Technoetic Arts最新文献_第9页

The artwork as an ecological object 作为生态对象的艺术品

Technoetic Arts Pub Date : 2020-03-01 DOI: 10.1386/tear_00022_1

P. Goodfellow

引用次数: 2

An alternative future of digitized genetic information and digital procreation 数字化遗传信息和数字化生殖的另一个未来

Technoetic Arts Pub Date : 2020-03-01 DOI: 10.1386/tear_00025_1

Frank Cong

{"title":"An alternative future of digitized genetic information and digital procreation","authors":"Frank Cong","doi":"10.1386/tear_00025_1","DOIUrl":"https://doi.org/10.1386/tear_00025_1","url":null,"abstract":"This research looks what happens to human reproduction when human genetic information is digitized. By employing speculative design as a transdisciplinary strategy to construct such an alternative future to open up public dialogues, it aims to stimulate audiences in an artistic way\u0000 to deliberate two key questions: (1) how will biotechnology recondition and recontextualize the natural processes of genetic information (i.e. expression, replication, transmission and mutation) and our physiological processes (e.g. reproduction)? And (2) what might be the ethical, legal and\u0000 social implications (ELSI) for using such biotechnology? To this end, this practice-based research introduces the ‘e-gamete Digital Procreation Service’ (2019) ‐ a speculative design project that has been developed as an approach to invite audiences to a future scenario\u0000 of network-transmitted genetic information and computer-simulated human procreation. The carefully designed future service (an ironic practice of commercialization) allows human reproduction to take place outside of the human body. Audiences are encouraged to contemplate what novel situations\u0000 might occur within their own futures and to consider broader questions like how family, parenthood, marriage, etc. are redefined and what new social relationships might emerge. By employing speculative design as an artistic research tool/tactic to step outside the technical limitations and\u0000 craft the future service, the project asks vital question about the future in a provocative and quasi-realistic manner. Thus, the research forms a unique entanglement of sensitive topics by dealing with future biotechnology and human reproduction.","PeriodicalId":41263,"journal":{"name":"Technoetic Arts","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46095008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Technoetic Arts Pub Date : 2020-03-01 DOI: 10.1386/tear_00024_1

Jun Li

引用次数: 1

Organic technique: The formation of a new type of human‐technique‐nature relationship as exemplified in bamboo construction 有机技术:形成一种新型的人-技术-自然关系，如竹结构

Technoetic Arts Pub Date : 2019-10-01 DOI: 10.1386/tear_00019_1

Y. M. Solanilla Medina, D. Mamchenkov

{"title":"Organic technique: The formation of a new type of human‐technique‐nature relationship as exemplified in bamboo construction","authors":"Y. M. Solanilla Medina, D. Mamchenkov","doi":"10.1386/tear_00019_1","DOIUrl":"https://doi.org/10.1386/tear_00019_1","url":null,"abstract":"Abstract This article demonstrates the possibilities and problems of the formation of a new type of human‐technique‐nature relationship ‐ the organic technique ‐ in modern civilization. It is a relationship in which neither human nor nature must\u0000 adapt to the needs of technology; rather, the technique is embedded in nature and becomes 'human-sized'. We can find a model for building this new type of relationship in the construction of buildings from bamboo. The uniqueness of bamboo as a building material manifests in two ways. The first\u0000 relates to resources: bamboo is a very fast-growing plant, so cutting it's stem does not destroy the plant itself and in three to four years there is a new 'harvest'. This means bamboo has an extremely low cost, which is critical for developing countries with rapidly growing populations. Second,\u0000 bamboo has a number of architectural advantages. Due to the flexibility and elasticity of this product, bamboo buildings are earthquake resistant. Such structures do not violate the natural landscape, but instead work with it; they are characterized by low cost and ease of construction, in\u0000 a variety of forms. This has led to the widespread use of bamboo by leading architects and innovators from different countries. This article shows that the application of bamboo in architecture ‐ as opposed to artificial materials such as concrete, which exploit and destroy nature and\u0000 impose their forms on cultures ‐ helps this building technique to integrate into the life of ecosystems and society, and thus to become a model of harmonizing human‐technique‐nature relations.","PeriodicalId":41263,"journal":{"name":"Technoetic Arts","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48950122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Art in the era of ecocentrism 生态中心主义时代的艺术

