Ibsen Studies最新文献_第2页

Peer Gynt: From Play to Game Peer Gynt：从游戏到游戏

Ibsen Studies Pub Date : 2023-01-02 DOI: 10.1080/15021866.2023.2214998

Magnus H Sandberg

{"title":"Peer Gynt: From Play to Game","authors":"Magnus H Sandberg","doi":"10.1080/15021866.2023.2214998","DOIUrl":"https://doi.org/10.1080/15021866.2023.2214998","url":null,"abstract":"Henrik Ibsen’s drama Peer Gynt (1867) has been adapted for a video game. While it is meant for educational use and has already been launched on a Norwegian publisher’s school site, its learning mechanics are subtle enough that the game will also be offered in the entertainment market as a narrative adventure game (The Peer Gynt Game, n.d.). An adaptation of a written play as a video game implies that new modes of storytelling are being introduced, as well as a degree of agency for the players. The capability for this medium to adapt to and develop more traditional narrative expressions, considering their immense popularity and increased acknowledgement as works of art, makes video games an increasingly important area of study (Ensslin 2014; Kulturdepartementet 2019). This was part of the reasoning behind the decision to develop a video game version of Peer Gynt for students in secondary school. The project was initiated by Peer Gynt AS, the organizer of the annual Peer Gynt festival in Gudbrandsdalen district in Norway, where three of the play’s five acts are set. They were searching for new ways to introduce a new generation to the story world of Peer Gynt. Peer Gynt AS initiated a dialogue with the Norwegian publishing house Aschehoug, and later with game developers at Sarepta Studio in Hamar. This led to a","PeriodicalId":41285,"journal":{"name":"Ibsen Studies","volume":"23 1","pages":"60 - 93"},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48171884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Eivind TjØnneland: “Abnorme” Kvinner. Henrik Ibsen Og Dekadansen. Eivind Germany，“与众不同”的女性。Henrik Ibsen和Dedamance。

Ibsen Studies Pub Date : 2022-10-31 DOI: 10.1080/15021866.2022.2125214

Mariane Hansson

{"title":"Eivind TjØnneland: “Abnorme” Kvinner. Henrik Ibsen Og Dekadansen.","authors":"Mariane Hansson","doi":"10.1080/15021866.2022.2125214","DOIUrl":"https://doi.org/10.1080/15021866.2022.2125214","url":null,"abstract":"Eivind Tjønneland has already published several texts about Ibsen’s women, such as Rebekka West and Hedda Gabler, as well as other aspects of his work, such as modernity in Ibsen og moderniteten from 1993, symbolism in “Ibsen og symbolismen” from 2021, and the concept of bohemianism in “Bohembegrepet i norsk litteraturdebatt 1890” from 2021.” Tjønneland’s present volume studies the concept of decadence and literary representations of decadence both in general and in relation to the heroines in Ibsen’s plays. The main theme of the book is the connection between decadence and abnormality, especially as it is relevant to the women in Ibsen’s drama. Tjønneland gives a nuanced portrait of the author in his final years as seen through the critical reception of the time. Tjønneland focuses primarily on Norwegian critics but includes insights from Swedish, Danish, and German voices as well. In the twelve chapters of the book, he discusses “abnormal” female figures and theoretical perspectives on the Decadent Woman of the 1890s. In the first chapter he introduces what he refers to as Ibsen’s “abnormal” female characters, while in the second chapter he presents the decadent woman of 1890 before he, in the third chapter, investigates Hedda Gabler. In chapter four he presents how women were associated with “primitive races” in the 1890s, and then he brings up Hilde Wangel. In the sixth chapter he shows how Ibsen’s characters were seen as lacking Norwegian character, and in the seventh how the Norwegian literary historian Christen Collin saw decadent women as “morally abnormal fantasy children.” In chapter eight Tjønneland examines Rita Allmers and in chapter","PeriodicalId":41285,"journal":{"name":"Ibsen Studies","volume":"22 1","pages":"171 - 178"},"PeriodicalIF":0.0,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"59953976","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

My Nora in Wu Xiaojiang’s A Doll’s House (1998): Aesthetic Transmission and Political Context 吴小江《玩偶之家》(1998)中的我的诺拉:审美传递与政治语境

