Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal最新文献

{"title":"The core of the cultural code of the Russian people as a deterrent to ressentiment","authors":"N. Isachenko","doi":"10.37816/2073-9567-2022-63-76-88","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-63-76-88","url":null,"abstract":"In recent decades, the idea of recognizing resentment as a characteristic feature of the Russian people has been strongly implanted in a collective consciousness, producing a negative impact on the formation of the image of Russia, the people, and undermining the country's authority, both in the world community and in the eyes of its own citizens. In this regard, the paper looked to determine the validity of such a statement. To meet this objective the author involved an extensive material on Russian culture and specifics of the Russian people`s character in a cultural and historical context: from Ancient Russia to the modern stage of civilizational development. The character of the Russian people and its cultural code have been formed over the centuries, enriched by their own and world experience under the influence of various factors. It was determined that, as in any other country, ressentiment emerged at crucial moments in the state`s history: during wars, revolutions, crises accompanied by the transformation of the value system, the crisis of culture. Russian culture is characterized by tolerance, kindness, forgiveness, generosity, mercy, compassion, which gives grounds to the following idea: envy, hatred, meanness, and revenge, which contribute to the formation of ressentiment, are not characteristic for a Russian person, therefore, ressentiment is not a characteristic feature of the Russian people. The paper articulates the idea that any position that asserts ressentiment as a characteristic feature of a nation or ethnic group, is a delusion. Resentment is formed in the presence of unfavorable socio-economic and cultural conditions in individual individuals, groups, marginal communities outside of belonging to a particular nation or ethnic group. Still the modern society gives shelter to the factors that contribute to the formation of ressentiment and its dissemination through information and communication technologies. The paper comes up with methods of preventing ressentiment.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81647826","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Sonata for viola and piano in the Russian musical art of the first third of the 20th century: works by N. A. Roslavets and S. N. Vasilenko","authors":"O. V. Radzetskaya","doi":"10.37816/2073-9567-2022-64-292-303","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-64-292-303","url":null,"abstract":"The study examines the little-known and rarely performed Sonatas for viola and piano by N. A. Roslavets and S. N. Vasilenko, famous musicians and public figures, major representatives of the Russian school of composition, written due to the growing interest in viola performance, technical and artistic capabilities of the instrument. This trend is based on a direct response tothe work of V. V. Borisovsky, who became one of the great interpreters of this repertoire and determined the path of its development up to the present time. The sonata for viola and piano has become a space for experiment, symbolizing the departure from academic canons, the emergence of an alternative type of thinking, the birth of original musical systems. Another facet of this process came to be the compositions written in line with romantic tendencies characteristic of the chamber ensemble in Russian music. The paper focuses on the stylistic and genre features of these compositions, their artistic content, close to the current trends of musical art of the first third of the 20th century. The author displays a diverse palette of intellectual and creative facets, and identifies characteristic features of the composer's handwriting of Roslavets and Vasilenko in the context of traditions and innovation, successive relationships and new aesthetic views.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82404505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Urban news story and literary plot: through the “Juzhnyj kraj” newspaper","authors":"E. A. Andrushchenko","doi":"10.37816/2073-9567-2022-63-152-162","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-63-152-162","url":null,"abstract":"Using forgotten news publications, the paper restores the source of the plot of A. S. Suvorin’s comedy “Tatyana Repina”, preserved in literary history mostly thanks to the continuation A. Chekhov wrote for it. This source was presumably an urban news story in the “Juzhnyj kraj” newspaper — Russia’s largest pre-revolutionary provincial paper, published in Kharkov for almost forty years. The newspaper contributed to the reputation of E. Kadmina, a notable opera and drama actress, by printing reviews of her performances and also highlighted her personal tragedy and painful death. Part of this effort belonged to the young critic Yu. Govorukha-Otrok, whose theatrical reviews analyzed the drama troupe’s performances. A. Suvorin’s addressing to the event covered in the paper and its conversion into a literary plot is seen as important evidence of the interaction between literature and periodicals, which requires description and study. In A. Suvorin’s play, the arrangement of the plot evolved from an urban news story accounted for the mass reader’s demands, their interests and expectations. The study considers A. Chekhov’s and A. Suvorin’s argument about “Tatyana Repina”, clarifying the issue of the genre of Chekhov’s play. The writers’ debate over the ways of developing a provincial plot is treated as a notable sign of the development of language and its expressive devices. These were determined not so much by readers’ and viewers’ expectations as by specific laws of dramatic conventionality.