艺术符号化的代理叙事方法

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Sergio Rodríguez Gómez
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引用次数: 0

摘要

摘要本文提出了一种符号学方法来解释人类代理人如何在复杂的环境中使用艺术并赋予艺术意义。艺术欣赏的心理-历史方法试图包含艺术意义形成的心理和认知方面,以及艺术品的艺术历史语境依赖,受到这种方法的启发,提出了一种扩展理论:代理人的艺术使用和解释可以用三种意义基础来描述:系统发生复发、本体发生复发和集体复发。这些类别解释了一个符号的某种意义如何在人类行为者的能力和目的的支持下是可能和合理的。本文还提出,有可能使用这些意义基础类别来叙述不同的主体如何制定艺术,即在不同的情况下赋予意义并对艺术采取行动。最后,我提供了一些关于如何在实际艺术环境中使用该模型的例子。这种叙事性的方法的目标,尽管它提供了一个有限的和编辑的焦点,是提供一个有序的和可理解的方法来解释艺术意义的动态本质,以及生物,个人和集体的基础和目的是如何交织在一起的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An agential-narrative approach on art semiosis
Abstract In this article, a semiotic approach is proposed to explain how human agents use and give meaning to art in complex contexts. Inspired by the psycho-historical approach on art appreciation, which attempts to embrace psychological and cognitive aspects of art sense-making, as well as the art-historical context dependence of artworks, an extended theory is suggested: an agent's art use and interpretation can be described using three general categories of meaning grounding: phylogenetic recurrence, ontogenetic recurrence and collective recurrence. These categories explain how a certain meaning of a sign is possible and justifiable, supported by human agents' capabilities and purposes. This article also proposes that it is possible to narrate, using such categories of meaning grounding, how different agents enact art, that is, give meaning and act upon art in different circumstances. Finally, I offer some examples about how the model can be used in real art contexts. The objective of this narrative-enactive approach, even though it offers a limited and edited focus, is to offer an orderly and comprehensible method to explain the dynamic nature of art meaning and how biologic, individual and collective grounding and purposes intertwine.
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来源期刊
Technoetic Arts
Technoetic Arts HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
11
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