Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal最新文献

{"title":"“Mikhailovskoe” Pushkin Readings 2021: “Heaven’s Chosen Singer”","authors":"О. V. Nikitin, Galina M. Sedova, Eduard A. Uzenev","doi":"10.37816/2073-9567-2022-66-379-384","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-66-379-384","url":null,"abstract":"The analytical review presents proceedings of the international scientific conference “Mikhailovskoe” Pushkin Readings — 2021: “Heaven’s chosen singer” (Pushkinskie Gory, August 21–22, 2021). The paper aims to attract the attention of researchers to the personality of A. S. Pushkin, to reveal the historical and cultural potential of modern Pushkin studies and to show new directions in the study of the poet’s creativity in various branches of humanitarian knowledge. It is emphasized that the participants of the readings paid special attention to historical parallels and personalities, first of all to Alexander Nevsky, the ancestors of A. S. Pushkin, poets of the Russian diaspora. Reports on the art of Orthodox churches aroused great interest. Among the urgent issues of modern Pushkin studies, the authors named applied issues of studying poet’s work at school, exploring A. S. Pushkin’s routes that passed through the territory of present-day Belarus. The paper points out that the legacy of the creator has been widely embodied not only in literature and science, but also in cinema, art and marble works. The issues of archival research occupied an important place in the readings and included introducing of an unknown document from the philological collection of N. S. Ashukin “Rules of spelling when publishing Pushkin’s works”. The readings summed up the results of the local history work of historians and slavists of the Pskov region and other regions of Russia on the study of A. S. Pushkin’s genealogy and his extensive connections during the exile to Mikhailovskoe, presented new books and art publications that will contribute to the actualization of Pushkin studies in the 21th century.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"3 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72648174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Urban news story and literary plot: through the “Juzhnyj kraj” newspaper","authors":"E. A. Andrushchenko","doi":"10.37816/2073-9567-2022-63-152-162","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-63-152-162","url":null,"abstract":"Using forgotten news publications, the paper restores the source of the plot of A. S. Suvorin’s comedy “Tatyana Repina”, preserved in literary history mostly thanks to the continuation A. Chekhov wrote for it. This source was presumably an urban news story in the “Juzhnyj kraj” newspaper — Russia’s largest pre-revolutionary provincial paper, published in Kharkov for almost forty years. The newspaper contributed to the reputation of E. Kadmina, a notable opera and drama actress, by printing reviews of her performances and also highlighted her personal tragedy and painful death. Part of this effort belonged to the young critic Yu. Govorukha-Otrok, whose theatrical reviews analyzed the drama troupe’s performances. A. Suvorin’s addressing to the event covered in the paper and its conversion into a literary plot is seen as important evidence of the interaction between literature and periodicals, which requires description and study. In A. Suvorin’s play, the arrangement of the plot evolved from an urban news story accounted for the mass reader’s demands, their interests and expectations. The study considers A. Chekhov’s and A. Suvorin’s argument about “Tatyana Repina”, clarifying the issue of the genre of Chekhov’s play. The writers’ debate over the ways of developing a provincial plot is treated as a notable sign of the development of language and its expressive devices. These were determined not so much by readers’ and viewers’ expectations as by specific laws of dramatic conventionality.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83620517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"National Character and Foreign Cultural Borrowings in the Light of Domestic Thought","authors":"Andrey F. Polomoshnov, L. Polomoshnov","doi":"10.37816/2073-9567-2022-66-67-80","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-66-67-80","url":null,"abstract":"Liberal Russian reforms at the turn of the millennium actualize the issue of foreign cultural borrowing in the national discourse. The study, using examples of P. Ya. Chaadaev, F. M. Dostoevsky and N. A. Berdyaev analyzes the relationship between foreign cultural borrowings and traits of national character, which determine the attitude towards other cultures and towards qualitative transformations of society. All these concepts reflect the inconsistency of the respective features of the national character. The position of P. Ya. Chaadaev is contradictory. Whereas in Philosophical Letters he simultaneously ascribes to the Russian people a lack of innovation and a lack of soil, in Apology of the Madman, on the contrary, he sees in the Russian people a paradoxical unity of national conservatism and the ability to innovate. F. M. Dostoevsky perceives the basis of our national character a synthesis of national soil and universal responsiveness. N. A. Berdyaev formulates two antinomies of the Russian soul: 1) the antinomy of universalism and nationalism and 2) the antinomy of “boundless freedom of spirit” and “unheard-of servility”, without finding a convincing solution to these antinomies. The authors come to the conclusion that as a result of the interaction of foreign cultural innovations and the traits of the Russian national character associated with their perception, certain modes of antinomies identified by Russian thinkers are actualized in it. As a result, the national character informs a certain balance, providing a specific historical continuity and stability of its archetypal structures.