Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal最新文献_第5页

Topos of Creativity in the Works of Paustovsky 论鲍斯托夫斯基作品中的创作主题

Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal Pub Date : 2023-01-01 DOI: 10.37816/2073-9567-2023-69-217-223

Natalia V. Mikhalenko

{"title":"Topos of Creativity in the Works of Paustovsky","authors":"Natalia V. Mikhalenko","doi":"10.37816/2073-9567-2023-69-217-223","DOIUrl":"https://doi.org/10.37816/2073-9567-2023-69-217-223","url":null,"abstract":"The paper explores the semantics and poetics of the literary estate of the 19th century in the process of its transformation into a literary cottage or house of creativity in the texts of K. G. Paustovsky (the book “Golden Rose”, the play “Our Contemporary Pushkin”, fragments of the “Tale of Life”, letters from Pushkin and Tarusa near Moscow, Riga Jurmala). The study shows that the context of the classical “manor culture” (contact with nature, peace and reflection, communication in the writer's circle) is seen by Paustovsky as the most favorable environment for creative work, creating of works of art. One can see how in the letters and in the literary texts of the writer, the image of solitary creativity arises in a village house, a seaside cottage, often in the cold season, which is a symbol of the greatest concentration, interaction with nature and at the same time detachment from the ordinary circle of occupations and immersion into artistic space. The writer's communication, the exchange of ideas, stories about new ideas, which took place in the house of creativity or when living together in the country, seems to be some invariant of the literary estate salon.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135710866","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Main Trends in the Development of the Moscow Jazz School (1950s – 1960s) 莫斯科爵士学派发展的主要趋势(1950 - 1960年代)

Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal Pub Date : 2023-01-01 DOI: 10.37816/2073-9567-2023-69-356-365

Pavel L. Ovchinnikov, Marina L. Zaitseva

{"title":"The Main Trends in the Development of the Moscow Jazz School (1950s – 1960s)","authors":"Pavel L. Ovchinnikov, Marina L. Zaitseva","doi":"10.37816/2073-9567-2023-69-356-365","DOIUrl":"https://doi.org/10.37816/2073-9567-2023-69-356-365","url":null,"abstract":"The present paper deals with the leading trends in the development of Russian jazz art. The authors substantiate high productivity of the “thaw” era in Russian art leading to the emancipation of society, the expansion of the range of cultural communication and formation of the auto-image of Russian jazz. The research explores refraction of jazz aesthetics in stylistics as a youth subculture with its own slang, musical preferences and behavioral models. While the negative consequence of the promotion of jazz as a musical reference point for representatives of this youth subculture was the narrowing and stereotyping of listeners' expectations, the emergence of new artistic types, themes and images that do not lose their significance at the turn of the 21 century came to be the positive side of the popularity of jazz among young people. The paper reveals how Moscow jazz of the 1950s and 1960s entered a period of active development of jazz improvisation techniques, as well as embraced the experience of foreign collectives. Basing on the study of bibliographic sources and musicological literature, the authors identify the leading trends of the Moscow jazz school of the given period: transformation of ensemble interaction strategies, intellectualization of the perception of jazz music, institutionalization of jazz in Russian musical culture. The paper specified socio-cultural factors that determined the leading role of the Moscow jazz school in the period of the 1950s and 1960s in the creation of youth clubs, amateur associations and jazz study centers, jazz festivals, the appearance of the first professional educational institutions of the pop-jazz profile.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135710876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Semantics of the Ornament of Wedding Woven Towels of the 9–18 Centuries and their Role in Wedding Rights 9-18世纪婚礼毛巾装饰的语义及其在婚礼权利中的作用

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Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal Pub Date : 2023-01-01 DOI: 10.37816/2073-9567-2023-67-264-276

