INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES最新文献_第9页

Femme écrite du cinéaste Lahcen Zinoun: corps à corps dansé de l’écrit et de l’image 电影制作人Lahcen Zinoun的书面女性：文字和图像的身体对身体舞蹈

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2017-04-01 DOI: 10.1386/IJFS.20.1-2.135_1

H. Tissières

{"title":"Femme écrite du cinéaste Lahcen Zinoun: corps à corps dansé de l’écrit et de l’image","authors":"H. Tissières","doi":"10.1386/IJFS.20.1-2.135_1","DOIUrl":"https://doi.org/10.1386/IJFS.20.1-2.135_1","url":null,"abstract":"This article looks at the film Written woman (Mouchouma) by the Moroccan filmmaker and dancer Lahcen Zinoun, which was released in 2012. The work is centered on an Amazigh poet, marginalized by her profession as a prostitute, whose body is tattooed – inscription/writing of her story and of History. It is based on multiple quests – mystical, historical, cultural – through an anthropologist who travels to the Atlas Mountains to investigate the life of Mririda N’Ait Attik who passed away around 1930. Seeking an actress for the film he wishes to make to pay homage to this figure, he falls madly in love with Adjou Ait Ashaak, a prostitute who works in the same brothel as Mririda did. Through their conversations, the viewer learns about the signification of her tattoos (images/signs), the danger of erasing such a heritage, the power of the arts to which the film refers: painting, writing, literature, music, dance, which help reach other dimensions, align the individual with telluric forces, inscribe wounds to better transgress them. The migration of one art form to another brings about exile and recalls the values of many facets of Moroccan identity, and the importance of halting violence.","PeriodicalId":41286,"journal":{"name":"INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES","volume":"20 1","pages":"135-148"},"PeriodicalIF":0.1,"publicationDate":"2017-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42427785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

La littérature postcoloniale francophone: Engagement ou résistance? 法语后殖民文学:参与还是抵抗?

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2017-04-01 DOI: 10.1386/IJFS.20.1-2.95_1

F. Laroussi

引用次数: 0

Ethics of resistance and fictional minds in Léonora Miano’s L’intérieur de la nuit and La saison de l’ombre leonora miano的《夜晚的室内》和《阴影的季节》中的抵抗伦理和虚构思想

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2017-04-01 DOI: 10.1386/IJFS.20.1-2.73_1

Paul N. Touré

引用次数: 1

(Re)Locating space in Hakim Belabbas’s khayṭ al-rūḥ and Farida Belyazid’s bāb smā maftūḥ (重新)在Hakim Belabbas的khayha al-rūḥ和Farida Belyazid的bāb smā maftūḥ中定位空间

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2017-04-01 DOI: 10.1386/IJFS.20.1-2.9_1

Lhoussain Simour

{"title":"(Re)Locating space in Hakim Belabbas’s khayṭ al-rūḥ and Farida Belyazid’s bāb smā maftūḥ","authors":"Lhoussain Simour","doi":"10.1386/IJFS.20.1-2.9_1","DOIUrl":"https://doi.org/10.1386/IJFS.20.1-2.9_1","url":null,"abstract":"This article is a re-reading of both Hakim Belabbas’s khayṭ al-rūḥ and Farida Belyazid’s bāb smā maftūḥ from a postcolonially inflected concern. It attempts to consider how khayṭ al-rūḥ (‘Threads’, 2003), and bāb smā maftūḥ (‘A Door to the Sky’, 1988), focus excessively on the aesthetics and poetics of the city space, respectively, Abū al-ja’d and Fez, as a powerful structuring force that is twistingly manipulated to become a homogenizing icon of Moroccan identity. Such heavy concentration on spatial configurations of the city locales as sites of contestation over the construction of Moroccan identity results in counter-effects. The article argues that the filmic aestheticization of locality shifts into the creation of a set of anxieties and a knot of ambivalences that render the film directors’ attempt to foreground a new version of the native’s space vulnerable to the conventional orientalist tradition of the Other’s space representation. Both Belabbas’s and Belyazid’s works become complicit with the dynamics of folkloric space and with the orientalist tradition characteristic of colonial cinema set in Morocco during precolonial and colonial periods.","PeriodicalId":41286,"journal":{"name":"INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES","volume":"20 1","pages":"9-23"},"PeriodicalIF":0.1,"publicationDate":"2017-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45990578","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

De La Fabrique Du Réel (Apocalyptique) Dans La Bande Dessinée Beyrouth Bye Bye... De Barrack Rima 从现实的工厂(启示录)在贝鲁特再见…营房押韵

