生态中心主义时代的艺术

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Suzete Venturelli, A. C. Reis, Nycacia Delmondes, Prahlada Hargreaves, Tainá Luize Martins
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引用次数: 1

摘要

摘要本文描述了在计算艺术实验室进行的活动,并讨论了一个关于地点的问题。把地方想象成宇宙之地,它是地面,你生活的地方,它不仅是一个居住的地方,一个探索的建筑,而且这个星球也是一个可能的生存之地。因此,我们将以生态中心主义启发的概念的名义,提出消除所有生物之间的本体论和价值论差异的艺术品,并因此将生物圈视为艺术品背景下的重要生物单元。在这里,还描述了寻求促进互动的情感计算机界面的发展:外部或内部刺激引起特定反应,产生感知的过程,考虑到德勒兹和瓜塔里亚意义上的想法经过创造性活动。这个想法有三种不同的形式:在哲学背景下,在概念的形式下和在视觉生产中。我们在下文中描述了合作研究的结果,该研究具有通过图形和机器界面实现生物和机器之间互动的共同诗学,由计算过程和方法提供,这些过程和方法接近涉及情感映射、身体、自然和人工生命的几个想法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Art in the era of ecocentrism
Abstract This article describes activities carried out at the computational art laboratory and discusses a question about place. To think of place as the place of universal, it’s ground, the place where you live, it isn’t only a residence place, a construction of exploration, but also the planet as a possible place of survival. Therefore, we will present artworks that, in the name of a conception inspired by ecocentrism, propose to eliminate the ontological and axiological difference between all living beings and, for this reason, considers the biosphere as an important biotic unit in the context of artworks. Here the development of affective computer interfaces that seek to promote interactions is also described: a process by which an external or an internal stimulus causes a specific reaction, producing a perception, considering that the idea, in the Deleuzian and Guattarian sense, goes through creative activities. The idea arises in three distinct forms: in the philosophical context, in the form of concepts and in visual production. We describe below the results of collaborative research that has in common the poetics of interactivity between living beings and machines through graphical and machine interfaces, provided by computational processes and methods that approach several ideas involving affective mapping, body, nature and artificial life.
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来源期刊
Technoetic Arts
Technoetic Arts HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
11
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