Technoetic Arts最新文献_第8页

Science at the Club: Putrefaction as an artistic medium 俱乐部的科学：Putrefact作为一种艺术媒介

Technoetic Arts Pub Date : 2020-10-01 DOI: 10.1386/tear_00036_1

Angel Lartigue

引用次数: 0

The gendered AI in Her (2013): Sound, synchresis and disconnection in filmic representations 《她》中的性别化AI(2013):电影表现中的声音、同步与断裂

Technoetic Arts Pub Date : 2020-10-01 DOI: 10.1386/tear_00043_1

Katerina Papakyriakopoulou

引用次数: 0

Taboo and capitalism: Of incest, YouTube and profanation in contemporary capitalism 禁忌与资本主义：当代资本主义中的乱伦、YouTube和亵渎

Technoetic Arts Pub Date : 2020-10-01 DOI: 10.1386/tear_00042_1

Adrià Guardiola-Rius

{"title":"Taboo and capitalism: Of incest, YouTube and profanation in contemporary capitalism","authors":"Adrià Guardiola-Rius","doi":"10.1386/tear_00042_1","DOIUrl":"https://doi.org/10.1386/tear_00042_1","url":null,"abstract":"Taboo, as a space where the prohibited resides, delimits the form of the thinkable in a society. Freud, in Totem and Taboo, attempted to trace an explanation beyond the ‘categorical imperative’ of morality and custom. A century later the YouTuber PrankInvasion (Chris Monroe) seems to continue Freud’s account to his advantage. Through ‘Kissing my actual sister prank’, one of his most controversial videos, he challenged his own followers to fulfil an especially controversial challenge: kiss his own stepsister. It is through these contacts with the limits of the moral, of the acceptable, that capitalism expands the colonized territory, absorbing the profane under its new exposure value. The unthinkable, the purported profanation of dogma (in this case, taboo of incest), disappears under the standardization of all rites as standardized consumable objects. But as Agamben warns about the nature of desecration it can not be related, in its new use, with the consumption realm. And that is not the case with PrankInvasion. Through the apparent absence of ordinary moral limits, Chris Monroe expresses his heartfelt attachment to the most extraordinary limit of capitalism: economic growth.","PeriodicalId":41263,"journal":{"name":"Technoetic Arts","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45106538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Notes for a manifesto: Singular creatures/grafts and soil 宣言注意事项:奇异生物/嫁接和土壤

Technoetic Arts Pub Date : 2020-10-01 DOI: 10.1386/tear_00030_1

Mayra Citlalli Gómez Rojo

引用次数: 0

Body shopping: Challenging convention in the donation and use of bodily materials through art practice 身体购物：通过艺术实践挑战捐赠和使用身体材料的惯例

Technoetic Arts Pub Date : 2020-10-01 DOI: 10.1386/tear_00045_1

L. Mackenzie, Ilke Turkmendag, Isabel Burr-Raty, WhiteFeather Hunter, Charlotte Jarvis, Miriam Simun, Hege Tapio, Adam Zaretsky

{"title":"Body shopping: Challenging convention in the donation and use of bodily materials through art practice","authors":"L. Mackenzie, Ilke Turkmendag, Isabel Burr-Raty, WhiteFeather Hunter, Charlotte Jarvis, Miriam Simun, Hege Tapio, Adam Zaretsky","doi":"10.1386/tear_00045_1","DOIUrl":"https://doi.org/10.1386/tear_00045_1","url":null,"abstract":"The historical context of body and tissue donation is deeply problematic, with patriarchal and colonial narratives. The contemporary context of molecular and genetic biology further complicates issues of bodily donation through narratives of abstraction and extraction. As practitioners working outside the conventional boundaries of scientific study learn the tools and techniques to extract and use bodily materials, they are also learning and challenging the procedures and processes. This article approaches questions of bodily donation through the edited transcript of a conversation between artists who regularly use body fluids and cellular bodily materials in their practice, moderated by Louise Mackenzie and Ilke Turkmendag as part of the Taboo–Transgression–Transcendence in Art & Science Conference held online with the support of the University of Applied Arts, Vienna, 2020. The panel challenged the ethical and conceptual assumptions made in biotechnological research and reconsidered where the boundaries of the body lie, what ‘authority’ research carries and what choices researchers make when using the bodies of others. The transcribed conversation addresses taboos of the female body, specifically menstruation, the commodification of tissue from female human bodies, human milk politics and questions biopolitical treatment of the female body. The full, unedited panel conversation, including questions from the audience, and an accompanying video of edited interviews with panellists, is available online at https://www.loumackenzie.com/offering-the-body.","PeriodicalId":41263,"journal":{"name":"Technoetic Arts","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43560796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Creating sex/gender ecologies: Quimera Rosa’s Trans*Plant 创造性/性别生态:基米拉·罗莎的变性植物