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83620517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Creators of the New: from the Working Experience of Moscow Proletkult","authors":"M. Yudin","doi":"10.37816/2073-9567-2022-66-88-98","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-66-88-98","url":null,"abstract":"The present paper continues the series of publications on theoretic foundations of the Proletkult movement and the issues of relationships with authorities during the first decades of the 20 c. It is to analyze the experience of creative activities of organizations for cultural education in post-war Russia. Drawing upon basically archival data the author specifies literary, theatrical, musical, artistic and design directions of activity of Moscow Proletkult. Numerous examples attest to the incorporation of the workers into creative process. The study draws attention to the role of ideology in shaping of a person of the new revolutionary era. The main structural organizations to engage the workers used to be the studios, clubs, circles, creative workshops. As the paper emphasizes, organizations of Proletkult provided a powerful impetus to the artistic activity of the population. And although the attempt of finding new ways in culture and creating a special, “elite” proletarian culture came to be unsuccessful, the school of Proletkult has trained a range of creative specialists, performed considerable educational work and ensured leisure activities of the workers during the Civil war.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76015771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Semiotic Functions of Figurative and Associative Forms of Design in the Urban Enviroment","authors":"N. Barsukova","doi":"10.37816/2073-9567-2022-65-359-371","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-65-359-371","url":null,"abstract":"The paper specifies the communicative and semiotic properties of associative design objects and the possibilities of their application in open urban spaces. It also presents figurative and associative forms of design as visual reference points and signs and considers basic principles of visual perception of information, embedded in the objects of sign communication. The study reveals the initial set of criteria and techniques that provide an effective and functional process of designing figurative forms of design — signs of visual communication and examines the main criteria and rules for the design of associative figurative design forms and the semiotic features of the perception of information in these forms. The paper analyzes the process of transformation of natural forms into a figurative design form. The author, basing on the associative design method, traces different degrees of conventionality of the design image (from recognizable, stylized to abstract), emphasizing the need to maintain a clear functional conditionality of the design form. The study proves that associative modeling obeys the same objective harmonization laws that determine the development of each design form. The principle of the associative-shaped form clearly reveals the artistic idea, has a stronger emotional and aesthetic impact on the viewer than a simple utilitarian form, and allows for the possibility of various semiotic interpretations. The researcher suggests that an association as a connection between two representations (when one, having appeared, evokes in the mind another or several associative rows), is visually more acceptable to the appearance of semiotic signs in an urban environment. Any associative-shaped form as a semiotic sign can be interpreted in different ways and metaphorical flexibility may be achieved. However, the design forms must exhibit visibility and clarity of understanding for all social groups of the population. The author considers this topic in the context of design issues of creating a visually comfortable subject-spatial urban environment for a favorable human life. Natural imitations introduced into the fabric of urban development are capable of minimizing the influence of technogenic urban visual environment, saturating them with additional meanings, and compensating for the insufficiency of natural forms.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91288163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"National Character and Foreign Cultural Borrowings in the Light of Domestic Thought","authors":"Andrey F. Polomoshnov, L. Polomoshnov","doi":"10.37816/2073-9567-2022-66-67-80","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-66-67-80","url":null,"abstract":"Liberal Russian reforms at the turn of the millennium actualize the issue of foreign cultural borrowing in the national discourse. The study, using examples of P. Ya. Chaadaev, F. M. Dostoevsky and N. A. Berdyaev analyzes the relationship between foreign cultural borrowings and traits of national character, which determine the attitude towards other cultures and towards qualitative transformations of society. All these concepts reflect the inconsistency of the respective features of the national character. The position of P. Ya. Chaadaev is contradictory. Whereas in Philosophical Letters he simultaneously ascribes to the Russian people a lack of innovation and a lack of soil, in Apology of the Madman, on the contrary, he sees in the Russian people a paradoxical unity of national conservatism and the ability to innovate. F. M. Dostoevsky perceives the basis of our national character a synthesis of national soil and universal responsiveness. N. A. Berdyaev formulates two antinomies of the Russian soul: 1) the antinomy of universalism and nationalism and 2) the antinomy of “boundless freedom of spirit” and “unheard-of servility”, without finding a convincing solution to these antinomies. The authors come to the conclusion that as a result of the interaction of foreign cultural innovations and the traits of the Russian national character associated with their perception, certain modes of antinomies identified by Russian thinkers are actualized in it. As a result, the national character informs a certain balance, providing a specific historical continuity and stability of its archetypal structures.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86946922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Enlightening Significance of Landscape Architecture in Russia: Sacred Symbolism and Educational Environment","authors":"V. Zhirov, E. Mitina, A. Ishchenko","doi":"10.37816/2073-9567-2022-65-8-25","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-65-8-25","url":null,"abstract":"The main milestones in the evolution of relationship between man and nature are reflected in social functions of landscape architecture through different periods of its historical development. It is largely associated with gardens and parks educational activity, which harmonious combination of ancient sacred and modern educational symbolism distinguishes them from other architectural forms. The present study discusses the historical development of Russian landscape architecture, considered in the context of the relationship of sacred and educational functions. The authors examine formation process of the educational role of Russian landscape architecture from the Ancient World to modern times: at the stages of its implementation through the ancient Slavs sacred buildings, monastic and apothecary gardens creation, the development of a system of botanical gardens and ecological parks. The analysis of the evolution of these relations allows us to conclude that the sacred and educational functions of Russian landscape art, having begun earlier than others, are not only developing to the present days, but also having a close relationship precisely in the discourse of the enlightenment at all stages.