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2017-04-01 DOI: 10.1386/IJFS.20.1-2.57_1

C. Calargé, Alexandra Gueydan-Turek

引用次数: 1

Josephine Baker, artist and dissident 约瑟芬·贝克，艺术家和持不同政见者

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2017-04-01 DOI: 10.1386/ijfs.20.1-2.39_1

Irina Armianu

引用次数: 1

D/Ecrire une ville: géocritique de Nouméa à partir de brèches romanesques D写一个城市:从浪漫的突破对努美阿的地理批判

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2016-12-01 DOI: 10.1386/IJFS.19.3-4.301_1

Eddy Banaré

引用次数: 1

Legends, memories and violence in North African cities: Urban space in Kateb Yacine’s Nedjma and Salim Bachi’s Le chien d’Ulysse 北非城市中的传说、记忆和暴力:卡提卜·亚辛的《内杰马》和萨利姆·巴奇的《尤利西斯》中的城市空间

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2016-12-01 DOI: 10.1386/ijfs.19.3-4.321_1

Philippe Panizzon

{"title":"Legends, memories and violence in North African cities: Urban space in Kateb Yacine’s Nedjma and Salim Bachi’s Le chien d’Ulysse","authors":"Philippe Panizzon","doi":"10.1386/ijfs.19.3-4.321_1","DOIUrl":"https://doi.org/10.1386/ijfs.19.3-4.321_1","url":null,"abstract":"This article examines the role of urban space in two novels: Nedjma by Kateb Yacine and Le chien d’Ulysse by Salim Bachi. Drawing on Frantz Fanon’s observations about the colonial city in Les damnes de la terre and Michel de Certeau’s ideas on subversive practices of city dwellers in his L’invention du quotidien, this article explores the protagonists’ experiences in the colonial or postcolonial city and the way they remap the cities with their personal narratives. It demonstrates that in the face of urban transformation brought about by colonial or postcolonial violence the mythical dimension of the city – its legends, memories and myths harking back to a supposedly pristine Algerian past – is irretrievable. With particular reference to Jan Assmann’s theory of cultural memory and Max Silverman’s idea of palimpsestic memory, this article argues that violent nature of the cities’ past and present, along with their vanished cultural memory, prohibits the protagonists from creating a coherent historical narrative around the city, and in a wider sense from developing and sustaining the future character of Algerian cultural and national identity","PeriodicalId":41286,"journal":{"name":"INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES","volume":"19 1","pages":"321-340"},"PeriodicalIF":0.1,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66713208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Fractured silences and youth dystopia in Maïssa Bey’s theatrical writings Maïssa贝伊戏剧作品中的断裂沉默与青年反乌托邦

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2016-12-01 DOI: 10.1386/IJFS.19.3-4.253_1

B. Mehta

引用次数: 1

The complicated identity negotiation of women in Kangni Alemdjrodo’s Chemin de Croix and Gustave Akakpo’s Catharsis 康尼·阿莱姆德罗多的《十字架上的Chemin de Croix》和古斯塔夫·阿卡波的《Catharsis》中女性复杂的身份谈判

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2016-12-01 DOI: 10.1386/ijfs.19.3-4.341_1

Hamzat Koriko, Rebecca Weaver-Hightower

{"title":"The complicated identity negotiation of women in Kangni Alemdjrodo’s Chemin de Croix and Gustave Akakpo’s Catharsis","authors":"Hamzat Koriko, Rebecca Weaver-Hightower","doi":"10.1386/ijfs.19.3-4.341_1","DOIUrl":"https://doi.org/10.1386/ijfs.19.3-4.341_1","url":null,"abstract":"Third World feminists have long worked to bring to postcolonial studies a more nuanced reading of women’s lives in formerly colonized spaces. Postcolonial drama provides a fitting venue for such Third World feminists desiring to represent the realities of postcolonial African women. This article brings into conversation the post-colonial dramatists, the francophone playwrights, Kangni Alemdjrodo and Gustave Akapko, who have heretofore been unmentioned for their work as a catalyst for social change or as commentators on Third World feminism. Alemdjrodo and Akapko, both Togolese playwrights, are significant for their efforts to create space for debates over the complicated social expectations and identity negotiations of contemporary African women. In particular, Almedjrodo’s play Chemin de Croix (2005) and Akakpo’s play Catharsis (2006) deserve further analysis for their exploration through drama of the dilemmas many African women face when choosing between ‘traditional’ views of African femininity and western feminism as part of a personal struggle for autonomy and empowerment","PeriodicalId":41286,"journal":{"name":"INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES","volume":"19 1","pages":"341-361"},"PeriodicalIF":0.1,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66713222","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0