Technoetic Arts Pub Date : 2020-10-01 DOI: 10.1386/tear_00037_1

G. Casalini

引用次数: 0

More-than-human world? A posthumanist critique of anthropocentrism in the art of Olga Tokarczuk and Patricia Piccinini More-than-human世界?后人文主义对奥尔加·托卡丘克和帕特里夏·皮奇尼尼艺术中人类中心主义的批判

Technoetic Arts Pub Date : 2020-10-01 DOI: 10.1386/tear_00034_1

N. Michna

引用次数: 1

Algae Mask: Multidisciplinary exploration on material speculation 藻类面具:材料推测的多学科探索

Technoetic Arts Pub Date : 2020-10-01 DOI: 10.1386/tear_00033_1

Kwan Queenie Li, M. Lai

{"title":"Algae Mask: Multidisciplinary exploration on material speculation","authors":"Kwan Queenie Li, M. Lai","doi":"10.1386/tear_00033_1","DOIUrl":"https://doi.org/10.1386/tear_00033_1","url":null,"abstract":"We live in a time where masks are rewriting wearable protocol. It is critical to understand entwining narratives around masks from the notion of health and safety to a wider discourse between the masked and the mask, including opportunistic capitalism and climatic implications. How about a mask that breathes, that is made by organic raw materials? As we confront and question narratives of the new normalcy in the year of pandemic and hindsight, these frames have coalesced in a vision of the mask as an emblem for open-source eco-consciousness-functional, accessible DIY living wearables made with biomaterials. ‘Algae Mask’ explores the symbiosis between humans and other beings, layered as second skins; this project is driven by an ardent group of art and design practitioners across the Asia-Pacific and European regions with ongoing satellite collaborations. A related film Algae Dream, on the other hand, speculates on the prototyping process and the sleek languages of market economy to smudge the fine line between fiction and reality. Within the bricolage of source videos and original footages, motivational video mock-up and authentic presentation documentation, the video essay intends to challenge audience in a multiplicity of narrations stemming from discourses of business and science.","PeriodicalId":41263,"journal":{"name":"Technoetic Arts","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48263837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Cracking God’s roof: Manifestation and adaptation on the intuitive nature of creating electronic music with tablet computers 破解上帝的屋顶：用平板电脑创作电子音乐的直觉本质的体现和改编

Technoetic Arts Pub Date : 2020-03-01 DOI: 10.1386/tear_00027_1

Willard G. Van De Bogart

{"title":"Cracking God’s roof: Manifestation and adaptation on the intuitive nature of creating electronic music with tablet computers","authors":"Willard G. Van De Bogart","doi":"10.1386/tear_00027_1","DOIUrl":"https://doi.org/10.1386/tear_00027_1","url":null,"abstract":"Electronic music is advancing not only in the way it is being used in performance but also in the technological sense, due to software developers advancing the ability of the synthesizer to enable the composer to create newer sounds. The introduction of the amino acid and protein synthesizers\u0000 from MIT is one such example, along with sampling sounds from interstellar bodies through the process of sonification in order to create presets as additional source material for the composer’s palette. The creative process used in creating electronic music on a tablet computer introduces\u0000 a new musical instrument to be used in live music performances. The fluidity and immediacy of how electronic sounds can be created with tablet computer synthesizers affords the composer to have a new behavioural sense of using them as a musical instrument that can be played intuitively. Exploring\u0000 this new interface of musical composition is a subject this article will address as well as the psychological aspects pertaining to how an audience can relate to electronic music as an emerging art form removed from the classical music tradition. It will also discuss how the composer of electronic\u0000 music can affect the listener’s ability to envision new conceptual landscapes, leading to experiencing new ideas and subjective fields of visionary understandings. The composer’s ability to use conceptual models, which influence the way sounds are made and how those sounds influence\u0000 the listener’s experience, is an important focus of this article.","PeriodicalId":41263,"journal":{"name":"Technoetic Arts","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49376478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Poiesis, ecology and embodied cognition Poisis、生态学与具体认知

Technoetic Arts Pub Date : 2020-03-01 DOI: 10.1386/tear_00023_1

Claudia Westermann

引用次数: 2