Ibsen Studies最新文献

A Brief History of the Centre for Ibsen Studies 易卜生研究中心简史

Ibsen Studies Pub Date : 2023-11-01 DOI: 10.1080/15021866.2023.2268354

Ellen Rees

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Ibsen in performance 易卜生表演

Ibsen Studies Pub Date : 2023-10-28 DOI: 10.1080/15021866.2023.2268353

Ellen Rees, Giuliano D’Amico, Thor Holt

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A Short History of Ibsen Reception Studies 易卜生接受研究简史

Ibsen Studies Pub Date : 2023-10-26 DOI: 10.1080/15021866.2023.2268355

Giuliano D’Amico

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Ibsen Studies and Adaptation 易卜生研究与适应

Ibsen Studies Pub Date : 2023-10-26 DOI: 10.1080/15021866.2023.2268352

Thor Holt

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The Rise of Digital Humanities Approaches to Ibsen Studies 易卜生研究中数字人文方法的兴起

Ibsen Studies Pub Date : 2023-10-25 DOI: 10.1080/15021866.2023.2268357

Jens-Morten Hanssen

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Out Of Time: John Gabriel Borkman and the End of Drama 过时:约翰·加布里埃尔·博克曼和戏剧的终结

Ibsen Studies Pub Date : 2023-01-02 DOI: 10.1080/15021866.2023.2214996

Patrick Ledderose

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Theatrical Adaptation of Ibsen’s An Enemy of the People in Iran: The Intellectual and Modernity in Akbar Radi’s The Decline 易卜生《伊朗人民的敌人》的戏剧改编——阿克巴尔·拉迪《衰落》中的知识分子与现代性

Ibsen Studies Pub Date : 2023-01-02 DOI: 10.1080/15021866.2023.2214997

R. Farhadi

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The Master’s Fall: The Fall of the Bourgeoisie Through the Fall of Patriarchy 大师的陨落：从父权制的陨落看资产阶级的陨落

Ibsen Studies Pub Date : 2023-01-02 DOI: 10.1080/15021866.2023.2215000

Farid Manouchehrian

{"title":"The Master’s Fall: The Fall of the Bourgeoisie Through the Fall of Patriarchy","authors":"Farid Manouchehrian","doi":"10.1080/15021866.2023.2215000","DOIUrl":"https://doi.org/10.1080/15021866.2023.2215000","url":null,"abstract":"When in 1884 Henrik Ibsen expressed his support of a bill presented to the Norwegian parliament proposing “separate property rights for married women,” he famously commented that “to consult men in such a matter is like asking wolves if they desire better protection for the sheep” (1964, 227–228). By the time that Ibsen was strongly advocating for the women’s property bill, he had already written A Doll’s House (1879) in which Nora had to leave home to gain her autonomy, not Torvald. However, she did not have a home of her own to take refuge in. After the meeting in 1884 when Ibsen signed the petition in favor of women’s property rights, he went on to portray women such as Rebecca West, Ellida and Bolette Wangel, and Hedda Gabler who were also financially dependent on male protagonists and trapped in either their father’s or husband’s home. While Toril Moi correctly asserts that women “admired Ibsen’s heroines for claiming their right to an independent life of the mind,” it is worth noting that none of these characters were financially independent, nor had they any property (2021, 91). While they tried to proclaim their emancipation, they were still financially dependent on men to support them. Women’s financial subordination, as a result, would reassure men that women’s autonomy is limited, especially for those who keep an eye on their husband’s purse strings. Torvald’s relationship with Nora is corroborative evidence in this regard.","PeriodicalId":41285,"journal":{"name":"Ibsen Studies","volume":"23 1","pages":"135 - 162"},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47879843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Peripeteia: Ibsen’s History in Hedda Gabler and the Pretenders 佩里佩蒂娅：易卜生在《赫达·加布勒与伪装者》中的历史

Ibsen Studies Pub Date : 2023-01-02 DOI: 10.1080/15021866.2023.2214999

Joachim Schiedermair

{"title":"Peripeteia: Ibsen’s History in Hedda Gabler and the Pretenders","authors":"Joachim Schiedermair","doi":"10.1080/15021866.2023.2214999","DOIUrl":"https://doi.org/10.1080/15021866.2023.2214999","url":null,"abstract":"If you want to explore the topic of peripeteia or turning points as a literary scholar, you will find a very promising subject in the genre of the history play. For in a history play two types of turning points intersect; one could perhaps find in this crossroad the characteristic that makes a history play a history play. On the one hand, there is the peripeteia which, according to the founding text of drama analysis, structures every play. In Poetics, Aristotle presents the peripeteia as a category for building meaning through narratives. It denotes the turning point in a tragedy, the moment at which it becomes obvious that what was expected in the fictional world depicted on stage will not happen. The turnaround redefines every single element of the story and by this re-definition it shows connections between these elements, connections that were not obvious so far or did not exist before. Only the peripeteia binds all the elements that are represented on the stage, together into a whole: “A whole is that which has a beginning, a middle, and an end... . A well-constructed plot, therefore, must neither begin nor end at haphazard” (Aristotle 1951, 145b). If drama as a genre gains its narrative cohesion through the peripeteia, then this is all the truer for the history play. When selecting historical material, the author will search history books for those moments that support the construction of their plot, that is, such moments that have already been canonised as key events in history: turning points or catastrophes, political crises, decisive battles, the signing of an agreement of great significance, reformations or revolutions. Aristotle’s structural peripeteia will","PeriodicalId":41285,"journal":{"name":"Ibsen Studies","volume":"23 1","pages":"94 - 134"},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49576340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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I Skyggen av Ibsen. Dikterens unge kvinner. En historie om kunst, makt og BEGJÆR 在易卜生的阴影下。独裁者的年轻女性。一个关于艺术、权力和正义的故事。

Ibsen Studies Pub Date : 2023-01-02 DOI: 10.1080/15021866.2023.2215002

Jørgen Haave

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