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"83 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86946922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Prince`s Twilight. To the 850th Anniversary of the Death of Andrey Bogolyubsky","authors":"Igor A. Novitsky","doi":"10.37816/2073-9567-2022-66-53-66","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-66-53-66","url":null,"abstract":"The paper comes up with an adjustment of chronological evidence concerning the death of the Great Prince Andrey Bogolyubsky which allows determining the time of his death and establishing an historical and cultural memorial date. According to the oldest Hypatian and Laurentian Chronicles, the Prince was murdered in the year 6683 since the creation of the world, according to the First Novgorodian Chronicle — in 6682 (which corresponds to the years 1175 and 1174 C. E.). In the chronicle “Tale of the murder of Andrey Bogolyubsky” the time of the Prince`s death is defined as Saturday night which falls, on the one hand, on the eve of Ss. Peter and Paul feast day, i. e. June 28th, and, on the other hand, on the very day of Ss. Peter and Paul, i. e. June 29th. Since Ss. Peter and Paul feast fell on Saturday in the year 1174, but not in 1175, the historians came to the conclusion that Prince Andrey died in 1174, but not in 1175. The author ascertains that the chronicle data on the date of murder combine different types of evidence reflecting different variants of day reckoning: the “calendar” variant — day begins at midnight, and the “church-service” variant — day begins on an average six hours earlier, at sunset. A careful analysis of the “Tale” made it possible to conclude that the whole evidence is perfectly congruent in the hypothesis of evening twilight on the eve of Sunday as the time of Prince`s murder. According to the Old Russian manner of day reckoning the time of twilight could belong to Saturday June 28th (“calendar” day reckoning) as well as to Sunday June 29th (“church-service” day reckoning). In contemporary society it is “calendar” day reckoning which is in common use and thus the day June 28th 1175 of old style (Julian) corresponds to the day July 5th 1175 of new style (Gregorian) which is to become a historical and cultural date for the memory of Andrey Bogolyubsky.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"396 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74315381","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Sonata for viola and piano in the Russian musical art of the first third of the 20th century: works by N. A. Roslavets and S. N. Vasilenko","authors":"O. V. Radzetskaya","doi":"10.37816/2073-9567-2022-64-292-303","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-64-292-303","url":null,"abstract":"The study examines the little-known and rarely performed Sonatas for viola and piano by N. A. Roslavets and S. N. Vasilenko, famous musicians and public figures, major representatives of the Russian school of composition, written due to the growing interest in viola performance, technical and artistic capabilities of the instrument. This trend is based on a direct response tothe work of V. V. Borisovsky, who became one of the great interpreters of this repertoire and determined the path of its development up to the present time. The sonata for viola and piano has become a space for experiment, symbolizing the departure from academic canons, the emergence of an alternative type of thinking, the birth of original musical systems. Another facet of this process came to be the compositions written in line with romantic tendencies characteristic of the chamber ensemble in Russian music. The paper focuses on the stylistic and genre features of these compositions, their artistic content, close to the current trends of musical art of the first third of the 20th century. The author displays a diverse palette of intellectual and creative facets, and identifies characteristic features of the composer's handwriting of Roslavets and Vasilenko in the context of traditions and innovation, successive relationships and new aesthetic views.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"339 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82404505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Semiotic Functions of Figurative and Associative Forms of Design in the Urban Enviroment","authors":"N. Barsukova","doi":"10.37816/2073-9567-2022-65-359-371","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-65-359-371","url":null,"abstract":"The paper specifies the communicative and semiotic properties of associative design objects and the possibilities of their application in open urban spaces. It also presents figurative and associative forms of design as visual reference points and signs and considers basic principles of visual perception of information, embedded in the objects of sign communication. The study reveals the initial set of criteria and techniques that provide an effective and functional process of designing figurative forms of design — signs of visual communication and examines the main criteria and rules for the design of associative figurative design forms and the semiotic features of the perception of information in these forms. The paper analyzes the process of transformation of natural forms into