{"title":"that kind of door, by Alan Finlay","authors":"Kobus Moolman","doi":"10.1080/18125441.2018.1550249","DOIUrl":"https://doi.org/10.1080/18125441.2018.1550249","url":null,"abstract":"","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"23 1","pages":"93 - 97"},"PeriodicalIF":0.0,"publicationDate":"2018-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2018.1550249","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43078752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Editorial","authors":"D. Byrne, Raphael d’Abdon","doi":"10.1080/18125441.2017.1441100","DOIUrl":"https://doi.org/10.1080/18125441.2017.1441100","url":null,"abstract":"","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"22 1","pages":"1 - 2"},"PeriodicalIF":0.0,"publicationDate":"2017-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2017.1441100","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42083562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Books Are Not Absolutely Dead Things”: Milton Speaks to Freedom of Information in Botswana from the Grave through Areopagitica","authors":"D. Koketso, K. N. Kgafela-Mokoka","doi":"10.1080/18125441.2017.1382565","DOIUrl":"https://doi.org/10.1080/18125441.2017.1382565","url":null,"abstract":"ABSTRACT On July 8, 2010, the Botswana National Assembly resolved, in accordance with the provisions of the Standing Order 60(2), to allow the then Member of Parliament for Gaborone Central, Hon. Dumelang Saleshando, to bring before Parliament a Private Member’s Bill that would allow for the enactment of a Freedom of Information Act. The bill was intended to extend the right of members of the public to access information in the possession of public authorities. This paper critically examines the fundamental provisions of the bill in the light of Miltonic ideas about the liberty of unlicensed printing expressed in Areopagitica. The paper argues using the functional theory that the bill speaks to the ideals of Milton’s advocacy in 1644 of freedom of publication, such as the search for truth, the acquisition of knowledge of good and evil in the fallen world as well as the exercise of temperance.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"22 1","pages":"10 - 25"},"PeriodicalIF":0.0,"publicationDate":"2017-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2017.1382565","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46645267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pauline Smith’s Formalism in The Beadle","authors":"N. Meihuizen","doi":"10.1080/18125441.2017.1381759","DOIUrl":"https://doi.org/10.1080/18125441.2017.1381759","url":null,"abstract":"ABSTRACT While critics over the years have paid attention to Smith’s formalism, certain authoritative voices (I think in particular of J. M. Coetzee and Nadine Gordimer) focus on ideological aspects of her writing, which minimise or overlook its quality and its own particular character. If we could appreciate that Smith was writing within a modernist sphere of influence— however much filtered by her own sense of her specific abilities (and her compulsion to express those abilities)—it would be easier to read her as we tend to read other modernists. That is, we might once again read her in terms of writerly techniques used, and an aesthetic approach that absorbs into itself the patterns and tensions of existence, and which cannot simply be judged in terms of its colluding in various degrees with the forces of society. My article argues that ideological readings of Smith do her craftsmanship scant justice. As a corrective, I provide an overview of the formalist techniques she uses and the dense structuration involved in her presentation of her themes. Her formalism imbues the writing itself with a sense of its own agency, its own unique power, to the benefit of her fictional constructions.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"22 1","pages":"26 - 39"},"PeriodicalIF":0.0,"publicationDate":"2017-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2017.1381759","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47546730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"Quivered Out of Decimals\": Simulating Somatime in Emily Dickinson's Entropic Text","authors":"I. Rabinowitz","doi":"10.1080/18125441.2017.1407356","DOIUrl":"https://doi.org/10.1080/18125441.2017.1407356","url":null,"abstract":"ABSTRACT In desiring to constitute herself independently of any unitary subject, Emily Dickinson apostrophises—and simulates—the aberrant complexities of mortality. Her texts— closed systems within which grammatical and semantic conventions are atomised by ellipsis and parataxis—calibrate measures of disorder which signal irreversible changes in consciousness, perception, and experience. By bringing Emily Dickinson's intellectual and sensuous cognition of mortality into prominence as an exemplary instance of somatime in the entropic text, the article explores some of the ways in which the representation of mitotic time and pineal embodiment is adapted and transformed through the figural potentiality of poetic language.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"22 1","pages":"3 - 9"},"PeriodicalIF":0.0,"publicationDate":"2017-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2017.1407356","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44310425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“God within Us”: Christianity and Subversion in Ngũgĩ wa Thiong’o's Fiction","authors":"M. Andindilile","doi":"10.1080/18125441.2017.1404626","DOIUrl":"https://doi.org/10.1080/18125441.2017.1404626","url":null,"abstract":"ABSTRACT This paper focuses on Kenyan writer, Ngũgĩ wa Thiong’o's paradoxical engagement with Christianity and its topology. Against his increasingly hostile attitude towards the Christian establishment in a post-colonial space, the paper interrogates how this writer, who has been dubbed a “religious writer,” deploys Christianity and its topology as a conduit for his subversion in his fiction. Partly informed by Stephen Greenblatt's seminal essay “Invisible Bullets” and its conception of containment and subversion, the article examines how Ngũgĩ uses Christianity and its topology to advance his literary and rhetorical agenda of exposing and questioning colonial and neo-colonial social injustices, hence turning such imagery and topology into powerful literary and rhetorical tools that embody the subversion of his works. Although colonialism and its link to the spread of Christianity has been exploited by many African writers in dialogical and syncretic ways characterised by subtle shades of meaning and expressions, Ngũgĩ has gone a step further to deploy to his aesthetic and rhetorical advantage the same Christianity that he attacks so fiercely. The paper also examines how the purpose and degree to which Ngũgĩ deploys Christianity as a constant subject and conduit of his subversive writing varies from his apprentice novels to his hard-hitting and ideologically astute and conscious novels. It contends that Ngũgĩ's subversion lies in both the implicit and explicit use of Christian imagery and typology as a conduit for conveying subversive messages that denounce manifestations of exploitation found in his native Kenya, in particular, and other African nation-states in general.