Ibsen Studies Pub Date : 2022-10-12 DOI: 10.1080/15021866.2022.2125213

Agnete G. Haaland

引用次数: 1

Preface 前言

Ibsen Studies Pub Date : 2022-09-27 DOI: 10.1080/15021866.2022.2125211

Thor Holt

引用次数: 0

Peer Gynt and Suzannah: Revealing Representations of Age 皮尔·金特和苏珊娜:揭示年龄的表现

Ibsen Studies Pub Date : 2022-09-24 DOI: 10.1080/15021866.2022.2125212

Connie Amundson

{"title":"Peer Gynt and Suzannah: Revealing Representations of Age","authors":"Connie Amundson","doi":"10.1080/15021866.2022.2125212","DOIUrl":"https://doi.org/10.1080/15021866.2022.2125212","url":null,"abstract":"What does it mean to grow old? Are we destined to reach a peak of physical, mental, and social well-being at some relatively early age only to decline, either slowly or precipitously, toward death? Or are there surprising gifts to be had from aging, based on our inherent creativity, as it manifests in a myriad of ways throughout the latter half of life? From ancient Greek and Roman philosophy to contemporary conventional wisdom the former is favored, whereas age theorists in our contemporary time explore the latter. In the anglophonic world these concepts from age theory have been used, over the past twenty years, to examine plays and their performances. However, with the exception of Elinor Fuchs’s article, “Estragement: Towards an ‘Age Theory’ Theatre Criticism,” age theory has been largely ignored in scholarship about Norwegian drama (Fuchs 2014, 69). I aim to address this gap by exploring how age is represented in two Norwegian plays, Ibsen’s Peer Gynt (1867) and Jon Fosse’s Suzannah (2004), thereby arriving at an understanding of what Fuchs calls “the immensity of the conscious experience of age” (Fuchs 2014, 77). I understand this phrase to point to something about the accumulation of experience, understanding, and perhaps even wisdom among those who have lived a long life. My intent is to explore how Peer Gynt and Suzannah bring to our awareness something beyond, as Fuchs writes, “the discourse of normative life, where the failing body-as-decline numbly presides” (Fuchs 2014, 77). This potential for reading dramatic literature with particular attention to aging is highly available in these two plays which enact three ages of the eponymous characters.","PeriodicalId":41285,"journal":{"name":"Ibsen Studies","volume":"22 1","pages":"107 - 137"},"PeriodicalIF":0.0,"publicationDate":"2022-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43981956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Preface Issue 1 2022 前言第1版2022

Ibsen Studies Pub Date : 2022-04-22 DOI: 10.1080/15021866.2022.2063976

L. Xia

{"title":"Preface Issue 1 2022","authors":"L. Xia","doi":"10.1080/15021866.2022.2063976","DOIUrl":"https://doi.org/10.1080/15021866.2022.2063976","url":null,"abstract":"This proceeding comprises selected papers from the 5th International Conference on Materials and Manufacturing Engineering (ICMME-2020) at SRI CHANDRASEKHARENDRA SARASWATHI VISWA MAHAVIDYALAYA (SCSVMV), Kanchipuram, India. This book covers a wide range of topics within the materials and manufacturing disciplines. The content includes technical papers and review articles mainly focused in synthesis, development and characterization of new materials and machiningassociated studies on various materials. This book covers some of the recent advancements in the areas such as optimization techniques, computational fluid dynamics, tribology, alternate fuels, turbomachinery, renewable energy, thermal engineering and metal forming process. The collective expertise of the editorial team in a variety of aspects in the mechanical engineering field to manage the editorial process efficiently for providing a high-quality review process. Also, this book will be providing a technological and scientific platform for researchers, scientists, engineers and academicians seeking advancements in the area of materials and manufacturing engineering. List of Guest Editors, Committee, Keynote Speaker, Snap Shots in ICMME-2020, Conference Presentations are available in this pdf.","PeriodicalId":41285,"journal":{"name":"Ibsen Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41351682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

(Post) Colonial Ghanaian Attitudes Towards Ibsen: An Overview of Ibsen Reception in Ghana Between 1930 and 1966 (Post)殖民时期加纳对易卜生的态度:1930年至1966年间加纳对易卜生的接受概况

Ibsen Studies Pub Date : 2022-01-02 DOI: 10.1080/15021866.2022.2063977

Solace Sefakor Anku

{"title":"(Post) Colonial Ghanaian Attitudes Towards Ibsen: An Overview of Ibsen Reception in Ghana Between 1930 and 1966","authors":"Solace Sefakor Anku","doi":"10.1080/15021866.2022.2063977","DOIUrl":"https://doi.org/10.1080/15021866.2022.2063977","url":null,"abstract":"During much of the twentieth century, Ibsen’s plays attracted the interest of many world theatres. In many western theatres and some non-western ones, the attraction to Ibsen by theatre practitioners was linked in different ways to the processes of modernization and the problems that come with it (FischerLichte 2008, 96). Colonialism and modernization are related to each other in complex ways (Gillen and Ghosh 2007, 1). In some colonial contexts, the modernization process was implemented as a “civilizing mission” (Jeyifo 2007, 608). This civilizing mission was largely dependent on print literacy produced by European colonizers to suit the needs of a local context (Willis 2018, 13). In colonized territories in Africa, literary texts were actively used in missionary works and mass literacy projects. The missions and the schools provided “good literature” (Newell 2002, 5) for readers to conceive of themselves as part of the larger British Empire. Additionally, the colonial administration used these transmission modes of literature to “track and control nations and populations” (Willis 2018, 13). As a consequence, reading regimes, practices, and performances were structured on the expectations and regulations of the colonial administration. Also, the system of transmission of literature in the colonies was perpetuated and controlled by the colonial administration. As agents, they did not seek financial capital but what Pierre Bourdieu refers to as “cultural capital”","PeriodicalId":41285,"journal":{"name":"Ibsen Studies","volume":"22 1","pages":"3 - 30"},"PeriodicalIF":0.0,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42190786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Dreams of A Spanish Patriot: Alfredo Marqueríe’s Fascist Version of Ibsen’s An Enemy of the People (1963) 西班牙爱国者的梦想：阿尔弗雷多·马奎尔的法西斯版易卜生的《人民的敌人》（1963）

