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Studies in Russian and Soviet Cinema最新文献

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The Kino magazine and the parable of Ukrainian film criticism of the 1920s 基诺》杂志与 20 世纪 20 年代乌克兰电影评论的寓言故事
IF 0.1
Studies in Russian and Soviet Cinema Pub Date : 2024-08-31 DOI: 10.1080/17503132.2024.2393929
Stanislav Menzelevskyi
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引用次数: 0
Mykola Shpykovskyi and the visual style of late VUFKU films Mykola Shpykovskyi 和晚期 VUFKU 电影的视觉风格
IF 0.1
Studies in Russian and Soviet Cinema Pub Date : 2024-08-29 DOI: 10.1080/17503132.2024.2392331
Vincent Bohlinger
{"title":"Mykola Shpykovskyi and the visual style of late VUFKU films","authors":"Vincent Bohlinger","doi":"10.1080/17503132.2024.2392331","DOIUrl":"https://doi.org/10.1080/17503132.2024.2392331","url":null,"abstract":"This essay focuses on an editing strategy repeatedly found in Mykola Shpykovskyi’s films The Self-Seeker (Shkurnyk, 1929) and Bread (Khlib, 1929) that relies on limited camera set-ups and axial cut...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"4 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142190996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The place of Ukraine in Mark Donskoi’s The Rainbow 乌克兰在马克-东斯科伊的《彩虹》中的地位
IF 0.1
Studies in Russian and Soviet Cinema Pub Date : 2024-08-22 DOI: 10.1080/17503132.2024.2392337
Jeremy Hicks
{"title":"The place of Ukraine in Mark Donskoi’s The Rainbow","authors":"Jeremy Hicks","doi":"10.1080/17503132.2024.2392337","DOIUrl":"https://doi.org/10.1080/17503132.2024.2392337","url":null,"abstract":"This article argues that Mark Donskoi’s 1944 film The Rainbow, made at the evacuated Kyiv film studios in Turkmenistan, gains an enormous amount when seen as a Ukrainian film. While the Odesa-born ...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"9 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142190994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Against observation: the panoramic legacy of Sergei Loznitsa 反对观察：谢尔盖-洛兹尼察的全景遗产
IF 0.1
Studies in Russian and Soviet Cinema Pub Date : 2024-08-18 DOI: 10.1080/17503132.2024.2392338
Lora Maslenitsyna
{"title":"Against observation: the panoramic legacy of Sergei Loznitsa","authors":"Lora Maslenitsyna","doi":"10.1080/17503132.2024.2392338","DOIUrl":"https://doi.org/10.1080/17503132.2024.2392338","url":null,"abstract":"Critical reception of Ukrainian director Sergei Loznitsa’s documentary films typically concludes that the director privileges observational techniques to depict historical events and political move...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"7 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142190995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Singing a different tune. The Slavic film musical in a transnational context 唱着不同的曲调跨国背景下的斯拉夫电影音乐剧
IF 0.1
Studies in Russian and Soviet Cinema Pub Date : 2024-05-31 DOI: 10.1080/17503132.2024.2355691
Richard Taylor
{"title":"Singing a different tune. The Slavic film musical in a transnational context","authors":"Richard Taylor","doi":"10.1080/17503132.2024.2355691","DOIUrl":"https://doi.org/10.1080/17503132.2024.2355691","url":null,"abstract":"Published in Studies in Russian and Soviet Cinema (Vol. 18, No. 2, 2024)","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"71 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141258082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Afterword: cinemas of the Soviet peripheries 后记：苏联周边地区的电影院
IF 0.1
Studies in Russian and Soviet Cinema Pub Date : 2024-05-31 DOI: 10.1080/17503132.2024.2355601
Emma Widdis
{"title":"Afterword: cinemas of the Soviet peripheries","authors":"Emma Widdis","doi":"10.1080/17503132.2024.2355601","DOIUrl":"https://doi.org/10.1080/17503132.2024.2355601","url":null,"abstract":"Published in Studies in Russian and Soviet Cinema (Vol. 18, No. 2, 2024)","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"84 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141502131","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sex Work in Contemporary Russia: A Cultural Perspective 当代俄罗斯的性工作：文化视角
IF 0.1
Studies in Russian and Soviet Cinema Pub Date : 2024-05-31 DOI: 10.1080/17503132.2024.2355692
Birgit Beumers
{"title":"Sex Work in Contemporary Russia: A Cultural Perspective","authors":"Birgit Beumers","doi":"10.1080/17503132.2024.2355692","DOIUrl":"https://doi.org/10.1080/17503132.2024.2355692","url":null,"abstract":"Published in Studies in Russian and Soviet Cinema (Vol. 18, No. 2, 2024)","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"25 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141258168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Remapping Cold War Media: Institutions, Infrastructures, Translations 重绘冷战媒体：机构、基础设施、翻译
IF 0.1
Studies in Russian and Soviet Cinema Pub Date : 2024-05-10 DOI: 10.1080/17503132.2024.2352077
Mia Öhman
{"title":"Remapping Cold War Media: Institutions, Infrastructures, Translations","authors":"Mia Öhman","doi":"10.1080/17503132.2024.2352077","DOIUrl":"https://doi.org/10.1080/17503132.2024.2352077","url":null,"abstract":"Published in Studies in Russian and Soviet Cinema (Ahead of Print, 2024)","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140931851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Screening films on the peripheries: ‘cine-service’ in ‘red chums’ for Indigenous audiences in the rural Soviet North 在边缘地区放映电影：在苏北农村地区的 "红房子 "为土著观众提供 "电影服务
IF 0.1
Studies in Russian and Soviet Cinema Pub Date : 2024-04-17 DOI: 10.1080/17503132.2024.2342598
Caroline Damiens
{"title":"Screening films on the peripheries: ‘cine-service’ in ‘red chums’ for Indigenous audiences in the rural Soviet North","authors":"Caroline Damiens","doi":"10.1080/17503132.2024.2342598","DOIUrl":"https://doi.org/10.1080/17503132.2024.2342598","url":null,"abstract":"This article looks at film exhibition targeting Indigenous audiences in the rural Soviet North. It draws on the case of ‘red chums’ (or red ‘iaranga’, or ‘yurt’, etc. depending on the target popula...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"26 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140611690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Deepfaking the ‘Acceptable Chechen’: Orientalist form and homonationalist worlding in David France’s Welcome to Chechnya 伪造 "可接受的车臣人"：戴维-弗朗西斯科的《欢迎来到车臣》中的东方主义形式和民族主义世界观
IF 0.1
Studies in Russian and Soviet Cinema Pub Date : 2024-03-05 DOI: 10.1080/17503132.2024.2301784
Misha Irek (Yakovlev)
{"title":"Deepfaking the ‘Acceptable Chechen’: Orientalist form and homonationalist worlding in David France’s Welcome to Chechnya","authors":"Misha Irek (Yakovlev)","doi":"10.1080/17503132.2024.2301784","DOIUrl":"https://doi.org/10.1080/17503132.2024.2301784","url":null,"abstract":"This article provides an interventionist critique of David France’s documentary Welcome to Chechnya (2020), from a queer decolonial perspective. This film claims to expose the brutal violence again...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"34 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140070051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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