a figurative design form. The author, basing on the associative design method, traces different degrees of conventionality of the design image (from recognizable, stylized to abstract), emphasizing the need to maintain a clear functional conditionality of the design form. The study proves that associative modeling obeys the same objective harmonization laws that determine the development of each design form. The principle of the associative-shaped form clearly reveals the artistic idea, has a stronger emotional and aesthetic impact on the viewer than a simple utilitarian form, and allows for the possibility of various semiotic interpretations. The researcher suggests that an association as a connection between two representations (when one, having appeared, evokes in the mind another or several associative rows), is visually more acceptable to the appearance of semiotic signs in an urban environment. Any associative-shaped form as a semiotic sign can be interpreted in different ways and metaphorical flexibility may be achieved. However, the design forms must exhibit visibility and clarity of understanding for all social groups of the population. The author considers this topic in the context of design issues of creating a visually comfortable subject-spatial urban environment for a favorable human life. Natural imitations introduced into the fabric of urban development are capable of minimizing the influence of technogenic urban visual environment, saturating them with additional meanings, and compensating for the insufficiency of natural forms.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"17 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91288163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Children`s Illustrated Book as a Source of Reality Perception: Themes, Images, Color Solution","authors":"E. D. Lakizenko, T. Makarova","doi":"10.37816/2073-9567-2022-66-368-378","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-66-368-378","url":null,"abstract":"Traditionally, children copy the family and professional relationships of adults in their games. In the literature for children, the topic of studying the world around is important: both nature (in particular, the animal world) and social interaction — relations in the family and the children's team. A separate topic of children's literature is the study of the child's inner world: the formation of understanding and directions for the development of his emotions and feelings. In children of this age, a logical-conceptual connection is just beginning to develop, therefore illustrations in books for preschoolers are directly dependent on the text. Game motivation in a younger student is slowly giving way to a learning one, where actions are performed for the sake of certain knowledge and skills. This is a sure way to gain approval and recognition from both adults and peers, which determines the future status of the child (an important stage in the formation of self-esteem). There is no unequivocal opinion on the issue of the extent to which illustrations should be included in children's educational literature. Data on the influence of illustrations on the understanding of the text read by the child is ambiguous. Many researchers pay attention to the fact that the complete removal of illustrations may lead to a natural decrease in motivation to learn, and for this reason, “the motivational and attractive aspects of illustrations should not be ignored: it is well known that children love pictures”.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"144 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80345312","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Toponymic Structure of Pomor Settlements","authors":"T. Zhigaltsova, Vasiliy N. Matonin, Ekaterina N. Egorova, N. Bedina","doi":"10.37816/2073-9567-2022-64-45-64","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-64-45-64","url":null,"abstract":"The paper analyzes the architectural and spatial design and toponymic structure of Pomor settlements based on authors archival and field data. It also updates structure and elements of cultural landscape, identifies and describes regional features of the architectural and spatial organization of the settlement and the type of its spatial perception by local residents. The authors come to the conclusion about the dominant role of the category of space. Economic factors determine the image of space for the bearers of traditional culture. The category of space reflects the inner world of the people who experience it. Toponymic contexts analyzed from the point of view of language semantics and culture demonstrate typical morphological and morphemic models of word formation, which indicate both the universality of settlement structures, and universal toponyms with a rich internal form generating a vast interpretational field and semantic contamination of a spatial type. The toponyms, formed from anthroponyms, showing territorial belonging and marking the “space — person” relationship, are frequently found. The toponyms that appeared by transition of common names into the proper ones (reverse antonomasia) are of special interest in terms of interpretation. At the same time, reverse antonomasia did not result from the loss of the object’s main function of indicating a specific geographical object, rather, it represented itself in acquiring additional connotations (for example, Volchikha (from the word ‘wolf’), Popov Ruchei (the priest’s creek) withinthe spatial category and use in a generalized way (for example, Niz (bottom), Verkhov’ye (upper reach), Konets (end), Posad (trade quarter). The analysis of toponymic data confirms that, on the one hand, there is a rigidly defined center in the mental image of space — the habitable territory. On the other hand, the image of space for commercial fishermen was characterized by vastness, and their “striving outside” attitude did not only have a pragmatic, but also an existential character.