Prodi-gals: Statelessness and Place-lessness in Lauretta Ngcobo’s “The Prodigal Daughter” (2012)

IF 0.1 0 LITERATURE
Polo B. Moji
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引用次数: 1

Abstract

ABSTRACT Political exile is an integral part of post-1994 liberation struggle narrative in South Africa. Lauretta Ngcobo’s autobiographical short story, “The Prodigal Daughter”, is the title story of Prodigal Daughters (2012), an anthology of South African women’s stories of political exile during the anti-apartheid struggle. I enter the analysis through Ngcobo’s intertextual reference to the gendered figure of the prodigal son (Luke 15:11–32). The parable creates a clichéd schema of exile which lends itself to a feminist critique through the figure of the female “prodi-gal” (Carter 1985). Drawing on a black feminist conception of placelessness, I examine racial and gendered hierarchies of citizenship in relation to political exile and consider Ngcobo’s female “prodi-gal” as speaking back to the constructed radical subalternity of black South African women. Reading exile as a narrative form I argue that both the anthology and Ngcobo’s personal account are informed by a gendered insider/outsider perspective of the liberation movement: insider or “in place” as an activist but outsider “out of place” as a woman. I firstly analyse the notion of “statelessness” in relation to the racialised hierarchy of citizenship under apartheid as external exile. I then analyse “place-lessness” with reference to the marginalisation of women within patriarchal liberation movements while in political exile – this I read as internal exile. Over and above the historicising of women’s political exile, Ngcobo’s narrative recasts the exiled “women’s place” as a space of political agency through its erasure of the separation between the political and personal. By contrasting the gendered division of labour and resistance with the “domestication” of women’s activism in exile, Ngcobo challenges the perceived gender-neutrality of political exile. The male figure of the prodigal is thus re-cast as a female “prodi-gal”, creating a feminist schema for women’s political exile.
浪子:劳蕾塔·恩科博《浪子回头》(2012)中的无国籍和无地
政治流亡是1994年后南非解放斗争叙事的一个组成部分。Lauretta Ngcobo的自传体短篇小说《浪子》是《浪子女儿》(2012)的标题故事,这是一本南非妇女在反种族隔离斗争中政治流亡的故事选集。我通过Ngcobo对浪子性别形象的互文引用进入分析(路加福音15:11-12)。这个寓言创造了一个老套的流亡模式,通过女性“prodi gal”的形象进行女权主义批判(Carter 1985)。根据黑人女权主义的无位置感概念,我研究了与政治流亡相关的种族和性别公民等级制度,并认为Ngcobo笔下的女性“prodi gal”是对南非黑人女性所构建的激进下层社会的回应。将流亡作为一种叙事形式阅读,我认为这本选集和Ngcobo的个人叙述都受到了解放运动的性别内部/外部视角的影响:作为一名活动家,内部或“原地”,但作为一名女性,外部“格格不入”。我首先分析了“无国籍”的概念与种族隔离下作为外部流亡的种族化公民等级制度的关系。然后,我分析了“无位置”,指的是在政治流亡期间,女性在父权制解放运动中被边缘化——我把这读作内部流亡。除了女性政治流亡的历史化之外,Ngcobo的叙事通过消除政治和个人之间的分离,将流亡的“女性之地”重塑为一个政治机构的空间。通过将性别分工和抵抗与流亡妇女行动主义的“本土化”进行对比,Ngcobo挑战了政治流亡的性别中立。浪子的男性形象因此被重新塑造为女性“prodi gal”,为女性的政治流亡创造了一种女权主义模式。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
10
期刊介绍: scrutiny2 is a double blind peer-reviewed journal that publishes original manuscripts on theoretical and practical concerns in English literary studies in southern Africa, particularly tertiary education. Uniquely southern African approaches to southern African concerns are sought, although manuscripts of a more general nature will be considered. The journal is aimed at an audience of specialists in English literary studies. While the dominant form of manuscripts published will be the scholarly article, the journal will also publish poetry, as well as other forms of writing such as the essay, review essay, conference report and polemical position piece. This journal is accredited with the South African Department of Higher Education and Training.
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