Technoetic Arts Pub Date : 2019-10-01 DOI: 10.1386/tear_00018_1

Suzete Venturelli, A. C. Reis, Nycacia Delmondes, Prahlada Hargreaves, Tainá Luize Martins

{"title":"Art in the era of ecocentrism","authors":"Suzete Venturelli, A. C. Reis, Nycacia Delmondes, Prahlada Hargreaves, Tainá Luize Martins","doi":"10.1386/tear_00018_1","DOIUrl":"https://doi.org/10.1386/tear_00018_1","url":null,"abstract":"Abstract This article describes activities carried out at the computational art laboratory and discusses a question about place. To think of place as the place of universal, it’s ground, the place where you live, it isn’t only a residence place, a construction\u0000 of exploration, but also the planet as a possible place of survival. Therefore, we will present artworks that, in the name of a conception inspired by ecocentrism, propose to eliminate the ontological and axiological difference between all living beings and, for this reason, considers the\u0000 biosphere as an important biotic unit in the context of artworks. Here the development of affective computer interfaces that seek to promote interactions is also described: a process by which an external or an internal stimulus causes a specific reaction, producing a perception, considering\u0000 that the idea, in the Deleuzian and Guattarian sense, goes through creative activities. The idea arises in three distinct forms: in the philosophical context, in the form of concepts and in visual production. We describe below the results of collaborative research that has in common the poetics\u0000 of interactivity between living beings and machines through graphical and machine interfaces, provided by computational processes and methods that approach several ideas involving affective mapping, body, nature and artificial life.","PeriodicalId":41263,"journal":{"name":"Technoetic Arts","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43802381","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Wildly Oscillating Molecules: Technological mediation of the atomic force microscope 剧烈振荡的分子:原子力显微镜的技术调解

Technoetic Arts Pub Date : 2019-10-01 DOI: 10.1386/tear_00015_1

A. Rassell

{"title":"Wildly Oscillating Molecules: Technological mediation of the atomic force microscope","authors":"A. Rassell","doi":"10.1386/tear_00015_1","DOIUrl":"https://doi.org/10.1386/tear_00015_1","url":null,"abstract":"Abstract The human sensory experience of submolecular phenomena is only possible through complex technological mediations that include not just magnifications, but also manipulations of time and translations from one sense to another. In my creative moving image project Wildly\u0000 Oscillating Molecules, I develop strategies for using an atomic force microscope (AFM) as a cinematographic instrument, specifically using its tactile mechanisms to generate video. Using the AFM over four years to generate experimental moving image installations, I examine my physical\u0000 and psychological experiences of this nanoscientific instrumentation. Although referred to by the philosopher of technology Don Ihde, the AFM's style of technological mediation has not been subjectively explored. Working to engage with an infinitesimal scale, the AFM has a unique style of\u0000 spatial and temporal mediation that can be manipulated through the post-production and exhibition practices of the moving image. Wildly Oscillating Molecules provides insight into how the AFM influences human spatial and temporal perception of nanoscale phenomena and provides a new\u0000 framework with which to analyse nanoscientific imaging practices. Understanding the nuances of technological mediation encourages science artists working with submolecular phenomena to adopt, evolve or transform properties of technological mediation when presenting their work to an audience.","PeriodicalId":41263,"journal":{"name":"Technoetic Arts","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48310959","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

Bio-electronic aggregates on Neon-Paleolitikos strata Neon-Paleolitikos地层的生物电子聚集体