Valentina Y. Solomatova, E. Morozova

{"title":"Semantics of the Ornament of Wedding Woven Towels of the 9–18 Centuries and their Role in Wedding Rights","authors":"Valentina Y. Solomatova, E. Morozova","doi":"10.37816/2073-9567-2023-67-264-276","DOIUrl":"https://doi.org/10.37816/2073-9567-2023-67-264-276","url":null,"abstract":"The wedding ceremony is one of the integral stages of a person's life, richly saturated with traditions. A wedding is on a par with such events in a person's life as birth and death. For many centuries, the peculiarities of its conduct, rituals that should be observed, have been formed. Textiles occupied an important place in the wedding tradition. It was not only part of the bride's dowry, but also accompanied the entire procession, being an integral part of it. At the same time, the wedding textiles had to be decorated with a certain ornament bearing a sacred meaning, since pagan beliefs played an important role in the wedding process. With the adoption of Christianity, wedding customs have changed, but the importance of textiles in wedding activities has remained the same. Embroidery and weaving were an ordinary women's needlework and a kind of entertainment, in which the principle of “copying” was preserved, that is, sewing according to the pattern, the canon. When creating a dowry and, in particular, towels, young girls copied the drawing and ornament of an earlier period. That said, Slavic pagan symbols were able to find their place in Orthodoxy and were copied from generation to generation. The original semantic load that the Slavs put into reproducible patterns was eventually forgotten. But the repetition of ancient ornaments continued on wedding textiles, namely on towels. Thus, it was believed that these symbols protect a young family from the evil eye and help to find happiness. An important place in the design of wedding textiles is occupied by such symbols as “orepey” (or “burdock”), “World Tree” (or “Tree of Life”) and “Great Goddess” (or “Great Mother”, “Makosh”), depicted as a female silhouette.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"75 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83301443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Society and Genius in K. E. Tsiolkovsky`s Approach: Cultural and Philosophical Aspect 齐奥尔科夫斯基方法中的社会与天才:文化与哲学的视角

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Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal Pub Date : 2023-01-01 DOI: 10.37816/2073-9567-2023-67-35-44

O. A. Muradyan

引用次数: 0

Conservatism or the Issue of National Tradition 保守主义或民族传统问题

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Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal Pub Date : 2023-01-01 DOI: 10.37816/2073-9567-2023-68-68-80

O. Sukhorukova

{"title":"Conservatism or the Issue of National Tradition","authors":"O. Sukhorukova","doi":"10.37816/2073-9567-2023-68-68-80","DOIUrl":"https://doi.org/10.37816/2073-9567-2023-68-68-80","url":null,"abstract":"The paper deals with theoretical approaches to the interpretation of the concept of “tradition”, and its relationship with conservative ideology. The author draws attention to the issues related to the incorrect interpretation of tradition and shows the negative consequences this may lead to. Referring to the article by S. V. Lurie “The Traditiology of E. S. Markaryan: the difference from foreign theories of tradition”, the author analyzes and summarizes the information on the interpretation of tradition in this work, but notes that there is no information about domestic researchers who studied the national tradition and its essence. This determined the main content of the study, in which the central place is occupied by the ideas of the tradition of two domestic researchers, participants in the Eurasian movement of the philosopher, the linguist N. S. Trubetskoy and the theologian G. V. Florovsky. N. S. Trubetskoy considers tradition as a mechanism for the transfer, preservation and renewal of the basic values of Russian culture from generation to generation. In case of disruption of this mechanism, there is either acceptance of other people's values, or rejection of innovations. Both harm society, and not only does not provide prerequisites for its development, but can lead to a social crisis. G. F. Florovsky looks at the preservation and development of theological tradition on the example of the religious teaching of hesychasm as the central link in culture. For theologian, what matters is the Christian tradition embodying not only the past, but the present and the future, and which bases on the passed historical stage of embodying the ideas of the theanthropic process.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"73 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79276862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Image of St. Joseph in R. Brandstaetter's Novel “Jezus z Nazarethu” and Lexical Means of its Creating 布兰施塔特小说《耶稣·拿撒勒图》中的圣约瑟夫形象及其创造的词汇手段

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Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal Pub Date : 2023-01-01 DOI: 10.37816/2073-9567-2023-68-266-272