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88091457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Circumlocution technique as a marker of identity search in modern Slovak literary works","authors":"Viktoria S. Kniazkova","doi":"10.37816/2073-9567-2022-64-208-216","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-64-208-216","url":null,"abstract":"Modern Slovak literature is nationally oriented. One of the frequent issues in the works of Slovak authors is the search for national identity. This issue is considered by writers explicitly, for example, in the story by Pavel Vilikovský “Všetko, čo viem o stredoeurópanstve” (1996, “Everything I know about Central Europeanism”), in the story by Michal Hvorecký “Profesionálny Stredoeurópan” (2004, “Professional Central European”); and implicitly, for example, in the novels of Peter Krishtufek “Šepkár” (2008, “The Prompter”), “Dom hluchého” (2012, “The House of the Deaf Man”), in the novels of Irena Brezhna “Na slepačích krídlach” (2007, “The Best of the Worlds”), “Nevďačná cudzinka” (2012, “The Thankless Stranger”), etc. These works contain various kinds of linguistic markers that express the author's position. These can be realia lexemes, foreign language inclusions, non-literary vocabulary, etc. The paper examines one of the elements that unite all the above-mentioned works — namely, the method of сircumlocution. Describing the situation in Slovakia, the authors in the above fiction works do not name their country, cities, people and language directly, instead giving only their descriptive designation. This technique can be viewed as a linguistic marker of the search for national identity.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87168250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Foreign Policy in Programs of Czech Political Parties at Turn of the 21th Century: Historiographical Essay","authors":"Mstislav Yu. Ankhimiuk","doi":"10.37816/2073-9567-2022-65-128-141","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-65-128-141","url":null,"abstract":"The paper presents a historiographical overview of the evolution of foreign policy concepts of Czech political parties at the turn of the 21st century in terms of cardinal geopolitical changes and formation of a new system of international relations in Europe. After the emergence of the independent Czech Republic, scholars from different countries began to show interest in the foreign policy of the new state in the region of Central and South-Eastern Europe. The present research groups academic papers according to the centers of study of the topic in Russia, the Czech Republic, Great Britain and the USA, also following chronological order, starting from the 1990s and ending with the end of the 2010s. For the first time the author designates a “watershed” in the history of the issue, when in the scientific literature the study of Czech foreign policy in general turns to a narrower range of topics. Many researchers specializing in international relations turned from studying general issues of Czech foreign policy to specific topics, such as the positions of parties regarding further European integration, military cooperation with NATO, relations with Russia, etc. This fact allows us to talk about the growing interest of the scientific community in deep processes shaping the foreign policy of the Czech Republic.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85668177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A few words about truth and sincerity in Art: creative experience of Tatyana Nazarenko and Alena Dergileva","authors":"N. Beschastnov, Evdokia N. Dergileva","doi":"10.37816/2073-9567-2022-63-294-308","DOIUrl":"https://doi.org/10.37816/2073-9567-2022-63-294-308","url":null,"abstract":"The paper analyzes works of two distinguished contemporary Russian artists: Tatyana Nazarenko and Alena Dergileva, who began their artistic career in Moscow in the 1970s. They are among the most prominent representatives of realistic art, the formation of which had nothing to do with the “epic” praising of shock-workers of “Communist labor” in compliance with “socialist realism”, and was based on their own search for the truth in life and art, whatever it was. This truth was not always convenient for Soviet officialdom, both in terms of content and unceasing search for a new art form adequate to the content and the means of its expression. The study defines and explores the stages of development of artists from compositions with intimate images of family and friends of artists to paintings and graphic sheets dedicated to turning points of Russian history and modern life of the Fatherland. The author analyzes the features of compositional and artistic techniques found by artists and which are a contribution to the development of modern realistic art. In the text, the artists' creativity is presented in the context of the General development of Russian art in the second half of the twentieth century-the first decades of the twenty-first century, expressed both through the interest in Russian history and search for artistic truth and sincerity in art. Analysis of the correlation between the two best representatives of realistic art and the time of creation of their works allows us to understand better the features of changes in the domestic art of the 1970s – 2010s, to identify the creative aspirations of the period and their transformation. The paper focuses on the artists` experience to highlight features of the artistic experience of T. Nazarenko and A. Dergileva within the realistic direction in art and to determine the forms of further development of figurative creativity.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80664433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}