Technoetic Arts Pub Date : 2019-10-01 DOI: 10.1386/tear_00016_1

A. Sier

{"title":"Bio-electronic aggregates on Neon-Paleolitikos strata","authors":"A. Sier","doi":"10.1386/tear_00016_1","DOIUrl":"https://doi.org/10.1386/tear_00016_1","url":null,"abstract":"Abstract Electronic machinic phenomena yield fascinating links with biological processes. Either in the macro-micro-structure of binary encoded information ‐ bytes on media ‐ to the processual flow programs execute on hardware while operating it. Observing micro-electronic\u0000 worlds akin to living entities: electronic voltages running throughout electronic architectures pipelining data to memory registers; operating systems executing programs on electronic substrates; data flows taking place in machines and in communications protocols within networks. Static art-sci\u0000 constructs explore and visualize these observations as 2D drawings (Neon Paleolitikos Drawings, 2017‐present) or 3D sculptures (Binary and Biological Sculpture Series, 2018‐present), creatively exposing their inherent rhythmic organization of information, while\u0000 dynamic installations (Phoenix.Wolfanddotcom.info, Wolfanddotcom, Half-Plant, 2017, Ant Ennae Labyrinths, 2019‐present) propose immersive interference mechanisms that attempt user entanglement in non-human environments. Seven aesthetic case examples are introduced and\u0000 explored, observing and seeking resonances between micro-granular electronic, biological and hybrid data as source synthesis. This research proposes a look at bio-electronic aggregates on Neon Paleolitikos strata. After the Anthropocene, Neon Paleolitikos is an imaginary epoch dating since\u0000 the decline of mankind until the zenith of bio-electronic life forms: operational symbioses combined among ruins of silica, transistors, algorithms, cells, plants, animals and electricity.","PeriodicalId":41263,"journal":{"name":"Technoetic Arts","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47222217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ontophany and transimmanence in the experience of contemporary media artworks 当代媒体艺术体验中的本体性与短暂性

Technoetic Arts Pub Date : 2019-10-01 DOI: 10.1386/tear_00017_1

G. Freitas

引用次数: 0

An agential-narrative approach on art semiosis 艺术符号化的代理叙事方法

Technoetic Arts Pub Date : 2019-10-01 DOI: 10.1386/tear_00021_1

Sergio Rodríguez Gómez

{"title":"An agential-narrative approach on art semiosis","authors":"Sergio Rodríguez Gómez","doi":"10.1386/tear_00021_1","DOIUrl":"https://doi.org/10.1386/tear_00021_1","url":null,"abstract":"Abstract In this article, a semiotic approach is proposed to explain how human agents use and give meaning to art in complex contexts. Inspired by the psycho-historical approach on art appreciation, which attempts to embrace psychological and cognitive aspects of art sense-making,\u0000 as well as the art-historical context dependence of artworks, an extended theory is suggested: an agent's art use and interpretation can be described using three general categories of meaning grounding: phylogenetic recurrence, ontogenetic recurrence and collective recurrence. These categories\u0000 explain how a certain meaning of a sign is possible and justifiable, supported by human agents' capabilities and purposes. This article also proposes that it is possible to narrate, using such categories of meaning grounding, how different agents enact art, that is, give meaning and act upon\u0000 art in different circumstances. Finally, I offer some examples about how the model can be used in real art contexts. The objective of this narrative-enactive approach, even though it offers a limited and edited focus, is to offer an orderly and comprehensible method to explain the dynamic\u0000 nature of art meaning and how biologic, individual and collective grounding and purposes intertwine.","PeriodicalId":41263,"journal":{"name":"Technoetic Arts","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45308986","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Data visualization: A unique storyteller 数据可视化:一个独特的故事讲述者

Technoetic Arts Pub Date : 2019-10-01 DOI: 10.1386/tear_00020_1

Xiaoxu Dong

引用次数: 0