O. Rumyantseva

{"title":"The Image of St. Joseph in R. Brandstaetter's Novel “Jezus z Nazarethu” and Lexical Means of its Creating","authors":"O. Rumyantseva","doi":"10.37816/2073-9567-2023-68-266-272","DOIUrl":"https://doi.org/10.37816/2073-9567-2023-68-266-272","url":null,"abstract":"The novel “Jezus z Nazarethu” by the Polish writer R. Brandstaetter is the result of an “artistic experiment”: recreating biblical events, the writer revises the Gospel texts, adds scenes and reinterprets the psychological motivation of the characters. Trying to express a deeply personal religious experience, the author at the same time cares about the objectivity of the image, freeing images from the influence of readers' culture and putting events and characters into a universal historical context. The paper undertakes analysis of the influence of these specific features of the work on the choice of lexical means of creating the image of St. Joseph. The author also examines lexemes selected by the writer for the nomination and characteristics of the character, along with their role in disclosing the image and the artistic idea of the work. The paper traces how the changes in the nominations reflect the development of the character's image and the development of new social roles. Based on the study of lexical means of creating an image, the main character traits of Joseph are determined: patience, caring for family and love for poverty. It also allowed concluding about the idealization of the protagonist in order to represent a specimen model for readers.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"98 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79778482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Category of “Sacred” in the Cultural Discourse 文化话语中的“神圣”范畴

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Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal Pub Date : 2023-01-01 DOI: 10.37816/2073-9567-2023-67-68-76

S. Mitasova

{"title":"Category of “Sacred” in the Cultural Discourse","authors":"S. Mitasova","doi":"10.37816/2073-9567-2023-67-68-76","DOIUrl":"https://doi.org/10.37816/2073-9567-2023-67-68-76","url":null,"abstract":"The article analyzes the specificity and scope of the “sacred” category in cultural studies, in contrast to other areas of humanitarian knowledge. The etymology of the word “sacred” is given, which shows the binarity of the category: holy and damned, utmost attractive and forbidden. In theology, the category of the sacred is understood exclusively as an attribute of the divine; in religious studies it was revealed that this category can exist outside of religion. Sociologists of religion asserted that the sacred and the profane are irreconcilable in society, therefore the sacred is taboo. In psychology, the sacred is interpreted as the archetype of the soul, ignoring which is dangerous for the human psyche. From the point of view of cultural studies, applying an interdisciplinary approach, the author interprets the sacred as a cultural form (reified symbol). The following characteristics of sacred symbols are revealed: esotericity and democracy (simultaneous hermeticity, mystery and openness for exploration), tradition and axiologisity (preservation of the true meaning and change in value over time), nationality of symbols as a synthesis of the ethos of a people for its self-preservation. The non-utilitarian expediency of symbols helps to preserve the cultural codes contained in the religious and mythological heritage. The author proposes to consider the sacred as a process of formation and development of a cultural form, which changes its meanings over time, being subject to different value interpretations. Cultural discourse presupposes the study of the sacred symbol in all possible completeness of the accumulated meanings of the latter in order to increase its cultural and creative potential for future generations.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"226 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76180170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ethnodesign`s Theoretical Aspects by the Example of Packaging with Slavic Culture`s Elements 民族设计的理论内涵——以斯拉夫文化元素包装为例

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Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal Pub Date : 2023-01-01 DOI: 10.37816/2073-9567-2023-68-300-316

