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Notes on Contributors 投稿人说明
4区 哲学
Religion and the Arts Pub Date : 2023-10-06 DOI: 10.1163/15685292-02704004
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引用次数: 0
From Medieval Sacred Art to Modern Photography 从中世纪的神圣艺术到现代摄影
4区 哲学
Religion and the Arts Pub Date : 2023-10-06 DOI: 10.1163/15685292-02704007
Myrna Nader
{"title":"From Medieval Sacred Art to Modern Photography","authors":"Myrna Nader","doi":"10.1163/15685292-02704007","DOIUrl":"https://doi.org/10.1163/15685292-02704007","url":null,"abstract":"Abstract In this study of image-making, it is argued that from the Middle Ages to the Modern period in Lebanon, coexistence between Christians and Muslims, who maintained contact alternately as a minority or dominant culture, was defined by fundamental ideas about sacred art, namely, the embodiment and depiction of the divine. The central premise holds that in Christianity paintings of a religious character are of importance because they reaffirm belief in the doctrine of incarnation, and thus Christ’s humanity. In Islam, by comparison, such art is idolatrous and deserving of censure. The opposite is asserted: God is invisible, and, therefore, paintings of the divine are impermissible. However, denunciation by Islamic scholars was not absolute; there was no disapproval if imagery did not violate Qur’anic proscription against idol-worship. A more nuanced discussion of the Arab literature demonstrates not only Muslim disavowal and episodes of iconoclasm, but also fascination with and commentary on Christian art. Such views informed Christian-Muslim debate over the value and validity of image-making in Modern-era Lebanon, which was further aroused by European developments in the science of optics, based partly on the works of Arab scientists. The advent of photography offered new ways of seeing the world, and discussion among Lebanese Muslim scholars focused on the efficacy and malevolence of optical technology in Arab society and culture. Outright condemnation of image-making was tempered by views condoning certain artistic practices.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134945303","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In Future Issues 未来问题
4区 哲学
Religion and the Arts Pub Date : 2023-10-06 DOI: 10.1163/15685292-02704006
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引用次数: 0
Exhibitions, Conferences, Announcements 展览、会议、公告
4区 哲学
Religion and the Arts Pub Date : 2023-10-06 DOI: 10.1163/15685292-02704005
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引用次数: 0
Charitable Writing: Cultivating Virtue Through Our Words , by Gibson, Richard Hughes and James Edward Beitler III 《慈善写作：通过我们的话语培养美德》，吉布森、理查德·休斯和詹姆斯·爱德华·贝特勒三世著
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2023-06-12 DOI: 10.1163/15685292-02703007
Tanya Jo Woodward
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引用次数: 0
Love, Knowledge, and Freedom in Pleasantville, Religious Scripture, and Wider Western Literature 普莱森特维尔的爱、知识和自由、宗教经文和更广泛的西方文学
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2023-06-12 DOI: 10.1163/15685292-02703002
D. Carr
{"title":"Love, Knowledge, and Freedom in Pleasantville, Religious Scripture, and Wider Western Literature","authors":"D. Carr","doi":"10.1163/15685292-02703002","DOIUrl":"https://doi.org/10.1163/15685292-02703002","url":null,"abstract":"\u0000 Love has long been extolled as a route to human moral and spiritual progress and fulfilment, not only in much past religious literature and narrative but in the more recent work of writers such as the philosopher and novelist Iris Murdoch. In such texts, however, the sentiment (or virtue) of love is clearly more than just blind or brute passion and presupposes distinctive human capacities for knowledge and free agency. That said, the relationship between knowledge and (right or virtuous) agency seems highly problematic or ambivalent on many traditional (perhaps most notably Christian) religious conceptions. This paper addresses such issues and complexities via some exploration of Genesis and the modern movie Pleasantville—with further aid from literary works of Shakespeare, Blake, Heinlein, and others—to the end of a more realistic view of human love and its moral and spiritual implications.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49453827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Image and Word 图像和文字
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2023-06-12 DOI: 10.1163/15685292-02703003
Joseph Houssni
{"title":"Image and Word","authors":"Joseph Houssni","doi":"10.1163/15685292-02703003","DOIUrl":"https://doi.org/10.1163/15685292-02703003","url":null,"abstract":"\u0000 The rapport between religion and film is not only historical but also ontological. The Abrahamic faiths specifically (Islam, Christianity, and Judaism) and the audio-visual medium of cinema share a complex affiliation with reference to two of their foundational elements: image and word. Building on the constitutive kernels of the Abrahamic religion of Islam (image and word), this paper will locate and define its formal manifestations in cinema; in other words, the way in which the conception of image and word at Islam marks film form. This endeavor will be sustained by calling upon some distinctive film cases of the so-called New Iranian Cinema. In particular, Offside (2006) and This Is Not a Film (2011) by Jafar Panahi, and Close-up (1990) by Abbas Kiarostami, as well as other films, will be utilized for analysis in order to delineate the qualities of the claimed religious film form in question. These films are selected as they foreground and thus play out the dialectic of image and word, their absence and their presence.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43280211","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In Future Issues 未来问题
4区 哲学
Religion and the Arts Pub Date : 2023-06-12 DOI: 10.1163/15685292-02703009
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引用次数: 0
Notes on Contributors 投稿人说明
4区 哲学
Religion and the Arts Pub Date : 2023-06-12 DOI: 10.1163/15685292-02703008
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引用次数: 0
“Pillar-Biters” and Beyond “咬柱者”及其他
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2023-06-12 DOI: 10.1163/15685292-02703001
Daniel Jütte
{"title":"“Pillar-Biters” and Beyond","authors":"Daniel Jütte","doi":"10.1163/15685292-02703001","DOIUrl":"https://doi.org/10.1163/15685292-02703001","url":null,"abstract":"\u0000 A common motif in late medieval and early modern Northern European art is the “pillar-biter.” Usually, the pillar-biter is depicted as a man who clings to a column while biting into it, but there are also representations of men and women who embrace or kiss columns. In the iconographic literature, the motif is usually linked to religious hypocrisy and the dissimulation of piety. But why did premodern Europeans associate columns and pillars with religious hypocrisy? To answer this question, the essay explores the pillar-biter motif in four different contexts: visual and linguistic traditions; ecclesiastical discourses and theology; popular piety and material religion; and, lastly, the sea change brought about by the Reformation. The column may seem a mere architectural element to the modern eye, but premodern viewers associated it with a host of religious practices and controversies that have fallen into oblivion.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41497090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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