reading Interventions in Lauretta Ngcobo’s Prodigal Daughters 拓展领地:劳蕾塔·恩科博《浪子回头》中的创造性阅读干预
Scrutiny2-Issues in English Studies in Southern Africa Pub Date : 2017-01-02 DOI: 10.1080/18125441.2017.1311366
Phillippa Yaa de Villiers
{"title":"Expanding the Territory: Creative Reading Interventions in Lauretta Ngcobo’s Prodigal Daughters","authors":"Phillippa Yaa de Villiers","doi":"10.1080/18125441.2017.1311366","DOIUrl":"https://doi.org/10.1080/18125441.2017.1311366","url":null,"abstract":"ABSTRACT This essay argues that the various pieces of memoir collected in Prodigal Daughters: Stories of South African Women in Exile can be read as creative writing, and therefore research, within the terms of the discipline. These pieces of writing can be seen as a contribution to general knowledge about various facets of the human experience including political activism at a certain period in South African history, family relationships and living in exile, both in Africa and abroad. South Africa is currently experiencing a crisis in education. This essay finally asks whether this body of work could represent a contribution to a decolonised curriculum for a country that is immersed in the project of self-making, where marginalised voices write themselves into history and contribute to a working model of the society as a collective, a nation.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"57 1","pages":"76 - 85"},"PeriodicalIF":0.0,"publicationDate":"2017-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74471885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Found Poems from the Novel And They Didn’t Die 从小说中找到诗歌,它们没有死
Scrutiny2-Issues in English Studies in Southern Africa Pub Date : 2017-01-02 DOI: 10.1080/18125441.2017.1345079
M. Xaba
{"title":"Found Poems from the Novel And They Didn’t Die","authors":"M. Xaba","doi":"10.1080/18125441.2017.1345079","DOIUrl":"https://doi.org/10.1080/18125441.2017.1345079","url":null,"abstract":"(2017). Found Poems from the Novel And They Didn’t Die. Scrutiny2: Vol. 22, No. 1, pp. 16-21.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"22 1","pages":"16 - 21"},"PeriodicalIF":0.0,"publicationDate":"2017-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2017.1345079","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46978044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“What Is a Place?”: Exploring Place and Displacement in Lauretta Ngcobo’s Novel Cross of Gold “什么是一个地方?”:在Lauretta Ngcobo的小说《黄金十字架》中探索地方和位移
Scrutiny2-Issues in English Studies in Southern Africa Pub Date : 2017-01-02 DOI: 10.1080/18125441.2017.1311363
Athambile Masola, M. Xaba
{"title":"“What Is a Place?”: Exploring Place and Displacement in Lauretta Ngcobo’s Novel Cross of Gold","authors":"Athambile Masola, M. Xaba","doi":"10.1080/18125441.2017.1311363","DOIUrl":"https://doi.org/10.1080/18125441.2017.1311363","url":null,"abstract":"ABSTRACT Very little has been written about Lauretta Ngcobo’s first novel, Cross of Gold. Ngcobo uses a historical moment in Cross of Gold where the novel follows the lives of those affected by the Sharpeville Massacre. Central in the novel is the displacement of Black people during apartheid as a result of the pass laws as well as the oppressive apartheid laws that forced Black people to leave their homes. The novel brings into question the representation of place as there are various spatial representations such as exile, home, imprisonment and rural and urban spaces. This paper will explore how Ngcobo uses place to write about the Black experience during apartheid South Africa. The use of place as a motif in the novel raises questions about the subjectivity and identity of the characters.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"22 1","pages":"52 - 63"},"PeriodicalIF":0.0,"publicationDate":"2017-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2017.1311363","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43692034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Prodi-gals: Statelessness and Place-lessness in Lauretta Ngcobo’s “The Prodigal Daughter” (2012) 浪子:劳蕾塔·恩科博《浪子回头》(2012)中的无国籍和无地
Scrutiny2-Issues in English Studies in Southern Africa Pub Date : 2017-01-02 DOI: 10.1080/18125441.2017.1311364
Polo B. Moji
{"title":"Prodi-gals: Statelessness and Place-lessness in Lauretta Ngcobo’s “The Prodigal Daughter” (2012)","authors":"Polo B. Moji","doi":"10.1080/18125441.2017.1311364","DOIUrl":"https://doi.org/10.1080/18125441.2017.1311364","url":null,"abstract":"ABSTRACT Political exile is an integral part of post-1994 liberation struggle narrative in South Africa. Lauretta Ngcobo’s autobiographical short story, “The Prodigal Daughter”, is the title story of Prodigal Daughters (2012), an anthology of South African women’s stories of political exile during the anti-apartheid struggle. I enter the analysis through Ngcobo’s intertextual reference to the gendered figure of the prodigal son (Luke 15:11–32). The parable creates a clichéd schema of exile which lends itself to a feminist critique through the figure of the female “prodi-gal” (Carter 1985). Drawing on a black feminist conception of placelessness, I examine racial and gendered hierarchies of citizenship in relation to political exile and consider Ngcobo’s female “prodi-gal” as speaking back to the constructed radical subalternity of black South African women. Reading exile as a narrative form I argue that both the anthology and Ngcobo’s personal account are informed by a gendered insider/outsider perspective of the liberation movement: insider or “in place” as an activist but outsider “out of place” as a woman. I firstly analyse the notion of “statelessness” in relation to the racialised hierarchy of citizenship under apartheid as external exile. I then analyse “place-lessness” with reference to the marginalisation of women within patriarchal liberation movements while in political exile – this I read as internal exile. Over and above the historicising of women’s political exile, Ngcobo’s narrative recasts the exiled “women’s place” as a space of political agency through its erasure of the separation between the political and personal. By contrasting the gendered division of labour and resistance with the “domestication” of women’s activism in exile, Ngcobo challenges the perceived gender-neutrality of political exile. The male figure of the prodigal is thus re-cast as a female “prodi-gal”, creating a feminist schema for women’s political exile.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"22 1","pages":"64 - 75"},"PeriodicalIF":0.0,"publicationDate":"2017-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2017.1311364","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43234201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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