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Notes on Contributors 投稿人说明
4区 哲学
Religion and the Arts Pub Date : 2023-06-12 DOI: 10.1163/15685292-02703008
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引用次数: 0
“Pillar-Biters” and Beyond “咬柱者”及其他
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2023-06-12 DOI: 10.1163/15685292-02703001
Daniel Jütte
{"title":"“Pillar-Biters” and Beyond","authors":"Daniel Jütte","doi":"10.1163/15685292-02703001","DOIUrl":"https://doi.org/10.1163/15685292-02703001","url":null,"abstract":"\u0000 A common motif in late medieval and early modern Northern European art is the “pillar-biter.” Usually, the pillar-biter is depicted as a man who clings to a column while biting into it, but there are also representations of men and women who embrace or kiss columns. In the iconographic literature, the motif is usually linked to religious hypocrisy and the dissimulation of piety. But why did premodern Europeans associate columns and pillars with religious hypocrisy? To answer this question, the essay explores the pillar-biter motif in four different contexts: visual and linguistic traditions; ecclesiastical discourses and theology; popular piety and material religion; and, lastly, the sea change brought about by the Reformation. The column may seem a mere architectural element to the modern eye, but premodern viewers associated it with a host of religious practices and controversies that have fallen into oblivion.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41497090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
An Artful Relic: The Shroud of Turin in Baroque Italy , by Casper, Andrew R. 艺术遗迹:巴洛克意大利的都灵裹尸布，作者:卡斯珀，安德鲁·R。
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2023-06-12 DOI: 10.1163/15685292-02703006
Angelica Modabber
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引用次数: 0
“Andy Warhol: Revelation” “安迪·沃霍尔:启示录”
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2023-06-12 DOI: 10.1163/15685292-02703005
Frederick S. Roden
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引用次数: 0
Exhibitions, Conferences, Announcements 展览、会议、公告
4区 哲学
Religion and the Arts Pub Date : 2023-06-12 DOI: 10.1163/15685292-02703010
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引用次数: 0
The Buddha and the Bard 佛与吟游诗人
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2023-06-12 DOI: 10.1163/15685292-02703004
Unhae Park Langis
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引用次数: 0
The Oxford Handbook of Gabriel García Márquez , by Bell-Villada, Gene H., and Ignacio López-Calvo, eds 牛津手册加布里埃尔García Márquez，贝尔维拉达，基因H，和伊格纳西奥López-Calvo，编辑
4区 哲学
Religion and the Arts Pub Date : 2023-04-11 DOI: 10.1163/15685292-02701005
John Cussen
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引用次数: 0
Notes on Contributors 投稿人说明
4区 哲学
Religion and the Arts Pub Date : 2023-04-11 DOI: 10.1163/15685292-02701007
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引用次数: 0
In Future Issues 未来问题
4区 哲学
Religion and the Arts Pub Date : 2023-04-11 DOI: 10.1163/15685292-02701009
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引用次数: 0
“… that which wishes to articulate itself in you” "希望在你心中表达自己"
4区 哲学
Religion and the Arts Pub Date : 2023-04-11 DOI: 10.1163/15685292-02701003
Andy Izenson
{"title":"“… that which wishes to articulate itself in you”","authors":"Andy Izenson","doi":"10.1163/15685292-02701003","DOIUrl":"https://doi.org/10.1163/15685292-02701003","url":null,"abstract":"Abstract Jewish anarchist mysticism weaves elusively through the worlds of art, politics, and religion, informing all three with the concept of do’ikayt , or “hereness.” This essay will bring together threads of the Jewish roots of the Dada and Surrealist movements as they burst into queerness with the work of Claude Cahun, William S. Burroughs, and Genesis Breyer P-Orridge, and examine in particular the cut-up method as employed by those artists across media before examining an application of the same method to a pantheist Jewish transness through the mystical practice of gender confirmation surgery to arrive at a theory of bodily hereness. Using the writer’s own experimentation with gender and cut-up poetry to seek a nonlinear harmony with the Spinozan immanent Hashem-as-living-universe, this writing explores the rejection of not only the gender binary, but also the binary inherent in representational art to replace both with the somatic experience of fragments of the universe ricocheting off each other and being transformed by the interaction.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135478314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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