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“Personal Items” “个人物品”
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-03-24 DOI: 10.1163/15685292-02601008
Yuemin He
{"title":"“Personal Items”","authors":"Yuemin He","doi":"10.1163/15685292-02601008","DOIUrl":"https://doi.org/10.1163/15685292-02601008","url":null,"abstract":"\u0000 Whereas Buddhism’s profile is rising in the US, there are surprising ways that Buddhism recirculates in more secular guises in traditionally Buddhist cultures of East Asia. This essay explores an intriguing case. Chi Li’s razor-sharp, passionate poems are quirkily “personal,” but relate very well to a wide spectrum of Chinese readers who made the popular novelist’s surprise poetry debut a bestseller in China. By studying Chi’s extensive use of Buddhist references to tap into issues dear to her, this essay shows that the Chinese readers are receptive to Buddhist ideas more as philosophies, principles, and moral codes than as explicit religion, even though Buddhism has a 2,000-year history in China. It argues that understanding this coded receptiveness helps translate Chi’s personal musings, blasts, and defiance into dialogues that address social norms, environmental issues, and individual complicity in social problems.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49368825","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pilgrimage: Journeys of Meaning, by Stanford, Peter 《朝圣之旅:意义之旅》，彼得·斯坦福著
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-03-24 DOI: 10.1163/15685292-02601014
Lynne Charoenkitsuksun
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引用次数: 0
Evangelical Gothic: The English Novel and the Religious War on Virtue from Wesley to Dracula, by Herbert, Christopher 福音哥特式：从卫斯理到德古拉的英国小说和宗教道德战争，赫伯特，克里斯托弗
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-03-24 DOI: 10.1163/15685292-02601010
Alison Fanous Cotti-Lowell
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引用次数: 0
Incarnating Image 形象的化身
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-03-24 DOI: 10.1163/15685292-02601004
Sara Malton
{"title":"Incarnating Image","authors":"Sara Malton","doi":"10.1163/15685292-02601004","DOIUrl":"https://doi.org/10.1163/15685292-02601004","url":null,"abstract":"\u0000 This essay examines the significance of Frederic Leighton’s illustrations of George Eliot’s historical novel of Renaissance Florence, Romola (1862–1863). Leighton’s illustrations form a crucial part of Eliot’s vision of her heroine’s movement toward spiritual liberation. Eliot and Leighton together figure this evolution as a pilgrimage that takes us from the Old Testament to the Gospel of John, concluding with one of the most significant moments in the life of Christ: his encounter with the Woman at the Well. Leighton’s depictions of the heroine and Eliot’s narrative powerfully combine to show how Romola’s connection to sacrificial love is combined with increasing authority, as she becomes imagined as the force who unites both the prophetic Old Testament with the manifestations of the New. Romola thus uniquely underscores the place of a complex Victorian aesthetic and print culture within a genealogy of cultural renderings of female agency and mobility.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42786020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Goodness, Exceptionalism, and Sense 善良、例外论和理智
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2021-12-15 DOI: 10.1163/15685292-02505005
K. Daily
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引用次数: 0
The Judgment of Love: An Investigation of Salvific Judgment in Christian Eschatology, by Matarazzo Jr., James M. 《爱的审判:基督教末世论中救赎审判的考察》，作者:小马塔拉佐，詹姆斯·M。
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2021-12-15 DOI: 10.1163/15685292-02505008
T. Graff
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引用次数: 0
Masked Violence 戴面具的暴力
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2021-12-15 DOI: 10.1163/15685292-02505004
Ivan Stacy
{"title":"Masked Violence","authors":"Ivan Stacy","doi":"10.1163/15685292-02505004","DOIUrl":"https://doi.org/10.1163/15685292-02505004","url":null,"abstract":"\u0000 This article examines the carnivalesque in two recent Bhutanese films, Hema Hema: Sing Me a Song While I Wait (2016, dir. Khyentse Norbu) and The Red Phallus (2018, dir. Tashi Gyeltshen). Bhutanese Buddhist rituals contain a number of elements that bear striking parallels with Mikhail Bakhtin’s conception of the carnivalesque, most notably in the use of masks and in the presence of jester figures known as atsaras. However, important differences also exist, most importantly the fact that in Bhutanese rituals masks are held to be sacred and are worn during dances intended to bring both participants and audience closer to Buddhist enlightenment. In both films discussed in this article, the anonymity provided by these traditional and ostensibly sacred masks prompts acts of sexual violence. As such, the article argues that the content of both films questions the use of ritual in contemporary Bhutan, while the use of carnivalesque form acts to deepen the nature of that questioning. In the case of Hema Hema, this is achieved by removing barriers between performance and spectatorship, while The Red Phallus in contrast seeks to alienate its audience.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41597811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Leonardo’s Paradox: Word and Image in the Making of Renaissance Culture, by Keizer, Joost 《列奥纳多的悖论:文艺复兴文化形成中的文字和图像》，作者:Keizer, Joost
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2021-12-15 DOI: 10.1163/15685292-02505006
T. Hoffman
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引用次数: 0
Good Words: Evangelicalism and the Victorian Novel, by Knight, Mark 好词:福音主义与维多利亚时代的小说，马克·奈特著
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2021-12-15 DOI: 10.1163/15685292-02505007
C. P. Stutz
{"title":"Good Words: Evangelicalism and the Victorian Novel, by Knight, Mark","authors":"C. P. Stutz","doi":"10.1163/15685292-02505007","DOIUrl":"https://doi.org/10.1163/15685292-02505007","url":null,"abstract":"","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"64431769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Extra-Special Care” “特别护理”
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2021-12-15 DOI: 10.1163/15685292-02505010
Gabriele Colombo
{"title":"“Extra-Special Care”","authors":"Gabriele Colombo","doi":"10.1163/15685292-02505010","DOIUrl":"https://doi.org/10.1163/15685292-02505010","url":null,"abstract":"\u0000 This paper reads Wes Anderson’s 2014 film The Grand Budapest Hotel through the lens of liturgical theology. It proposes that by revivifying collective memory—both its tragedies and joys—in a rhythmic, sensory, spatial, playful, and paradoxical way, the film forms our “social imaginary” for the better. In exploring the resonances between existing Anderson scholarship and liturgical theology, the paper highlights three key facets of the film: its implication of the present through the mythical stylization of the past; the relationship between M. Gustave and Zero, who find their place together as priest and acolyte of the Grand Budapest Hotel, enacting its liturgy of service against the rising tide of barbarism; and Anderson’s formal and aesthetic vision, which curates and elevates “found” objects and spaces, recognizing them as sacramental. Rejecting metaphysical dualism, the film suggests that communion and mystery are embedded in and enlivened by the material world.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45137071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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