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"22 1","pages":"40 - 61"},"PeriodicalIF":0.0,"publicationDate":"2017-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2017.1404626","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48056996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Time is Always NOW: Animist Materialism in Keorapetse Kgositsile's Temporal Order","authors":"Uhuru Phalafala","doi":"10.1080/18125441.2017.1344873","DOIUrl":"https://doi.org/10.1080/18125441.2017.1344873","url":null,"abstract":"ABSTRACT This paper explores Keorapetse Kgositsile's re-ordering of time through his coined concepts of “NOW,” “future memory,” and the “coil of time” in his poetry. In his reckoning, colonial modernity's time imposed a temporal order that is not congruent with his African worldview and understanding of time and space. Further, being of South African descent and living in the diaspora meant occupying two realities concurrently. Being informed by southern Africa's indigenous oral archive and knowledge system in a different milieu necessitated a creative re-invention of those concepts in his poetic. I draw from theories of animism and the animist unconscious to show how Kgositsile deconstructs modernity's linear time, with its attendant Cartesian divide between “I and the world,” and show how he absorbs this divide within mythical and magical matrices to re-enchant modernity's temporality and elevate his worldview. As such, this paper shows how the relationships between modernity and tradition, memory and desire, past and future, home and exile, and Africa and its diaspora are powerfully synthesised in a manner that necessitates imperative recalibrations of temporality as we understand it within the context of colonial modernity.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"22 1","pages":"33 - 48"},"PeriodicalIF":0.0,"publicationDate":"2017-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2017.1344873","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45834525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reclaiming the Status of Human: Gender and Protest in Zoë Wicomb’s Short Stories","authors":"Kharys Ateh Laue","doi":"10.1080/18125441.2017.1311362","DOIUrl":"https://doi.org/10.1080/18125441.2017.1311362","url":null,"abstract":"ABSTRACT In this study of Wicomb's fiction, I investigate the depiction of women's oppression and resistance in three short stories from You Can't Get Lost in Cape Town and The One That Got Away. Judith Butler's model of gender performativity and Susan Bordo's work on the socio-historical construction of female bodies provide a useful framework within which to examine how “coloured” women in Wicomb's fiction are socialised to perform a version of “ideal” femininity under the heteronormative male gaze, which is often also informed by sexism and racism. I argue that, as a result of their subjection to an objectifying male gaze and the perpetual threat or incident of gender failure, the central characters in “When the Train Comes”, “Friends and Goffels”, and “Mrs Pringle's Bed” encounter repeated dehumanisation and humiliation. The protagonists’ failure or conscious refusal to perform normative white femininity, however, opens up a space for resistance in which they are able to defy patriarchal control and assert their agency. Appropriating Butler's terminology, I refer to these instances of opposition as moments of “psychic excess”, by which I mean the subversion of the heteronormative. Ultimately, I show how the women in all three short stories harness the subversive power of psychic excess by employing it as a means of protest against the restrictions of normative femininity and, in so doing, recover a sense of their humanity.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"22 1","pages":"18 - 32"},"PeriodicalIF":0.0,"publicationDate":"2017-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2017.1311362","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48042277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reduced to Rubbish: Trauma and Migrant Identities in Cristina Ali Farah's Little Mother","authors":"N. Tembo","doi":"10.1080/18125441.2017.1304438","DOIUrl":"https://doi.org/10.1080/18125441.2017.1304438","url":null,"abstract":"ABSTRACT Cristina Ali Farah's Little Mother is a fictional depiction of the lives of the Somali immigrant community displaced by civil war following the ousting from power of President Mohamed Siad Barre in Somalia in 1991. Drawing on key debates on literary representations of dislocation, this article considers Ali Farah's diasporic imagination as presenting the reader with a scenario where Somali immigrants fail to identify themselves with Somalia as a place they can call home. Instead, they strive to reinvent themselves as “a country in exile”. I read Ali Farah's narrative as particularly effective in creating words and images that convey the wounds borne by Somalis as they leave their natal home, and as they try to make sense of their interstitial selves in Europe and North America. These wounds are both physical and psychological, and lead to the alienation and traumatisation of the dispossessed bodies. I reference Homi Bhabha's concept of “DissemiNation” to explore how the trope of the scattering and gathering of Somalis is imagined in Ali Farah's semiautobiographical novel.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"22 1","pages":"65 - 81"},"PeriodicalIF":0.0,"publicationDate":"2017-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2017.1304438","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45328017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}