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"84 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83841191","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Beautifiers of Russian Palestine: Vasily Paskhin","authors":"S. Mikhaylova","doi":"10.37816/2073-9567-2022-66-333-352","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-66-333-352","url":null,"abstract":"Russian religious art of the 19th century in the Soviet years did not correspond to the official ideological direction, in connection with which many of these works were destroyed, and the names of their authors were forgotten. In this sense, those works of Russian artists that have been preserved in the churches and metochions of the Holy Land allow us to restore these names and fill the lacunae of domestic art. The paper represents an attempt to establish the facts of the creative biography of one of these artists — Vasily Filippovich Paskhin, whose icon-painting works were preserved at the Alexander Podvorie (Metochion) in Jerusalem. The author refers to the surviving documents of the Imperial Orthodox Palestinian Society (IOPS), to documentary descriptions of the lost church monuments of St. Petersburg, to the materials of restoration work carried out in 2006 at the Alexander Podvorie, and also analyzes the surviving works of Paskhin. Basing on the studies conducted, the author made a number of assumptions regarding the biography of the artist, the issue of his possible belonging to the famous St. Petersburg Peshekhonovs Icon Painting workshop, as well as the circumstances of ordering icons for the Alexander Podvorie and the participation of Archpriest Vasily Yakovlevich Mikhailovsky, an active member of the IOPS. Since the name of Paskhin is not found in the lists of the Academy of Arts, or in other lists of Russian professional artists, or in materials devoted to the study of the work of the Peshekhonovs workshop, the author suggests that Vasily Filippovich was a unique native talent that independently comprehended the heights of icon painting skill.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"51 9 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91020548","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Spread of orthodoxy among the kalmyks in the late 17 – first half of the 18th century: cultural-historical analysis","authors":"V. Yakunin","doi":"10.37816/2073-9567-2022-63-21-43","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-63-21-43","url":null,"abstract":"The paper analyzes the process of spreading Orthodoxy among the Kalmyks at the end of the 17th – the first half of the 18th century and their resettlement in the city of Stavropol, specially founded for these purposes. It is argued that the resettlement of Kalmyks to new lands and their Christianization was a matter of state policy, which was distinguished by flexibility and pragmatism. It was carried out taking into account internal and external factors. Great importance was attached to the baptism of the Kalmyk elite resulting in the creation among them of a pro-government-minded elite. Influencing their fellow tribesmen, the elite was to become a pillar in the policy of Christianization. The study focuses on activity of state and church leaders who contributed to this process: V. N. Tatishchev, A. P. Volynsky, A. I. Rumyantsev, I. K. Kirillov, A. I. Zmeyev and others. When laying Stavropol, they were guided by the need to protect Russia from the raids of the Bashkirs: the fortress occupied a middle place between the Zakamsky and Orenburg fortifications. The city had good prospects of development, thanks to its favorable geographical position on a main waterway of Russia. The benefits received at baptism attracted a significant number of Kalmyks, but among them were many who did not accept Christianity at a deep spiritual level, continuing to follow their usual faith, most adapted to nomadic lifestyle. The new faith took root with difficulty. From the very beginning, Stavropol was built as a multinational city, since it was decided to settle Russian peasants, merchants and commoners next to the Kalmyks, so that the Kalmyks would learn, looking at them, to a settled way of life and tillage. In December 1738, the founder of Stavropol, V. N. Tatishchev, together with his first commandant, Colonel A. I. Zmeyev, went to the Collegium of Foreign Affairs with a proposal to allocate lands to the Kalmyks, to endow the poorest of them with horses, to arrange schools and hospitals. Settlement, enlightenment, health care, together with Christianization, were seen as mechanisms for turning the population of the colonized imperial outskirts, including the Kalmyks, onto a path of social and cultural modernization common to all of Russia. It is convincingly proved that the government's policy regarding the transfer of the Kalmyks to a settled way of life failed, because the traditions and habits of the nomads were too deep. Thus, the Christianization of the Kalmyks was of a rather formal nature, since they remained faithful to the former faith, facts of dual faith included.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"6 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73679249","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}