Studies in Russian and Soviet Cinema最新文献_第6页

Poetic cinema: a genealogy of the ‘poetic’ in Soviet and post-Soviet critical discourse 诗意电影:苏联和后苏联批评话语中的“诗意”谱系

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Studies in Russian and Soviet Cinema Pub Date : 2022-04-21 DOI: 10.1080/17503132.2022.2064578

Olga Kim

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引用次数: 0

Haptic visuality, sensation and politics in Eisenstein’s film theory 爱森斯坦电影理论中的触觉、视觉、感觉和政治

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Studies in Russian and Soviet Cinema Pub Date : 2022-03-28 DOI: 10.1080/17503132.2022.2056992

P. Branco

{"title":"Haptic visuality, sensation and politics in Eisenstein’s film theory","authors":"P. Branco","doi":"10.1080/17503132.2022.2056992","DOIUrl":"https://doi.org/10.1080/17503132.2022.2056992","url":null,"abstract":"ABSTRACT In this article, I analyse the convergences between haptic visuality and Sergei Eisenstein’s film theory, in particular his ideas on rhythm, sensorial thought, organic unity, pathos and ecstasy in order to consider the extent to which they constitute the core of a ‘cinema of sensation’ that, for Eisenstein, serves a very important political drive. Simultaneously positioned at the core of avant-garde criticism of traditional models of representation on the one hand, and political revolutionary ideas on the other, cinema appears, to Eisenstein, as a privileged space in which to bring the representative imagery dominant in ‘bourgeois societies’ into question and to put art at the service of the Revolution. My intent is to assess how Eisenstein combines avant-garde aesthetic aims and experimental film practices with the goals of politically engaged creations. This combination is achieved through the exploration of a haptic use of images that prefigure a ‘cinema of sensation’. This article therefore takes the form of a double analysis: on the one hand, it examines the relationship between haptic visuality and Eisenstein’s film theories; on the other, it questions how haptic visuality plays a fundamental role in harmonising the apparently opposite vectors of aesthetic avant-garde and materialistic political drives.","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"16 1","pages":"88 - 104"},"PeriodicalIF":0.1,"publicationDate":"2022-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43434016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Shaping the genealogy of the Soviet intelligentsia in two film adaptations of the 1960s 在20世纪60年代的两部改编电影中塑造苏联知识分子的谱系

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Studies in Russian and Soviet Cinema Pub Date : 2022-03-25 DOI: 10.1080/17503132.2022.2052683

M. Mayofis

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引用次数: 2

Alisa Seleznёva, a girl alone in outer space: rethinking gender, family and state in late-Soviet children’s science fiction and animation Alisa Seleznёva，一个独自在外太空的女孩:在苏联后期的儿童科幻小说和动画中重新思考性别、家庭和国家

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Studies in Russian and Soviet Cinema Pub Date : 2022-03-22 DOI: 10.1080/17503132.2022.2052684

Aleksandra Shubina

引用次数: 0

The transformation of ‘divisive’ daughters-in-law in Central Asian cinema 中亚电影中“分裂”儿媳的转变

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Studies in Russian and Soviet Cinema Pub Date : 2022-01-02 DOI: 10.1080/17503132.2021.2024039

Jamile Satybaldiyeva

引用次数: 0

The phenomenon of Partisan Cinema: alternative film production in Kazakhstan (Appendix: A Manifesto) 党派电影现象:哈萨克斯坦的另类电影制作(附录:宣言)

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Studies in Russian and Soviet Cinema Pub Date : 2022-01-02 DOI: 10.1080/17503132.2022.2028257

S. Abishev, E. Lumpov, Inna Smailova

引用次数: 0

Psychomotor aesthetics: movement and affect in modern literature and film 精神运动美学:现代文学与电影中的运动与情感

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Studies in Russian and Soviet Cinema Pub Date : 2022-01-02 DOI: 10.1080/17503132.2022.2031762

A. Toropova

引用次数: 1

Cinemasaurus: Russian film in contemporary context 电影龙:当代背景下的俄罗斯电影

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Studies in Russian and Soviet Cinema Pub Date : 2022-01-02 DOI: 10.1080/17503132.2022.2031761

R. Morley

引用次数: 0

Faster, higher, stronger, comrades! Sports, art, and ideology in late Russian and early Soviet culture 更快、更高、更强，同志们!俄罗斯晚期和苏联早期文化中的体育、艺术和意识形态

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Studies in Russian and Soviet Cinema Pub Date : 2022-01-02 DOI: 10.1080/17503132.2022.2026156

Stephen M. Norris

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She animates: Soviet female subjectivity in Russian animation 她动画化：俄罗斯动画中的苏联女性主体性

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Studies in Russian and Soviet Cinema Pub Date : 2021-09-12 DOI: 10.1080/17503132.2021.1970387

Marina Rojavin

引用次数: 0