Ibsen Studies Pub Date : 2022-01-02 DOI: 10.1080/15021866.2022.2063978

Cristina Gómez-Baggethun

{"title":"The Dreams of A Spanish Patriot: Alfredo Marqueríe’s Fascist Version of Ibsen’s An Enemy of the People (1963)","authors":"Cristina Gómez-Baggethun","doi":"10.1080/15021866.2022.2063978","DOIUrl":"https://doi.org/10.1080/15021866.2022.2063978","url":null,"abstract":"Shortly after the end of the Spanish Civil War (1936–1939), the widow of one of the introducers of Ibsen to the Spanish stage, Josep Maria Jord a, applied for a censorship approval for two of her husband’s Ibsen translations: Hedda Gabler and A Doll’s House. The first was prohibited on moral grounds, the second because it was in Catalan (AGA: Box 73/08262, File 1465/40 and File 1464/ 40). These were the first two Ibsen translations to be banned during Francisco Franco’s long dictatorship (1939–1975), several other would follow. Jord a, however, had engaged in yet another Ibsen play, namely An Enemy of the People, which he translated both into Spanish and Catalan. His widow never tried to get these translations approved, probably because, in the fin de si ecle period, the play had been popular among the left, and often staged by amateur groups linked to the labor movement (G omez-Baggethun 2020, 58–81, 99–103). In fact, the last time An Enemy of the People was produced in Spain before the Civil War was in 1920, when it was staged in Madrid on the occasion of the annual conference of the socialist trade union UGT. Although it is not surprising that Jord a’s widow was discouraged, she might have misjudged the situation. The truth is that An Enemy of the People never encountered any problems with the Francoist censorship. Although no one applied for a staging censorship approval of the play during the 1940s and 1950s, An Enemy of the People was frequently published during these two decades. And when the play finally returned to the","PeriodicalId":41285,"journal":{"name":"Ibsen Studies","volume":"22 1","pages":"31 - 58"},"PeriodicalIF":0.0,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42408088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ibsen’s Life and Works: What is the Connection? A Review of Evert Sprinchorn Ibsen’s Kingdom. The Man and his Works 易卜生的生平与作品:有何关联?易卜生《王国》述评人和他的作品

Ibsen Studies Pub Date : 2022-01-02 DOI: 10.1080/15021866.2022.2063981

H. Rønning

引用次数: 0

Doctoral Defense: Ibsen on the West African Stage—A Case of a Complicated Relationship 博士答辩：西非舞台上的易卜生——一个复杂关系的个案

Ibsen Studies Pub Date : 2022-01-02 DOI: 10.1080/15021866.2022.2063979

Solace Sefakor Anku, Sabiha Huq, A. M. Asiedu

{"title":"Doctoral Defense: Ibsen on the West African Stage—A Case of a Complicated Relationship","authors":"Solace Sefakor Anku, Sabiha Huq, A. M. Asiedu","doi":"10.1080/15021866.2022.2063979","DOIUrl":"https://doi.org/10.1080/15021866.2022.2063979","url":null,"abstract":"At the brink of the collapse of colonial rule, literary and theatrical endeavors in sub-Saharan African colonies were most often political. The plays of Henrik Ibsen found their way into many British colonies because their subjects were relevant to local theatre and literary enthusiasts. Additionally, changes in Ibsen ’ s literary reception in these colonies suggest a development in the attitudes of colonial subjects. In southeastern Asia, particularly India, there is a thriving Ibsen performance tradition on its postcolonial theatre stages. In sub-Saharan Africa, the southern region has shown a sustained interest in Ibsen ’ s works, while very little can be said about the western region. This dissertation sets out to explain the low interest in Ibsen ’ s works on the theatre stages of western Africa by drawing on some markers from Ghana and Nigeria. The study finds its premise on the mapped travels of the play A Doll ’ s House on the IbsenStage database to piece together historical and political patterns of the reception of Ibsen in Ghana. In a broader context of female imaging in western African literary traditions, the study situates an argument of reception linked to the traditions of performing and imaging maternity and women. This dissertation finds that colonial censorship rules, nationalist sentiments of the early post-colonial period, governmental policies on culture, and some traditions of","PeriodicalId":41285,"journal":{"name":"Ibsen Studies","volume":"22 1","pages":"59 - 71"},"PeriodicalIF":0.0,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49342055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0