T. Beketova

{"title":"Ethnodesign`s Theoretical Aspects by the Example of Packaging with Slavic Culture`s Elements","authors":"T. Beketova","doi":"10.37816/2073-9567-2023-68-300-316","DOIUrl":"https://doi.org/10.37816/2073-9567-2023-68-300-316","url":null,"abstract":"The paper discusses the development of the theory of ethnodesign, therefore focusing on packaging examples analysis, the design of which embrace the motifs of Russian and Belarusian cultures. For the first time, a classification of possible types of ethnocultural components is proposed, on the basis of which a unique verbal-visual component of ethnodesign may be formed. The study suggests a refined definition of the concept of “ethnomarker” from the point of view of design theory, and develops the structure of ethnodesign of a product tested through the example of packaging. The process of design analysis made for the following provisions: firstly, ethnocultural components, depending on their ability to associate a design product with any ethnos, are unequal and are divided into two groups — dominant and secondary; secondly, each ethno-cultural component has such a characteristic as ethno-identifying ability (proposed for the first time); thirdly, ethno-identifying ability depends on the degree of popularity and uniqueness of a particular ethnomarker. Structural and semantic analysis of packaging samples in the “Slavic style” made it possible to identify the most frequently used ethnocultural components. Among them are ethnonyms and their derivatives (Russian, Russia, Slavic, in Russian), digital fonts imitating Cyrillic writing, national costume and its elements, ethnocultural landscape, unique motifs of decorative and applied art, folklore characters, images architectural structures, household. Secondary ethnocultural components, as a rule, were widespread ornamental motifs, images of traditional management, visual display of the mentality of an ethnic group, color palette of design.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"114 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79373599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Way to the Reader: F. Sologub and His First Books 《通往读者之路:f·索洛格和他的第一部作品

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Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal Pub Date : 2023-01-01 DOI: 10.37816/2073-9567-2023-68-235-248

V. Filicheva

{"title":"The Way to the Reader: F. Sologub and His First Books","authors":"V. Filicheva","doi":"10.37816/2073-9567-2023-68-235-248","DOIUrl":"https://doi.org/10.37816/2073-9567-2023-68-235-248","url":null,"abstract":"The study looks at the period of F. Sologub's entry into literature, especially the time of the first book editions (“Poems. Book One”, “Heavy dreams”, “Shadows. Stories and poems”). The process of forming the literary reputation of F. Sologub in 1896–1898 was chosen as the subject of consideration. The history of the publication of the first collection of poems as one of the most significant moments of literary biography reflects the orientation towards a particular audience and allows us to assess the vector of perception of creativity which is given to criticism by the writer himself. The revealed archival materials and the bibliographic searches carried out make it possible to more fully evaluate the perception of the first collection of F. Sologub, as well as the participation and role of the writer in distributing books and popularizing his name in the periodicals. Having published the first collection of poems, Sologub sent out copies through Russian editorial offices of magazines and newspapers for review. According to the list of periodicals, it may be assumed that the writer targeted the provincial reader. However, Sologub did not receive the expected response, because he was identified as a representative of the emerging decadent trend, which was attacked in 1895 after the publication of the “Russian Symbolists” collection.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"47 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86853620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Violin Performance in Terms of Russian and Foreign Architecture and Sculpture 从俄罗斯和外国的建筑和雕塑来看小提琴演奏

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Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal Pub Date : 2023-01-01 DOI: 10.37816/2073-9567-2023-68-339-356

R. R. Budagyan

{"title":"Violin Performance in Terms of Russian and Foreign Architecture and Sculpture","authors":"R. R. Budagyan","doi":"10.37816/2073-9567-2023-68-339-356","DOIUrl":"https://doi.org/10.37816/2073-9567-2023-68-339-356","url":null,"abstract":"The author determines that violin performance finds its vivid embodiment and implementation in Russian and foreign architecture and sculpture. It is scientifically substantiated that modern architects have created a huge number of works of art in which violin is the main object. The study proves that world architects involve this bowed string instrument in global projects to provide a new picture of the world, demonstrating the ability of the violin to implement unprecedented cultural experiments. Thus, the author comes to the conclusion that violin art is becoming more and more visual. Each of the architects analyzed in this work tried in every possible way to embody in monuments and sculptures exactly that feature of violin art that they wanted to express, as well as to perpetuate the issues and contradictions that turned out to be the most relevant and topical. In terms of architectural and musical art, the sculptors sought to demonstrate various hypostases of violin art starting from the tragic and patriotic themes. The paper established that at present one needs to talk about the conceptual nature of violin visualization, its polyfunctionality, as well as the global synthesis of musical art with architecture and sculpture.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"92 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88962619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0