Ibsen Studies最新文献

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IBSEN in Poland, or Many Missed OpportunitiesKatarzyna Maćkała: Ibsen w Polsce 1879–2006 [Ibsen in Poland 1879–2006]. Kraków: Universitas, 2023. 284 pages. 波兰的易卜生,或许多错失的机会Katarzyna Maćkała:Ibsen in Poland 1879-2006 [《易卜生在波兰 1879-2006》]。克拉科夫:Universitas,2023 年。284 页。
Ibsen Studies Pub Date : 2024-06-05 DOI: 10.1080/15021866.2024.2347110
Ewa Partyga
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引用次数: 0
With The Book In Hand: Ibsen’S Early Reclam Editions And The Birth Of A New Play Reading Culture 手捧书本:易卜生的早期 Reclam 版本与新戏剧阅读文化的诞生
Ibsen Studies Pub Date : 2024-05-24 DOI: 10.1080/15021866.2024.2347112
Ruth Schor
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引用次数: 0
The medical plausibility of Osvald’s disease 奥斯瓦尔德病的医学合理性
Ibsen Studies Pub Date : 2024-05-13 DOI: 10.1080/15021866.2024.2347109
Henrik Johnsson
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引用次数: 0
Performance Arts: Research in the Age of Digital CultureKwok-tan Tam (ed.): Performance Arts: Research in the Age of Digital Culture , Springer, Singapore, 2023, 300 pages 表演艺术:数字文化时代的研究Kwok-tan Tam(ed:)表演艺术:数字文化时代的研究 , Springer, 新加坡, 2023, 300 页
Ibsen Studies Pub Date : 2024-05-10 DOI: 10.1080/15021866.2024.2347111
Jens-Morten Hanssen
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引用次数: 0
A Brief History of the Centre for Ibsen Studies 易卜生研究中心简史
Ibsen Studies Pub Date : 2023-11-01 DOI: 10.1080/15021866.2023.2268354
Ellen Rees
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引用次数: 0
Ibsen in performance 易卜生表演
Ibsen Studies Pub Date : 2023-10-28 DOI: 10.1080/15021866.2023.2268353
Ellen Rees, Giuliano D’Amico, Thor Holt
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引用次数: 0
A Short History of Ibsen Reception Studies 易卜生接受研究简史
Ibsen Studies Pub Date : 2023-10-26 DOI: 10.1080/15021866.2023.2268355
Giuliano D’Amico
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引用次数: 0
Ibsen Studies and Adaptation 易卜生研究与适应
Ibsen Studies Pub Date : 2023-10-26 DOI: 10.1080/15021866.2023.2268352
Thor Holt
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引用次数: 0
The Rise of Digital Humanities Approaches to Ibsen Studies 易卜生研究中数字人文方法的兴起
Ibsen Studies Pub Date : 2023-10-25 DOI: 10.1080/15021866.2023.2268357
Jens-Morten Hanssen
{"title":"The Rise of Digital Humanities Approaches to Ibsen Studies","authors":"Jens-Morten Hanssen","doi":"10.1080/15021866.2023.2268357","DOIUrl":"https://doi.org/10.1080/15021866.2023.2268357","url":null,"abstract":"Click to increase image sizeClick to decrease image size DISCLOSURE STATEMENTNo potential conflict of interest was reported by the author.Additional informationNotes on contributorsJens-Morten HanssenJens-Morten Hanssen, Head of Section at The National Library of Norway, Oslo, Norway. E-mail: jens.hanssen@nb.no","PeriodicalId":41285,"journal":{"name":"Ibsen Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135166081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Out Of Time: John Gabriel Borkman and the End of Drama 过时:约翰·加布里埃尔·博克曼和戏剧的终结
Ibsen Studies Pub Date : 2023-01-02 DOI: 10.1080/15021866.2023.2214996
Patrick Ledderose
{"title":"Out Of Time: John Gabriel Borkman and the End of Drama","authors":"Patrick Ledderose","doi":"10.1080/15021866.2023.2214996","DOIUrl":"https://doi.org/10.1080/15021866.2023.2214996","url":null,"abstract":"Attending a performance of Henrik Ibsen’s John Gabriel Borkman (1896) directed by Vegard Vinge and Ida M€ uller in Berlin in 2012 required one thing in particular: time. The show, which could last up to twelve hours, often started with a scene that was both simple as well as brilliant: dressed in a devil’s costume, Vinge counted up from one as long as he wanted while the spectators had to endure his tedious and indulgent counting, sometimes for more than an hour before something happened and the stage finally changed. With this beginning the main theme of the performance was firmly set: the experience of time. Vinge’s and M€ uller’s interpretation of John Gabriel Borkman, as radical as it was, seems logical as it takes up a commonplace in Ibsen studies. Since Peter Szondi, who explained the epic tendencies of John Gabriel Borkman as indicative of a crisis of the drama, time has played a decisive role in many other interpretations of the text. These include some interesting approaches that have refined and expanded one of Szondi’s main theses, namely that the analysis of the past fails in the play, since “it is not individual events that stand in the foreground, neither is it their motivation, but time itself” (Szondi and Hays 1983, 201). For instance, Fritz Paul conceives of time as a leitmotif of the text (Paul 1969, 80 ff.); Vigdis Ystad, referring to both Szondi and Paul, identifies “the mythology of time” as the real theme of the text (Ystad 1997, 56); Frode Helland’s investigation concludes without limitation that the play is “characterized by a stiffening of time” (Helland 2000, 303); Eli Park Sørensen shows that the text “explores the time after traditional drama has come to an end”","PeriodicalId":41285,"journal":{"name":"Ibsen Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43656727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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